Muffin Bottoms [not] Just another WordPress weblog

08/05/2012

Blogging About The World Getting Smaller Twice In One Story

Filed under: Mundane Or Sublime,Music and Stuff,Tech — admin @ 8:55 pm

I really need to tell the marvelous two-level “world-is-getting-smaller” story of how I brought my Navatone guitar home. I bought one of Bruce Zinky’s Smokey Amps to go along with it and had it in the case. So I bring it into my favorite luthier’s shop, Frets in Westerly, owned by Zachary Dustin and when we opened the case, Zach’s wife at the time looks in and goes, “Isn’t that that little amp that Tony Palazzolo helped invent?”

Why yes it is, and I go, “any relation to Mike Palazzolo?” and they say yes, his brother. Small world. I know Mike pretty well from different bands the past 4 or 5 years around New London County and Rhode Island and stuff, right?

So that’s that, the world is getting smaller, eh?

But wait, there’s more.

So the following January I’m at Namm in Anaheim and I actually get a couple opportunities to meet Bruce Zinky the guy who invented the Smokey amp. I’m telling him the whole story about bringing the guitar to Westerly and seeing the amp in my case, etc., and at some point a guy walks up and says, “Excuse me, could you tell that part about Stonington and Westerly again?” So I backtrack and when I get to the part about “Tony Palazzolo,” he reaches his hand out and says, “Tony Palazzolo, nice to meet you.”

What a trip!!!

Every time I tell this story I can feel the planet shrinking a little more…

That is all I can say for now.

04/04/2012

A Roundup of S(h)orts

Filed under: Humor,Music and Stuff,News,Pop Culture,Sports,Tech — admin @ 1:04 pm

Here’s a roundup of shorts, er uh ground up sorts, um, I mean some wound up sports, or wait, I know, a Roundup of Sorts…

My heartfelt version of Flatt and Scruggs’ “Roll In My Sweet Baby’s Arms” (written by Charlie Monroe) in honor of the late Earl Scruggs. (January 6, 1924 – March 28, 2012)

http://www.reverbnation.com/artist/song_details/9464509

Looking over my record deal I consider how much better mine is than ones my friends signed with majors the past decade or so.
OK please support Jay Roc
http://www.youtube.com/watch?v=m3u8H-G_FR4
Friend of a friend sort of, really kind of a distant cousin’s son!
Some old guy in this bkfst nook just asked his buddy how he can get a vibrator for his fone.
A guy behind me just told his mom he can’t talk with her on the phone anymore because he’s “coding.”
what was he doing? WOW online.
Yes, my peeps – be ready to look for it. I’m taking my album art inspirations most deliberately from a Zeppelin, a Miles Davis, a Melanie Safka and a Duane Eddy rekkid.
My luthier just compared my production style in a rendition of “Follow the Drinking Gourd” to Lennon’s “working class hero” recordings. That compliment made my day!
What if the Hokey Pokey really IS what it’s all about?

Listen, I know everyone feels great about their new releases, etc., and we all work so hard and want to hype ourselves, but I can tell you, my debut folk full length that I’m releasing 12apr12 is very very good.

And as they say in the middle school where I sub the most, it’s “mad beast.” 😛

http://www.reverbnation.com/play_now/song_12648062

Old and dear friend of mine, David Rovics singing a great new song that really got my attention. Except for the pointed slam at Bruce Springsteen and who I’m going to assume is Little Steven Van Zandt pretty much every lyric in this song is spot on.

We all still live and die by this punk rock sensibility that everyone who makes it is a scumbag, like so many crabs in a bucket.

Having hung out a lot with people like Robbie Robertson, John Densmore, Warren Buffet’s son Peter, Jacob’s dad from Twilight and the old blue guy from Avatar, I can say it’s more about what you’re doing and how you live your life than what amount of dollars or checkbooks you carry around in your pocket.

And not trying to rib David too much, if you’re not talking about Silvio Dante, you must mean Rodriguez and not Berlusconi, right? What are you doing man? Tell me what’s up! 🙂


http://www.youtube.com/watch?v=lkw6Uq7nhBs

“Marc, I don’t remember if I told you this, but I’m a group leader for a group of Tiger Cub Scouts. We had our monthly meeting last night, and we do some sort of activity as a group. Well, I chose to teach those kids a few songs. We did “Frybread” and “The Shortest Song You Ever Heard.” Can you imagine a group of kids singing “Frybread, frybread, make me some frybread.” I concluded the meeting by telling the kids to sing those two songs at school tomorrow. Neat, huh?”

– Patrick Moore

A feedback recovered from the old IUMA website, thanks be to the WAYBACK MACHINE!!!

http://web.archive.org/web/20051208014506/http://artists3.iuma.com/IUMA/Bands/Marco_Capelli/lyrics-0.html

“I hope as my kids get older they stay compassionate, stop to talk to old people, the homeless, the sick…sing to our military, continue to brighten peoples days and bring them hope.”
Mistr Gritshttp://www.gritsworld.com/press_page

Holy cow! 61st nationally in the Folk charts. Thank you everybody, for helping my music climb like this! (In January it was 300th!!!) Alls I ever wanted “when I grow up” was to have people hear some of the songs I write, and you’ve helped me make that happen. I’m quite grateful!

http://www.reverbnation.com/play_now/song_9895127

Two NYE’s ago my Rosebud friend Frank gave up a heavy gig with Baby Phat because it just didn’t feel right. I’m sure he had to do some serious soul searching to turn away from something such as that! Now he’s learning Recording Engineering at a cool school in Chicago. Big ups to Frank Waln; you rock bro!

http://www.youtube.com/watch?v=H3kPW-fE5Yc

It was while substitute teaching in either Windham or Baltic I came to the realization I can track each and every success and failure in my life back to a specific teacher’s words and deeds when I myself was but two feet tall or so. And may I repeat, Governor Scott walker you are meanspirited and just generally a very bad person.

My midwestern eeuu friend Jill says she’s already seen a bunch of RWBB’s and SandHill Cranes! I have yet to see either although there have been a handful of robins lately. In my preparation for the first chance encounters with some RWBB’s (you already know I have an affinity type friendship with the little black, red, yellow & white critters) I give you this song from last year. 🙂 enjoy…

http://www.reverbnation.com/play_now/song_11152313

And if you are guessing I might be finally getting ready to start publishing my humble little weekly ‘Zine again soon, you umm… Might be right…
😉

02/13/2012

FLIM-FLAMMYS: reviewing this year’s Grammy/Naras Ceremony

FLIM-FLAMMYS: A Marco-Style Review of the Grammys.
  12feb12. Mystic, Konetiuk!

And now I’ll attempt to make all my snarky remarks over at FB and Twitter into one large post so I can delete all the one liners for good.

Most of the words are mine, unless the little iKons show you otherwise. J

😉

@tinselkorey LOL I did JazzHands 2day too. Also friends of mine sang at pregrammys at the Renaissance. Wish I were on that coast this wknd!

