Muffin Bottoms [not] Just another WordPress weblog

05/19/2009

Fox pilot entitled ‘Glee’ a smash hit in realtime!!!

Filed under: Food,Humor,Music and Stuff — admin @ 7:59 pm

· Yay, I found one (count ’em 1) person who hated #glee : @miffthefox18 minutes ago from web

· @ncmacasl sounds like fox is going to replay it a bunch of times all summer so I think you’re in luck. 🙂20 minutes ago from web in reply to ncmacasl

· @DCDiva28 Oh yeah, terry gross. fresh air. that’s right… http://bit.ly/Spx5S enjoy! #glee30 minutes ago from web in reply to DCDiva28

· @DCDiva28 NPR yesterday. Lemme see if I can find transcripts and archives. You’re going to “heart” that interview, I think…32 minutes ago from web in reply to DCDiva28

@RachelQuart #glee needs to quit with the Journey though, & I’d like less AutoTune (TM) but other than that I thought it was grrreat!35 minutes ago from web in reply to RachelQuart

Did anyone out there actually dislike #glee ? I soooo wanted to, but was pleasantly surprised.38 minutes ago from web

· #glee Don’t think I’ve ever seen a twittersearch topic blow up this much. Brace URself http://www.twittering.org peeps — enough bandwidth?about 1 hour ago from web

· The #glee twitter search is blowing up. 590 new entries in the time it takes to write and hit /update/ … oops 61, 188 more results…about 1 hour ago from web

· OK I love #glee and I hate #glee I’d say that’s another indication of a critical success, eh?about 1 hour ago from web

· “you’re a 9, you need a 10.” Who’s thinking Bend It Like Beckham right about now? funk soul brother… #gleeabout 1 hour ago from web

· #glee I don’t know about anyone else but I flinch every time I hear autotune (TM) ok? please make a note of it…about 1 hour ago from web

· #glee I coulda done without the prot00lz autotune overproduction ok?about 1 hour ago from web

· Ok, this ending to #glee feels like an episode of HBOTime’s Weeds.about 1 hour ago from web

· OK, #glee ; underdog, punching sides of beef, climbing ziggurats like Rocky Balboa roaring crescendo, come on… give it to us. 😉about 1 hour ago from web

· #glee Watching teens & preteens singing about how they refuse to go to rehab is just surreal, but from the guy who brought us Nip/Tuck.. okabout 1 hour ago from web

· @trixieleesam thnxabout 1 hour ago from web in reply to trixieleesam

· @DCDiva28 cool. I think it’s a sure thing. Was listening to a 1hr interview with the screenwriter on NPR ystrday. Sounded compelling. #gleeabout 1 hour ago from web in reply to DCDiva28

· #glee : / D A Bm G / D A F#m G / — Dont stop ghostwritin’ / Hold on to the rights, yeah / Backdoor peopleabout 1 hour ago from web

· Dont stop ghostwritin’ / Hold on to the rights, yeah / Backdoor people / D A Bm G / D A F#m G /about 1 hour ago from web

· jezuz, #glee is this entire series going to be so that Journey can re-license each and every tired old worn out ghostwritten crap-t00n???about 1 hour ago from web

· @DCDiva28 very. I’d watch this weekly I think. #gleeabout 2 hours ago from web in reply to DCDiva28

· @DCDiva28 What sux0rs about #glee is if this pilot succeeds, we’re not seeing it again til september! Strange marketing! @Rora_ @allie_88about 2 hours ago from web

· @DCDiva28 wait’ll you hear Rehab!about 2 hours ago from web in reply to DCDiva28

· @DCDiva28 Aglee. Er Uh, Er, I mean Agree. 😛about 2 hours ago from web in reply to DCDiva28

· Glee is the name of the show following Amerikan Idle 2nite. It’s a pilot. In case NE1 was wondering…about 2 hours ago from web

05/13/2009

Pete Seeger A Big Link Between Highlander and CNVA

Filed under: Academic,Mundane Or Sublime,Music and Stuff — admin @ 8:27 am

1960: Attempting a Snapshot of Peace Moments in Connecticut and Tennessee.

By Marc Frucht

University Of Connecticut 4may09

Companion Video.

Committee for Nonviolent Action and the Highlander Center share so much in common throughout their distinct experiences in Connecticut and Tennessee respectively, that this essay will only attempt to survey the ideas and events around one important year in their common history; 1960.

CNVA was founded nationally in 1957 by A.J. Muste, a veteran labor agitator and Christian pacifist and David Dellinger who had been a conscientious objector since at least as early as World War II. (Brick,149) Many chapters were started around the country in the next few years, including the New England CNVA which began in 1960. Today, the New England CNVA is known as the Voluntown Peace Trust.