18 hours ago

Open

Adele, I have Amy Winehouse on line 1. She wants you to give her back her hairstyle. #grammys #grammy #grammys2012

rosannecash rosanne cash

The Minaj outfit just screams ‘GREAT MUSICIAN’! #IWoreThatInThe80s

12 hours ago

in reply to ↑

@MarcFrucht Marc Frucht

@rosannecash You’re being sarcastic, right?

11 hours ago via web

replies ↓

rosannecash rosanne cash

@

@MarcFrucht um.yes.

11 hours ago

marco capellimarco capelli @atizine

Close

@rosannecash @Terry_Ware @SandraBernhard I’m with you there, Roseanne. I’m watching it in a bar with the sound off, and reading tweets. 🙂

@calinative LL Cool who? I guess at least he kept his same name forever instead of changing it every week like P doody, diddy wah daddy…

11 hours ago

rosannecash rosanne cash

I notice The Boss doesn’t need to wear a miter to sound like he owns the whole freaking world.

11 hours ago

»

jamileh Pump up the Jam

@

@rosannecash I know I could just google it but…what is a miter in this context?

11 hours ago

rosannecash rosanne cash

@

@jamileh Minaj showed up on red carpet with a.. Bishop. Wearing a miter.

11 hours ago

in reply to ↑

@MarcFrucht Marc Frucht

@rosannecash @jamileh If she really wanted 2 shock us she coulda ripped up a picture of Pope Ratzinger, oops. n/m. Sinead already dunnit..

11 hours ago via web

· Open

I ribbed Adele at the end of last year a bit, and now she sweeps. What’s up with that? twitpic.com/81bcur/full

Oh wait, Adele won an award? holy wah. Who’d’a thunk it. Congrats lady. Here’s hoping you win a couple more, eh?

11 hours ago

@NeyomFriday I haven’t paid attention to anything by him since Grenade. What’s new with him?

Steampunk was popular at the last 2 NAMMs. I think I’ll play my folk music and classical guitar in front of gears, maybe I’ll win a grammy

10 hours ago

@mrdaveyd Man, I reached for my Pick Of Destiny and it wasn’t there. Who stole my pick? Nicky Minajjjj, you got my pick???

10 hours ago

@M_CCarpenter @rosannecash woah, first I thought that was Tina Turner doing her Pinball Wizard stuff all over again.

10 hours ago

Have U seen Katy Perry play guitar? I’m scratching my head trying to figure out why her label won’t let her shred in public!

10 hours ago

I thought for sure she was Tina’s granddaughter. Time for some family tree stuff! She’s got Mark Anthony’s belly though.

10 hours ago

Please 4give my allcaps; but since WHEN DID MY GRAMMYS BECOME A REALITY SHOW??? Deep breaths…

10 hours ago

“Has Snookie shown up yet? If not…be grateful.”

— Susan ______

Just spied my buddy Little Steven. I swear if he showed up w/o the round bandana over his head everyone would think he was me! #grammys

10 hours ago

“Men Without Women one of my fave albums ever.”

— Dawn ______

“Too funny, when I saw him playing I did a double take I was like does Marco have a twin? Lol”

— Cody ____

Dawn, you know that long bluish purplish coat he wore with Disciples of Soul is at Foxwoods Hardrock out in the hallway there, right?

http://twitpic.com/ome1f

🙂

Woah, what’s Lady Gaga wearing, that French inquisition helmet thingie???

10 hours ago

And I’m sorry, I mean no agism here, seriously. Do each of the Beach Boys look like Senator McCain in intense pain or what???

“That net thing made think of those things they put on hams or turkeys…well, it did.”

— Allison ____

@Podemskichick I’m not a fan either. Plain White T’s are the only Violent Femmes wannabes I’ll tolerate really. #grammys2012 #grammy

10 hours ago

OK I give up, who’s the blond dude doing Bm looking stratocaster solos on a cutaway classical guitar while Sir Paul’s tryin’ to sing? (I’ve got the sound off so I think it was that, or was it C? Anyhew…)

“Joe Walsh. Diana Krall on piano.”

— Colin _______

Oh that makes sense. He’s still doing Rocky Mountain Way no matter what axe you put on his lap. 😛

“LOL…it actually wasn’t bad. But kind of surprising to see ol Joe up there with the classic acoustic.”

— Colin

neat. I’ll have to catch it on youtube or reruns. 🙂

I definitely saw some interesting vibrato but for the most part it looked quite boring. In my not so humble opinion. 😛

@CatalinaByrd wait that’s taylor swift? I thought it was Grace Potter just not showing panties or anything…

9 hours ago

@FolkAlley Dust Bowl? I thought she was recreating that Orwellish Hillary Clinton 1984 ad they did before the primaries last time around.

9 hours ago

I love Chris Brown!

Could someone maybe please help me find out if maybe I might’ve caught Stockholm Syndrome maybe?

Got to agree with you there. Losing /world/folk/nativeamerican was a punch in the gut, to be sure. Not to mention all the others!

8 hours ago

@DanteRoss @lorrieboo you’re right, that says it right there!

2 hours ago

@lorrieboo LED ZEPPLIN never won a Grammy and TRAIN have won 3. #grammys The whole shabang in a nutshell right there

5 hours ago

Retweeted by atizine

@tinselkorey once in a while something musical happens at a grammys. It’s like watching The Dead for hours hoping for that moment. Oops…

2 hours ago

“Too late, you said it. The living deadheads will be coming to get you soon. Don’t panic.”

— John ____

hahahaha. Well I won’t be the first to have said it. I don’t think Jerry Garcia was the first either. I just made the analogy. 😉

@ThatEricAlper I think Michael Jackson broke Roger Miller’s longstanding streak on the male side. How far back do the female records go?

2 hours ago

Slowly wake up to realization that “Breaking Dawn” didn’t sweep, didn’t even win any… Wait wrong Ceremony…

2 hours ago

@459GangNutty wow! Maybe my favorite quotable of the whole nite! You said a mouthful, toots. “Whitney Houston died YESTERDAY and the WHOLE GRAMMYS CHANGED..JESUS DIED 2000 years ago and he is STILL waiting on US TO CHANGE”

1 hour ago

@ThatEricAlper Nothing wrong w’ AmericanIdol as realityshows go. I just came up hoping 4 Grammys 2 B THE LAST event 2 cave & become one.

1 hour ago

RT @YummyMummyclub : Dear Adele. Please don’t do drugs. Ever.

9 hours ago

Retweeted by atizine

@ThatEricAlper Truly believe the worst side effect of the move from hippy to yuppy was the global shift from pot to coke

1 hour ago

Levon Helm took americana? That man IS americana, and I mean that in a good way.

1 hour ago

[earlier refs]

http://muffinbottoms.org/?p=330

http://www.textfiles.com/magazines/ATI/ati347.txt

http://www.sandiegoreader.com/weblogs/bands/2009/feb/09/monday-round-town-plus-soft-pack-says-hi-from-la-w/

01/11/2012

Woah, I Guess “Frybread’s” Gonna Get Out There and Impact So Many People!

The other day I saw a friend in a coffee shop and related a moment when I went out in the hallway as a substitute teacher and a schoolkid yelled “mr marco,” smiled and waved and then began singing slightly altered lyrics to my song “frybread,” something like “nana… nana… make me some frybread, make me some frybread, nana make frybread…  but s/he did it in key and right on to the rhythm and tempo.