Highlander Folk School was established in the 1930s by Myles Horton to train labor and Civil Rights activists. Nonviolence and music were always common themes there but didn’t come into primary focus until the late 50s and early 60s. Some of this was at the inspiration of Mohandas Gandhi because he had taught non-violent direct action as a tool the people in India could use in their struggle against British rule.

Horton says the following about music in the movement:

Song, music and food are integral parts of education at Highlander. Music is one way for people to express their traditions, longings and determination. Many people have made significant contributions to music at Highlander. In the early days, Woody Guthrie and Pete Seeger came to visit. Later on, Frank Hamilton and Jack Elliott spent time with us. More recently, the Freedom Singers, Bernice Reagon and Sweet Honey in the Rock, as well as Highlander’s former codirector, Jane Sapp, have been regular contributors. There were also those who stayed at Highlander for longer periods, such as Lee Hays, one of the original Almanac Singers, and Waldemar Hille. (Horton,158)

One of the times Martin Luther King, Jr., was at Highlander, he was a keynote speaker at their seventh annual College Workshop, April 15, 1960. In this speech he called for a nationwide campaign of selective buying and said he wished for people to hold their money from places all over the south that were violent and racist.

“There is another element that must be present in our struggle that then makes our resistance and nonviolence truly meaningful. That element is reconciliation. Our ultimate end must be the creation of the beloved community.” (Adams, 154)

1960 was a very busy year for Folksinger Pete Seeger too, singing everywhere from the Nevada Test Site to protests of the Polaris submarine launchings in Groton, CT., not to mention making all the time necessary to coproduce television pilots with his wife Toshi that eventually became the weekly show Rainbow Quest on WNJU-TV in New York and New Jersey.

Marj Swann printed the following in Polaris Action Bulletin #4. 13jun60:

Four Canadian young people asked why Americans are so afraid to speak out against Government policies or to be different. At the festival, Pete Seeger, who had visited the New London office earlier, dedicated “The Hammer Song” to the Satyagraha, a sloop named after some of Gandhi’s famous nonviolent direct actions. (Swann,132)

She also credited Seeger working alongside so many other people elsewhere in the same document:

Since June 18, New London Polaris action participants have included David and Gretchen Cryer, Steve Dillingham, Erica Enzer, Charles Gardner, Art Harvey, Julius, Karl and Mimi Jacobs, Peter Kiger, Jim and Sue Lieberman, Adam Lohaus, Ken Meister, Dr., William Moser, Dr. and Mrs. Phillips Moulton and their two children, A.J. Muste, Gladney Oakley, Pete Seeger, Erica Sachs. (Swann,133)

When Seeger wasn’t singing in Connecticut, home in Upstate New York on the Hudson river, or playing a gig somewhere else in the world he was at the Highlander Folk School. (Over the years, Highlander came to be called the Highlander Research and Education Center.

Highlander was where Guy Carawan spent years teaching countless people to sing many songs, but notably “We Shall Overcome.” Nashville Public Library has a Photograph of a meeting at Fisk University, where Guy Carawan leads song on his guitar, April 21, 1960. (Gunter,1) That song was fast becoming a staple for folksingers all over America. It’s still very popular today.

So who taught Carawan to play that song? Pete Seeger of course; but who taught it to Pete? Zilphia Horton showed him the tune as her all-time favorite song when she was Highlander’s music director. Where the song originally came from and how it changed over time would easily be a good topic for anyone’s PHD thesis, because it changed so much over the decades like a well worn shoe; but Pete Seeger is credited with changing “I” to “We” and helping spread the song all over the deep south. Many consider that song to be the earliest primary link between the following movements, Abolition, Labor, Civil Rights, Peace, No-Nukes, Anti-Globalization and all points in between. Some could even argue Pete Seeger himself was that link.

Nevertheless, that song was being taught at CNVA, Highlander, and anywhere else people were discussing American social justice in 1960.

A summary of Swarthmore’s archive of College Peace papers says that

CNVA was one of the first American peace groups to “focus on nonviolent direct action including civil disobedience.” Its purpose of organizing “imaginative and dramatic protest demonstrations on both land and sea attracted radical pacifists and called the attention of the American public to the atrocities of nuclear warfare.” (Papers)

What was happening in New London County, that would call for songs, and people like Carawan, Seeger and Joan Baez to drop in often?

Polaris.