He immediately called his toddler who’s the one you can hear offstage in my music video because of her fisherprice fone-on-wheels. He wanted to ask her while I was there what her favorite song was. He said there was too good of a chance she’ll say it’s “Frybread” because he’s heard her sing it all the time. Well she listed two songs as her all-time favorites. Uncle Kracker’s “Smile” and my “Frybread.”

I’m grateful, thankful, embarrassed, awkward, humbled, and elated each and every time someone responds like this to my humble little 3-chord song written in C with the simplest most honest lyrics about a relationship between a 4-year-old Navajo girl and her great grandmother. I really don’t know how to express all those feelings in words really.

I did want to mention this though as a follow-up to that first story I’ve been relating all week because this kind of stuff just keeps happening.

Here’s the post I’d put up about that earlier event:
OK nothing more thrilling this life than having someone about 3 feet tall who you haven’t seen in more than a month recognize you in the hallway, wave say hi and smilingly, sing a couple lines from the chorus of a song you wrote!
Related food oriented links?
Music?
Frybread Video (you can hear Little Evie in this)
Sincerely,
Marco Frucht
http://www.frucht.org
🙂

01/01/2012

Sacred Cows make the tastiest hamburger…

Filed under: Academic,Mundane Or Sublime,Music and Stuff,Pop Culture — admin @ 11:26 am
For those of you who think John Lennon would roll over in his grave because of Cee Lo Green‘s rendition of “Imagine,” I’ve got one Abbie Hoffman quote for you:

Sacred cows make the tastiest hamburger.

I’ll bet Lennon is laughing at/with all of us.

The lyric change is at about 5:01 mins.

Hear for yourself, and as a professional folksinger I simply say if you can’t handle parody, this says more about you than Cee Lo or John.

K thx bye.

http://www.youtube.com/watch?v=ourduRjODPA&feature=player_embedded

12/20/2011

Try this great recipe for Marco’s Sweet Tanka Chili

Filed under: Academic,Food,Mundane Or Sublime,Music and Stuff — admin @ 7:07 pm

Marco Frucht of Connecticut is a poet, songwriter, folksinger and classical guitarist who is a big fan of Tanka Bar. He participated in early test marketing for our products. You can hear his music on his Reverbnation page.

Marco has concocted a chili recipe of his own design which we have dubbed “Marco’s Sweet Tanka Chili.” Sounds perfect for a cold, winter night.

4 T. olive oil *
1 white onion, finely chopped
1 T. paprika
2 large red peppers
1 bell pepper
4 garlic cloves, chop finely
1 bag Tanka Bites, cutting some of them just a little tinier than they
already are.

Saute these first ingredients (in order of appearance) in a frying pan.

IN A LARGE CROCK POT OR SLOW COOKER

4 more T. of olive oil
1 can tomato paste
2 cups water
2 small slices of fresh ginger, chop fine
2 t. ground cumin
1 t. cayenne *
1 jalapeno *
1/2 sweet potato chopped fine *
1/2 sweet potato solid (for cutting down on saltiness)
2 cans organic black beans *
1 bay leaf

Bring water to a rolling boil, add tomato paste, change heat to medium, add
all the sauteed ingredients, then add everything else. change heat to
simmer.

*Extra virgin cold press oil if possible. If you’re cooking for children go easier on the hot stuff. I’ve soaked and boiled dry beans but it doesn’t add a huge flavor or texture difference for this recipe.

  • Cut the sweet potato in half and dice up the other half to add in to pot.

  • Simmer the solid half in the pot the whole time; remove it along with the bay leaf about 10 minutes before serving. This takes away the saltiness from the tomato paste can and the dried cranberries that are already part of the Tanka Bites.

  • If you like it much thicker you can use one more bag of Tanka Bites or you could keep mixing in some commercial chili powder each time you stir until you’re happy with the texture.

  • If you like things extra sweet, you could add 2 small blocks of dark chocolate, 1 cinnamon stick or a teaspoon of local honey.
  • [ref]=[ http://goo.gl/bUzvV ]
  • 12/04/2011

    An artist speaks no matter how shaky his or her voice gets.

    Lives in the Balance (Literally)

    Please do not pay anyone besides Jackson Browne, Richie Havens or me for your ability to get this song.

    http://abmp3.com/download/6337274-mp3.html

    This is the only place left I’ve found that it’s still free of charge from me.

    The internet is beginning to frustrate me. The only two songs I’m selling ANYWHERE currently are my “Chiapaneca” and my “Frybread” as a CD single for 5bucks or less. I’ve seen it for sale for 9 dollars, and I’ve stumbled upon the single downloads for as high as 2 dollars.

    I get 64 cents from iTunes and amazon, 70 from CDBaby, 99cents at Digstation.com, a whopping three cents from rhapsody and only a penny from napster. Spotify, who I had so many hopes and aspirations for gives me absolutely nothing two fiscal quarters in row which angers  me greatly.

    Also something you should know. Apple WAS giving me 70cents per download until Amazon came in at 64 cents as a win-win for EVERYONE BUT the artist. Why? Because Apple responded by going from 70 down to 64. (I would love to start a class law suit for half the difference at 3 cents and nail the both of them some day, but that’s for another discussion ok?)

    Listen, I’m not going to make any real money as an award winning independent songwriter and producer, but I’ll be damned if I’m going to let someone else make real money off of your ability to get free music from me.

    Thank you, and have a nice day.

    Marco Capelli Frucht

    http://www.frucht.org

    http://www.oilpanalley.com

    http://www.tinyurl.com/reverbmarco

    10/21/2011

    Transcribing The Revolution — Let’s never 4get Dorothy Day. Never 4get Abbie Hoffman

    “People galore” are starting to quote Abbie Hoffman about Occupy Wall Street and its possible relationship alongside the “Arab Spring.” Of course the irony from when Yipsters dropped 50 hundred dollar bills on the stock exchange floor starting a riot, was not lost on many of us right? There’s even a youtube of an old Abbie speech being used as a retort to a “999” republican presidential nomination hopeful.

    http://www.youtube.com/watch?v=axpA12hbmao

    I went back and looked over the transcript floating around the internet from Abbie’s Rutgers ’88 speech and noticed there were some important things missing despite what a great “rush transcript” it turned out to be, so here’s a first draft toward an exact relic of what Abbie said out loud on that great powerful, sublime, moment. I was there, I recorded it with a microcassette tape, I was blown away, and many things in my life including my guitar career, volunteerism, organizing, social networking, etc., are all pretty much thanks to Abbie Hoffman. So here you go. Enjoy. I’ll end this with links to the mp3, and other related things such as this commemoration I noticed today:

    http://www.onthisdeity.com/12th-april-1989-%E2%80%93-the-revolutionary-suicide-of-abbie-hoffman/

    I guess you can’t see my button. It says, “I fought tuition.” It’s a two- button set, actually. The second button says, “And tuition won.”

    You should know that more than 650 students have registered as delegates here, representing over 130 different schools. You have come despite freezing weather and hard economic times to do something that I’m not sure anyone here is ready yet to comprehend. I am absolutely convinced that you are making history just by being here. You are proving that the image of the American college student as a career-interested, marriage- interested, self-centered yuppie is absolutely outdated, that a new age is on the rise, a new college student.

    There’s been a lot of talk about comparing today to what went on in the sixties. I would remind you that in 1960, when we started the Student Nonviolent Coordinating Committee of which I was a member, which went on to fight in the South in the civil rights movement, there were  less than 30 people came together to begin it. The famous Students for a Democratic Society, that you’re all reading about, was formed in 1962 with exactly 59 people representing. No one before has done anything this bold, imaginative, creative, and daring to bring together this many different strains of people together, who all believe in radical change in our society. It’s just an amazing feat. And I wish you the best of luck today, and especially tomorrow, when you have to make a decision of whether you go forward or backward.

    I’d also like to take this moment to salute our glorious actor-in-chief: Happy Birthday Ronald Reagan! I hope he and Nancy are eating shitcakes tonite. I call all his speeches the “state of the onion address.” Is that bullcrap or what, like seven years bad luck all his speeches. I call them “Good Morning America” speeches. I don’t believe anyone in here believes it’s “Good morning in America” tonight.

    I have a lot of speeches in my head: I give a speech on the CIA, urine testing, nuclear power, saving water: that’s my local battle, just down river from here We’re fighting the Philadelphia Electric Company’s attempt to steal the waters of the Delaware River for yet another nuclear plant. A local battle? I don’t know. One out of ten Americans drink from that river. I also speak on the modern history of student protest and on Central America, where I’ve been five times. Every time I get before a microphone I’m extremely nervous that chromosome damage and Alzheimer’s will take their toll and  I’ll come out foaming at the mouth, accusing the CIA of pissing in the nuclear plants, to poison the water, to burn out the minds of youth, so they’ll be easy cannon fodder for the Pentagon’s war in Central America. Actually, that’s probably not a bad speech.

    On Tuesday I had to give a speech at the local grammar school to nine-year-olds. I said, “Go ahead, pick any subject you want.” They wanted to hear about hippies. My 16-year-old kid, America, heard me give this speech about how you can’t have political and social change without cultural change as well, they have to go hand in hand; and he said, “Daddy, you’re not gonna bring back the hippies, are you? The hippies go to Van Halen concerts, get drunk, throw up on their sweatshirts and beat up all the punks in town.” I said, “Okay, no hippies.” That was last year, this year he’s changed his mind. It’s amazing; his mother and I were activists in the sixties, and he heard all the anti-war stories over and over again, never believed any of it. Then one night last spring he saw the documentary “Twenty Years Ago Today” about the effect of the Beatles’ Sergeant Peppers Lonely Hearts Club Band on us all. It’s about the only thing I’m ever going to recommend to anybody about the sixties actually, a simply brilliant documentary. He sat there watching cops fight with young people in the streets, people putting flowers at the Pentagon in the soldiers’ bayonets, and he watched the Pentagon rise in the air, he saw it move just like we said it did.

    Tears came streaming out of his eyes, and he called up and said, “Daddy, why was I born now? I should have been a hippie.” Now he goes to Grateful Dead concerts, and he’s very anti-structure. He wants a car and I said he should have a drivers license first and he said too much structure.

    When I went to college long ago there was a ritual that we all had to go through at freshman induction. We were herded into a big room like this; and the dean of admissions came and gave us the famous speech, “Look to your right, look to your left, one of you three won’t be here in four years when it comes time to graduate.” I’m going to say to you, “Look to your right, look to your left, two of you three aren’t going to be here in four years when it comes time to graduate.” And I’m going to say to you, look to the right and left. Two of the three of you aren’t going to be here in four years; that’s about the attrition rate of the Left. I’m sure that many of the people who want to organize interplanetary space connections have got everything worked out with Shirley MacLaine, and it’s okay with me that they become moonies and yuppies and then born-again Mormons. They’re not the ones that keep me up at night. But I worry about the good organizers, the successful organizers. You’re the ones who know that you can actually get better at this, that you can get good at it. That being on the side of the angels, being right, isn’t enough. To succeed you also have to work very hard with lots of cooperation from those around you. You have to have your wits about you continuously, show up on time, and follow through. All those things that made that video successful; all the things making Peacenet possible, that Mark didn’t speak about earlier. The things that take place behind the scenes that keep you aimed at a goal, at victory, at success. And I worry because somehow on the Left, all too often, it’s like three people in a phone booth trying to get out. Two are really trying to kick the third one out, and that’s how they spend all their time. The third one’s always called some dirty name that ends in an “ist.” It’s been a movement that devours its own. I look out at you and I think of my comrades, not the people you saw in The Big Chill, but people that were great movement organizers. You know some of their names and many others you don’t know. They risked not just their careers, marriage plans and ostracism from their family, but their lives. They faced mobs; thousands of people with chains and brass knuckles, the clubs of the police, the dirty tricks and infiltrations of the FBI, the CIA, Army intelligence, Navy intelligence, and local red squads all around the country. They had pressure put on their families; and they were prepared for all of this when they decided to go against the grain and take on the powers that be. But what they were not prepared for the infighting. They were not prepared for a movement that devours itself. That has got to cease. I remember a very free and open democratic meeting in a room in New York City in 1971. All the various strains were there. There was one group that disagreed with the decision- making structure that had been set up. They wanted to settle their differences with the majority so they came armed with baseball bats. I can’t remember the group’s name – it was The National Labor Committee or Caucus – but I do remember the name of its leader, Lynn Marcus, better known today as Lyndon LaRouche. That’s right. Lots of problems that we have are in that we are too issue-oriented and not practical enough. We debate issues endlessly, deciding whose issue is more important than whose other issue, and so letting the moment of opportunity in history pass. By that time there’s another issue there that’s outstripped the other two. Or we debate which “ism” is more important than which other “ism,” and I tend to agree with Little Steven that all the isms lead to schisms lead to wasms. We need a new language as we enter the next century.

    We need to be rid of false dichotomies. For example there’s been a big discussion going on for the last couple of days here about whether the organizing focus should be local, regional, national or interplanetary. I have never seen a national issue won that wasn’t based on grassroots organizing and support. On the other hand, I have never ever seen a local issue won that didn’t rely on outside support and outside agitators. These are false dichotomies. the second false dichotomy is one that I call “In the System/out of the System.” The line between inside the system and outside it is a semipermeable membrane. And either-or is only a metaphysical question, not a practical one. The correct stance, especially now in these times, is one foot in the street – the foot of courage, that gets off the curbstone of indifference – and one foot in the system – the intelligent foot, the one that learns how to develop strategies, to build coalitions, to negotiate differences, to raise money, to do mailing lists, to make use of the electronic media. You need that foot, too. The brave foot goes out into the street to strike out against the enculturation process that says: “Stay indoors,” “Don’t go out in the street,” “There’s crime in the street,” “It’s bad in the street,” “You lose your job in the street,” “You’ll be homeless,” “It’s terrible,” ‘.’Yecch.” Civil disobedience – blocking trucks, digging up the soil, occupying buildings, chaining yourself to fences (I spent my summer vacation with Amy Carter chained to a fence) – can be a necessary act of courage, but it doesn’t take a hell of a lot of brains.

    Another speech I didn’t bring today for the sake of time I called “The Curse of Consensus Decision Making,” because consensus decision making is rule of the minority: and I’ll tell you I’ve seen every single game played against consensus right up to reformers, venture capitalists right on down to New Agers. The easiest form to manipulate, the easiest way to block any real decision making. Trying to get everyone to agree takes forever. Usually the people are broke, without alternatives, with no new language, just competing to see who can burn the shit out of the other the most. Most decisions are consensus but you have to develop a format whereby you can express your differences. There must be a spirit of agreement and in this way most decisions are made by consensus, but there must also be a format whereby you can express your differences. The democratic parliamentary procedure – majority rule – is the toughest to stack, because in order to really get your point across you’ve got to get more people in cooperation, and to go out and get more people to come in so you have those votes the next time around. Now we always used consensus in the 60s. By 1970 it was getting to be a problem when you had 15 people show up and three were FBI agents and six were schizophrenics.

    The second thing to tell you is not needed. I don’t blame you for being a little, oh, actually my vision of America is not as cheery and optimistic as Steven’s. I agree with Charles Dickens, “These are the worst of times, these are the worst of times.” If you look at the institutions around us. Financial institutions, bankrupt; religious institutions, immoral; communications institutions don’t communicate; educational institutions don’t educate. A poll yesterday showed that 48% of Americans want someone else to run than the current candidates. And it’s what, six dwarfs and two cretins? I don’t know, there seems to be a slim field out there. The last election in 1987 had the lowest turnout since 1942. There are people that say to a gathering such as this – for students to take their proper role in the front lines of social change in America, fighting for peace and justice – that this is not the time. This is not the time??  You could never have had a better time in history than right now.

    Well, I have my fingers crossed because I hope that you won’t let the internal differences divide you. I hope that you’ll be able to focus on the enemies out there; really out there! In the late sixties we were so fed up we wanted to destroy it all. That’s when we changed the name of America and stuck in the “k.” The mood today is different, and the language that will respond to today’s mood will be different. Things are so deteriorated in this society, that it’s not up to you to destroy America, it’s up to you to go out and save America. The same impulse that helped us fight our way out of one empire 200 years ago must help us get free of the Holy Financial Empire today. I’m talking about the same transnationals that Mark was talking about – with their money in Switzerland, headquarters in Luxembourg, ships in tax-free Panama, natural resources all over the emerging world, and their sleepy consumers in the United States – do not have the interest of the United States at heart. Ronald Reagan and the CIA are traitors to America, they have sold it to the Holy Financial Empire. The enemy is out there, he’s not in this room. People are allowed to have different visions and different views, but you have to have unity.

    You also have to communicate a message and to do that you need a medium. We know television as the boob tube. We know educational television is an oxymoronic  contradiction in terms. We know it from reading fake intellectuals like Alan Bloom and his Closing of the American Mind, or from reading good ones like Neil Postman, whose Amusing Ourselves to Death: Public Discourse in the A8e of Showbiz is a wonderful book. Bloom wants us to shut off the t.v. and start reading the Bible, and Postman just wants us to shut off the t.v. They are critics of t.v., but they are not organizers. A lot of people say, Abbie, you just perform for the media, that’s all you do, you manipulate, a lot of things like that. This is a misconception. I have never in my life done anything for the media. I’m speaking to you through a microphone because my voice is soft, and I couldn’t reach all of you unless I used it. That’s why I use the microphone. But my talk is not for this goddamn microphone. If you want to reach hundreds of thousands or millions of people, you have to use the media and television. Television has an immense impact on our lives. It’s why we don’t read, we just look at things. We don t gather information in an intellectual way, we just want to keep in touch.

    You know reactionaries watch Wheel of Fortune, and liberals watch Jeapordy. You always get an answer before you get a question. woo hoo…

    One hundred and thirty schools represented here today out of 5,000 colleges and universities in America reminds us that going against the grain at the University of South Dakota or Louisiana State is a very tough, lonely job. You have to feel that you’re a part of something bigger. You want to know that there’s a movement out there. That’s where the role of a national student organization comes in. It is so important, giving hope and comfort to people that are out there trying to make change at a grassroots level.

    Television, as bad as it is, has the ability to penetrate our fantasy world. That’s why the images are quick action-packed, very short, very limited and at the same time, very specific, and tends to get vague, blurry, and distorted. How can these images not be very important? They determine our view of the world. We in New England would not have known there was a civil rights movement in the South. We would not have known racism existed, that blacks were getting lynched, that blacks were not getting service at a Woolworth counter, if it hadn t been for television. We weren’t taught it in our schools or churches. We had to see it and feel it with our eyes. You have to use that medium to get across the image that students have changed. You have to show it to them. Let the world watch, just like we watched students in the Gaza strip fight for their freedom and justice, students in Johannesburg, in E1 Salvador, in Central America, in the Philipines fight for their freedom.

    The student movement is a global movement. It is always the young that make the change. You don’t get these ideas when you’re middle-aged. Young people have daring, creativity, imagination and personal computers. Above all, what you have as young people that’s vitally needed to make social change, is impatience. You want it to happen now. There have to be enough people that say, “We want it now, in our lifetime. ” We want to see apartheid in South Africa come down right now. We want to see the war in Central America stop right now. We want the CIA off our campus right now. We want an end to sexual harassment in our communities right now. This is your moment. This is your opportunity.

    Be adventurists in the sense of being bold and daring. Be opportunists and seize this opportunity, this moment in history, to go out and save our country. It’s your turn now. Thank you.

    http://milwaukee.indymedia.org/en/2004/02/200366.shtml

    http://radio.indymedia.org/de/node/1429

    09/17/2011

    Becoming a 2011 NAMA Nominee for my song “Frybread;” wow!

    Filed under: Mundane Or Sublime,Music and Stuff,News,Pop Culture — admin @ 5:05 am

    Woah, now I can now call myself a Nammy nominated songwriter and record producer.

    My mind is blown.

    I’m so excited about this, but I’m happiest about the fact that this might get even more people singing this song. Yay!

    And most excited that even more and more people get to hear the storyline behind the lyrics to this song. Yay! Exponentially more people can share this song now than I could ever have pulled off on my own with normal distribution channels such as labels and advertising firms. Yippie!

    When I first heard I got the nomination I ran around my yard screaming, I’m not going to lie. A little bit awkward because it was about 1am on a weeknight. Then I couldn’t sleep which is not a good thing for me right now because I teach 7th graders. You definitely need all the energy 7-8 hours can bring you if you’re going to keep your wits about you with middle schoolers.

    So here’s the press release the NAMMYS are sending around and instructions for online peoples’ choice voting and stuff.

    Thank you everyone who helped further the non-traditional production and distribution of this song. I’m grateful, humbled and inspired. Winning would of course be extra cool, I’ll know if it does that on 7oct up near Niagara Falls! But I have to tell you, getting this nomination truly is the best thing that has ever happened to me in my life since the day I was adopted!

    Peace and love,

    marco frucht

    _______________________________________

    “This year’s nominated recordings span from historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence. Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.

    These are the many voices of the original roots music of the Americas and they arrive at their strongest and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear. ”

    —  Ellen Bello

    Founder/President

    Native American Music Awards

    FOR IMMEDIATE RELEASE

    Nominees Announced for the

    Thirteenth Annual

    Native American Music Awards

    To Be Held On Friday, October 7, 2011

    At The Seneca Niagara Hotel & Casino In Niagara Falls

    Featuring Performances By Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old Dylan Jennett.

    Plus Keith Secola and Nokie Edwards Hall of Fame Inductions

    And Jim Thorpe Award Presentation to Ted Nolan

    Tickets On-Sale Now At All Ticketmaster Outlets & At The Seneca Casino Box Office

    September 16, 2011 – New York, NY.  Nominations for the 13th Annual Native American Music Awards (NAMA) were announced today by The Native American Music Association  reflecting the combined votes of the NAMA Advisory Board Membership Nominating Committee and general public membership.

    General Public voting is now open  on the Awards website or by clicking the followiing link: 

    https://www.surveymonkey.com/s/NAMA2011W

    Winners will be announced at the 13th Annual Native American Music Awards which will be held on Friday, October 7, 2011 at the Seneca Entertainment Center in the Seneca Casino & Hotel in Niagara Falls, New York.

    Tickets are on-sale now through www.Ticketmaster.com, all ticketmaster outlets, and at the Seneca box office (716) 501 2444.  Tickets are $25.00 and up.  Special discounted hotel rates are available for NAMA attendees at $189.00 plus tax and fees per night on a first come first serve basis and by calling 716-299-1100 or 1-877-8SENECA (73-6322) and using the code name; NAMMYS. NAMA Advisory members and nominated artists who are attending, should contact the Awards office before purchasing tickets.

    Both new and established artists share the list of nominations throughout a diverse array of 35 music categories spanning all genres. A new category was launched this year for Best Latin American Indigenous Recording. This is the second consecutive year that N.A.M.A. has added a new Awards category. Last year’s Awards program introduced a new music category for Best Waila Recording.

    This year’s top nominees all with three nods each are; Shelley Morningsong’s Full Circle, Pipestone’s As The Rez Turns, Jack Gladstone’s Native Anthropology Challenge, Choice and Promise in the 21st Century, Jan Michael Looking Wolf’sLive As One, Aaron White and Anthony Wakeman’s Handprints of Our People, Derek Miller’s Stoned For Days, and newcomers’, Josh Halverson’s These Timesand October Soul’s Don’t Turn Back.

    Tied with two nominations each are recording artists: Aura Surey (Cherokee),  Becky Thomas (Cherokee) , Bobby Bullet (Lac Du Flambeau), Brad Clonch (Choctaw), Desiree Dorion (Cree), Doc featuring Spencer Battiest (Seminole), Don Amero (Metis), Dylan Jenet Collins (Montaukett) , Evan Lee Cummins (Crow), Gabriel Ayala (Yaqui), Gary Small & The Coyote Brothers (Northern Cheyenne), Gilbert Tyner (Comanche), Golana (Cherokee), Jimmy Lee Young (Mayan), JJ Kent (Oglala Sioux), Jonathan C. Ward (Lumbee), Joy Harjo (Muskoke), Lady Xplicit (Navajo), Leanne Goose & Snow Blind (Inuit & Dene), Louis Capchez (Quechua Inka), Marc Brown & The Blues Crew (Huslia), Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee), Mike Gouchie (Lheidli T’enneh), Mike Hammar and The Nails (Muscogee Creek),  Northern Cree (Cree), Northern Cree Fiddle (Cree), Plenty Wolf Singers (Oglala Lakota), Randy Granger (Cholton/ Mayan),  Rushingwind & Mucklow (Cahuilla), Shane Yellowbird (Cree), Southern Scratch (Tohono O’odham), Talibah Begay (Navajo Dine), Tonemah (Kiowa/Comanche/Tuscarora), Uno (Cherokee), Vince Fontaine (Ojibway), Vince Redhouse (Navajo)and Yvonne St. Germaine (Cree)

    “This year’s nominated recordings span from; historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence,” states Awards President, Ellen Bello.  “Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.”

    These are the many voices of the original roots music of the Americas and this year, they arrive at their strongest, and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear.  The upcoming Awards celebration promises to be unlike any before.

    Scheduled to perform at the 13th Annual Native American Music Awards show will be; Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old female vocalist, Dylan Jennett. Plus Keith Secola and Nokie Edwards of The Ventures (Wipe Out, Hawaii Five-O) who won Best Instrumental Recording at last year’s Awards show for his solo instrumental effort, “Hitchin’ A Ride,” will be honored with Hall of Fame Inductions.  A Jim Thorpe Sports Award Presentation will be made to former Head Coach of the Buffalo Sabres and New York Islanders, Ted Nolan. Other special guests include Winona LaDuke and Buddy Big Mountain with more to be announced.

    Public voting to determine the winner of each category is open to the general public. Music tracks from all nominees are featured on the Awards’ website.

    The Native American Music Awards & Association is the world’s largest professional membership-based organization committed to honoring  contemporary and traditional Native American music initiatives.

    See below for a complete list of official nominees for the 13th Annual Native American Awards. The Native American Music Awards & Association extends its sincerest congratulations to all the 2011 NAMA Nominees.

    ARTIST OF THE YEAR

    Bobby Bullet (Lac Du Flambeau) – Bigfoot

    Gabriel Ayala (Yaqui)– Passion Fire & Grace

    JJ Kent (Oglala Sioux) – Prairie Meditation

    Joy Harjo (Muskoke) – Red Dreams, A Trail Beyond Tears

    Vince Redhouse (Navajo)– Hozhooji’ – The Beauty and Blessing Within Us (Navajo)

    Yvonne St. Germaine (Cree) – My Jesus I Love Thee

    BEST BLUES RECORDING

    Blues Joose Vol1 – Joel Johnson (Tuscarora)

    Indian Rock ‘n Roll – Marc Brown & The Blues Crew (Huslia) STOPPED

    Recipe for the Blues – Mike Hammar and The Nails (Muscogee Creek)

    Rez-Bomb – Cornbred (Onondaga)

    Table Top Three – Table Top Three (Onondaga)

    Thin Line – Graywolf Blues Band (Yaqui, Seminole, Choctaw, Cherokee, Muskogee)

    BEST COMPILATION RECORDING

    All My Best – Gilbert Tyner (Comanche)

    Honoring Traditions Pow Wow (Intertribal) –Various Artists

    Live As One – Jan Michael Looking Wolf (Kalupuya)

    The Color of Hope – Various Artists

    The Red Road: Peyote Way – Various (Intertribal)

    Volume 2 – Two Rivers (Tohono O’odham)

    BEST COUNTRY RECORDING

    Got You Covered – Leanne Goose & SnowBlind (Inuit & Dene)

    Native Heart – C.C. Murdock (Shoshone/Piaute)

    Sexy Mama – Rodeo Highway (Navajo)

    Shattered Glass – Mike Gouchie (Lheidli T’enneh)

    Soul Back Jack – Desiree Dorion (Cree)

    The Old Road – Hudson Dean (Grand Ronde)

    DEBUT ARTIST OF THE YEAR –

    Bear Fox (Mohawk) – Rich Girl

    Doc featuring Spencer Battiest (Seminole) – The Storm

    Don Amero (Metis) – The Long Way Home

    Dylan Jenet Collins (Montaukett) – Hear Our Prayer

    Josh Halverson (Mdewakanton Sioux) – These Times

    Uno (Cherokee) – A Strange Revolt

    DEBUT DUO OR GROUP OF THE YEAR

    Aura Surey (Cherokee) – Many Roads Home

    Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee) – Pum Vculvke Vrrakuecetv

    Mike Hammar and The Nails (Muscogee Creek) – Recipe for the Blues

    October Soul (Lac Courte Oreilles) – Don’t Turn Back

    Plenty Wolf Singers (Oglala Lakota) – Plenty Wolf SIngers

    Wendy Jo Bradshaw & Rose Yazzi Thomas (Nez Perce/Navajo) – A Great Gift

    BEST FEMALE ARTIST

    Becky Thomas (Cherokee) – Sacred Ground

    Desiree Dorion (Cree) – Soul Back Jack

    Lady Xplicit (Navajo) – Cali Girl

    Leanne Goose & SnowBlind (Inuit & Dene) – Got You Covered

    Shelley Morningsong (Northern Cheyenne) – Full Circle

    Talibah Begay (Navajo Dine) – Navajo Songs for Children

    BEST FOLK RECORDING

    Ayosgi (Soldier) – Clear Water Drum (Cherokee/Yaqui/Metis)

    Native Anthropology, Challenge, Choice and Promise in the 21st Century – Jack Gladstone (Blackfeet)

    Reservation Reflections – Frank “Anakwad” Montano (Ojibwe)

    The Long Way Home – Don Amero (Metis)

    Under A Different Day – Peter Sackaney (Cree)

    You (Understood) – Samantha Crain (Choctaw)

    FLUTIST OF THE YEAR –

    Anthony Wakeman (Pottowatomi/Oglala Lakota) – Handprints of Our People

    Cody Blackbird (Cherokee) – The Journey

    Brad Clonch (Choctaw) – Live At The McSwain Theatre

    Jason Chamakese (Cree) – Native American Flute Songs Volume 2

    Jonathan C. Ward (Lumbee) – An Epic Ride

    Vince Redhouse (Navajo) – Hozhooji’ – The Beauty and Blessing Within Us

    BEST GOSPEL INSPIRATIONAL RECORDING

    God is With You – Echoes of Faith (Lumbee)

    Hymns – Golana (Cherokee)

    Likanii Tse Bii Holo – Larry Kaibetoney ( Navajo)

    My Jesus I Love Thee – Yvonne St. Germaine (Metis)

    Passionate Love – Evan Lee Cummins

    Sacred Ground – Becky Thomas (Cherokee)

    GROUP OF THE YEAR

    Marc Brown & The Blues Crew (Huslia) – Indian Rock ‘n Roll

    Nake Nula Waun (Rosebud Sioux) – Scars and Bars

    Northern Cree (Cree) – Temptations

    Pipestone (Ojibwe) – As The Rez Turns

    Sayani (Cherokee) – Breakaway

    Wind Spirit Drum (Lenape, Mic Mac, Cherokee) – Ancient Winds

    BEST HISTORICAL LINGUISTIC RECORDING

    Alowanpi: Songs of Honoring, Lakota Classicss Past & Present – Porcupine Singers (Lakota)

    My Life Is My Sun Dance: Prison Writings of Leonard Peltier – Harvey Arden w/Rev Goat Carson & New Orleans Light

    Native Anthropology, Challenge, Choice and Promise in the 21st Century -Jack Gladstone (Blackfeet)

    Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man – Lakota)

    Pum Vculvke Vrrakuecetv – Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee)

    What Would Crazy Horse Say? – Shadowyze (Muskogee Creek)

    BEST INSTRUMENTAL RECORDING

    Corn & Boots – Northern Cree Fiddle (Cree)

    Where the Sun Rises-Estun-Bah (Apache)

    How Sweet The Sound – Southern Scratch (Tohono O’odham)

    Passion Fire & Grace – Gabriel Ayala (Yaqui) & Will Clipman

    Songs For Turtle Island – Vince Fontaine (Ojibway)

    Spider Brings Fire – Nashville String Machine (Chickasaw)

    BEST LATIN AMERICAN RECORDING

    Great Spirit – Jimmy Lee Young (Mayan)

    Indians Colour – Luis Capcha Vilchez (Quechua Inka/Peru)

    Pura Vida: This is Pure Life – Randy Granger (Choltan/Mayan)

    Sanchito – .Luis Capcha & Naomi Torres (Peruvian Indigenius Quechua Inka)

    Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

    Taino Prayer Song – Aura Surey (Echota Cherokee, Taino)

    BEST MALE ARTIST

    Aaron White (Dine) – Handprints of Our People

    Derek Miller (Mohawk/Ojibway) – Stoned For Days

    Gary Small (Northern Cheyenne) – Wyoming (For Dummies)

    Jan Michael Looking Wolf (Kalupuya) – Live As One

    Opie Day Bedeau (Chippewa) – One Love Round Dance Songs

    Shane Yellowbird (Cree) – It’s About Time

    BEST NATIVE AMERICAN CHURCH RECORDING

    All My Best – Gilbert Tyner (Comanche)

    Greatest Hits – Meewasin Oma (Cree)

    Love Songs of the Native American Church – Kevin Yazzie (Navajo)

    Old Style Native American Peyote Songs – Antonio Woody (Navajo Dine)

    Renewed Spirit: Harmonized Church Hymns of the Kiowa – Cheevers Toppah (Kiowa)

    The Red Road: Peyote Way – Various

    BEST NEW AGE RECORDING

    Ancient Elements – Rushingwind & Mucklow (Cahuilla)

    Flute Meditations – David Searching Owl (Abnaki)

    Hymns – Golana (Cherokee)

    It’s About Time – Herman Edward (Okanagan/Similkameen)

    Prairie Meditation – JJ Kent (Oglala Sioux)

    White Cloud Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

    with Randy Armstrong and Volker Nahrmann

    BEST POP RECORDING

    Bigfoot – Bobby Bullet (Lac Du Flambeau)

    Full Circle – Shelley Morningsong (Northern Cheyenne)

    Great Spirit – Jimmy Lee Young (Mayan)

    Hear Our Prayer – Dylan Jenet Collins (Montaukett)

    Scars and Bars – Nake Nula Waun (Rosebud Sioux)

    These Times – Josh Halverson (Mdewakanton Sioux)

    BEST POW WOW RECORDING

    As The Rez Turns – Pipestone (Ojibwe)

    Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

    Chasing The Sun – Midnite Express (Sioux, Ojibwe, Menominee)

    Plenty Wolf SIngers – Plenty Wolf Singers (Oglala Lakota)

    Temptations – Northern Cree (Cree)

    XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

    BEST PRODUCER

    Brad Clonch (Choctaw) – Chickasha Alhiha’

    George Morgan – The Water Place

    Kevin Charbo & Bob Frank – Shattered Glass

    Michael Mucklow– Ancient Elements

    Stephen Butler – Handprints of Our People

    Vince Fontaine – Songs For Turtle Island

    BEST RAP/HIP HOP RECORDING * Three way tie for last nominee slot

    A Strange Revolt – Uno (Cherokee)

    Cali Girl- Lady Xplicit (Navajo)

    Lowlife – Rezhogs (Yakama)

    Passionate Love – Evan Lee Cummins (Crow)

    Scars and Bars – Nake Nula Waun (Rosebud Sioux)

    The Rapture – Buggin Malone (Oneida)

    The Storm – Doc featuring Spencer Battiest (Seminole)

    RECORD OF THE YEAR

    As The Rez Turns – Pipestone (Ojibwe)

    An Epic Ride – Jonathan C. Ward (Lumbee)

    Full Circle – Shelley Morningsong (Northern Cheyenne)

    It’s About Time – Shane Yellowbird (Cree) (US Release)

    Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

    Stoned For Days- Derek Miller (Mohawk/Ojibway)

    BEST ROCK RECORDING

    Alaska Jazz – Archie Cavanaugh (Tlingit)

    Don’t Turn Back – October Soul (Lac Courte Oreilles)

    Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

    The Red Album – Original Xit aka Ox Boyz (Taos, Santa Domingo, Laguna Pueblo)

    Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

    Wyoming (For Dummies) – Gary Small & The Coyote Brothers (Northern Cheyenne)

    SONG SINGLE OF THE YEAR –

    “All My Relations” – Duane Deemer Wind Horse (Choctaw/Cherokee)

    “Cybergirl” – Raphael Deas (Apache)

    “Heavy” – Nake Nula Waun (Rosebud Sioux)

    “Hometown Hero” – Dark Water Rising (Lumbie/Cohorie)

    “I Can Help You With That” – Shane Yellowbird (Cree)

    “Out of Many We Are One” – Joseph FireCrow, Thomasina Levy & Others (Northern Cheyenne)

    “The Storm” – Doc featuring Spencer Battiest (Seminole)

    SONGWRITER OF THE YEAR

    Dawn Avery & Janet Rogers (Mohawk) – Our Fire

    Jack Gladstone – Native Anthropology Challenge, Choice and Promise in the 21st Century

    Kyra Climbingbear (Eastern Cherokee) – Kyra Climbingbear

    Rona Yellow Robe & Bruce Witham Robe (Chippewa Cree) – Voice of the Trees

    Jamie Brace (Lac Courte Oreilles) – Don’t Turn Back

    Josh Halverson (Mdewakanton Sioux) – These Times

    BEST SPOKEN WORD RECORDING

    Just For Kids – Deborah New Moon Rising (Abenaki)

    Moccasins and Microphones: Modern Native Storytelling through Performance Poetry – Santa Fe Indian School Spoken Word Team (Intertribal)

    My Life Is My Sun Dance, by Harvey Arden and Leonard Peltier with arrangements by Rev. Goat Carson and the New Orleans Light

    Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man)

    Red Grass – Terry Lee Whetstone (Cherokee)

    BEST TRADITONAL RECORDING

    Faith, Hope, Charity, Compassion – Nantaanii Nez Yeis The Eteittys (Navajo)

    It’s A New Day For Love – Oshkii Giizhik Singers (Anishnaabe)

    Keshjee, Navajo Shoegame Songs – Porcupine Singers (Navajo)

    Navajo Songs for Children – Talibah Begay (Navajo Dine)

    The Gift of Love – Randy Wood (Cree)

    Wiohinhanble The Dream (Rosebud Sioux) – Kashnapi The Mystic Elk Dreamer (Rosebud Sioux)

    BEST SHORT FORM MUSIC VIDEO –

    Can’t Change The World – Shy-Anne Hovorka (Metis)

    Grandfather – Wind Spirit Drum, Karla La Rive, Chris Crosby

    Live As One – Jan Michael Looking Wolf & Various Artists

    Pick Up Truck – Shane Yellowbird (Cree)

    Stoned For Days – Derek Miller (Mohawk/Ojibway)

    XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

    BEST LONG FORM MUSIC VIDEO

    Blake & Tracy Nelson and The Native Blues Band & Guests (Viejas Band of Kumeyaay Indians)

    Injunuity (Chickasaw/Choctaw) – Live At The McSwain Theatre

    Journey To Soul Blessings – Tony Redhouse (Navajo)

    Live At The Winsted Green – Joseph FireCrow (Northern Cheyenne)

    Questions For Crazy Horse – Oliver Tuthill

    Pow Wow Music -Cree Confederation

    BEST WAILA RECORDING

    A Little Beat of Something For Everyone – Native Pride (Tohono O’odham)

    Corn & Boots – Northern Cree Fiddle (Cree)

    How Sweet The Sound – Southern Scratch (Tohono O’odham)

    PD – Live – Papago Warrior (Tohono O’odham)

    Pure Nativez – Pure Nativez (Tohono O’odham)

    Timeless – Native Thunder (Tohono O’odham)

    BEST WORLD MUSIC RECORDING

    Indians Colour – Luis Capcha Vilchez (Quechua/Peru)

    Kayas – Rhonda Head (Cree)

    Many Roads Home – Aura Surey (Cherokee)

    Pura Vida – This is Pure Life – Randy Granger (Choltan/Mayan)

    Red Dreams, A Trail Beyond Tears – Joy Harjo (Muskoke)

    Valley of Thunder – Gvwi (Cherokee)

    NATIVE HEART

    Bernhard Wolfsheart Weilguni – Call of the Canyons

    Harvey Arden – Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man): Lakota Wisdom Keepers

    Jonny Lipford – Breeze @ 72 Degrees

    Marco Capelli Frucht – Frybread

    Peter Phippen – Summerland

    Terry Frazier – My Spirit Voice

    09/06/2011

    Humbled by my friend Aaron and so many others!

    Filed under: Food,Music and Stuff,News,Pop Culture — admin @ 10:00 am

    My friend Aaron saw me in a Starbucks the other day and said “I really love your ‘Frybread’ song.” I blushed and said thanks. “No, you don’t know. I mean I really really love it. My girlfriend loves it, the kids love it, we play it in the car constantly.” I’m so grateful he loves it, and I’m also quite happy that these lyrics are being sung along to. That means the world to me.

    Congrats on your submission this year! Good music!

    — Jan Michael Reibach

    This song brings me back to my grandmothers cooking..YUMMY. Thanks Marco and God bless.

    — Silver Starr Sargent

    I’ll always remember frybread.. (and the versions of Sean singing it while we were married omg) lol and the kids LOVE the song I hope it gets you that nammy… you really deserve it!!

    — Charlene Mills

    This post is essentially an extention of the earlier one down there:    http://muffinbottoms.org/?p=872

    So much is happening so swiftly in my life, I need to figure out on the fly how to combine these two into one post. 😉

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