The Committee for Nonviolent Action has been concentrating its activities, since June, in New London, Connecticut — home of the Polaris submarine. The Peacemakers, late in August, chose the same town in which to hold a sixteen-day training program in nonviolent methods. I attended all sixteen days of the program. When I first learned of about it through chance, I decided to attend for perhaps a day. I had been reading Gandhi eagerly for the past year. But I expected to be unimpressed by the people I would find in New London. I assumed blandly that if they were, in fact, impressive, I should somehow have heard about them before this. (Deming, 24)

New London County is very close to New York and Boston but it’s also just a short drive from Newport. Of course that means the annual Jazz fests and Folk fests can be an easy visit for someone with a local gig; but oftentimes they would stay there at CNVA instead of booking a hotel room. And of course that made them an excellent guest teacher for a day or three.

While the members of Polaris Action were at the Newport Folk festival, they and Pete Seeger brought the project to the attention of Joan Baez, whom they had heard was a pacifist. That was the first time that Joan sang at the festival, and her extraordinarily clear, wide-ranged, powerful and moving soprano voice propelled her into the stature of perhaps the country’s premiere folk singer. (Swann,135)

Highlander was under attack by paramilitary repression as well as governmental harassment; and 1960 was not unlike many other years in Highlander’s history.

Then they arrested Guy Carawan and two other men. The charges were that Highlander was selling beer without a license and running interracial classes. (Septima [Clark] was serving Kool-Aid to high school-aged black kids from a Montgomery church group that was meeting at Highlander.) That’s the night the verse “We are not afraid” was added to “We Shall Overcome,” and it was not only the beginning of that verse, but it started the trial that resulted in the state’s confiscating Highlander’s property. (Horton,110)

CNVA was attacked in similar fashion just 8 years later while the Vietnam war was being escalated but that’s best served as topic for another discussion. Guy and his wife Candie Carawan are best known for documenting civil rights music on LP (who remembers the record album?) Many commercially released recordings and printed music anthologies have their name in production. Alas, they’d met in 1960 at Highlander! (Guy)

Not only was the song “We Shall Overcome” starting to travel all over the world, but so were many age-old concepts around Civil Rights; and perhaps some new ones.

Miles Horton says on his way to South Africa he, “had stopped off in London to visit friends, Judy and Herb Kohl. Herb and I decided to go to Belfast to talk with Tom Lovett and his family, who had previously been to Highlander for two months or so. When Tom left Highlander, he intended to go back and adapt some of the ideas he learned there to the situation in Belfast.” (Horton,221)

Meanwhile back in 1960; let’s look at CNVA some more.

“I was present at a number of these conversations,” says Barbara Deming about nonviolent training sessions in Southeastern Connecticut, “and some of them were startling to me. Many took place at C.N.V.A. headquarters — a tiny office at 13 Bank Street — where townspeople dropped in either to heckle or to ask questions; most of them were at Electric Boat, where larger and larger crowds of workers, as well as passersby, would gather after the acts of trespass. Over the months, more and more townspeople expressed sympathy, and a handful of workers volunteered to quit their jobs if the committee could find them other work.” (Deming, 27)

Deming’s book, Revolution & Equilibrium is chock full of helpful hints for Peacemakers all over the world, not just southern New England. In fact, she begins a chapter titled “The Peacemakers” with this timeless (unfortunately still pertinent!) Albert Camus quote:

A vast conspiracy of silence has spread all about us, a conspiracy accepted by those who are frightened and who rationalize their fears in order to hide them from themselves… And for all who can live only in an atmosphere of human dialogue and sociability, this silence is the end of the world… Among the powerful of today, these are the men without a kingdom… nor will they recover their kingdom until they come to know precisely what they want and proclaim it directly and boldly enough to make their words a stimulus to action. (Deming, 23)

This is a reprint from December 17, 1960’s Nation magazine, and she’s discussing people who focus on Gandhi’s way of doing much of their work behind the scenes as the years continue on along with the issues of the day; and she writes how she feels about the fact that these same people who seldom make headlines are actually doing incredibly profound things. And many of them. Nonviolent resistance, she insists, is a long-term struggle but well worth it. She died in 1984 so didn’t get to see a Barack Obama become President of the United States; or Pete Seeger for that matter, singing the complete Woody Guthrie version of “This Land Is Your Land” at his inauguration, as well as John Lewis, Joseph Lowery and so many other people who’ve remained immersed in struggle since at least as far back as 1960.

In spring, 1962 CNVA organized three simultaneous walks that began in New Hampshire, Chicago and Nashville, Tenn., all with the intention of converging on Washington, DC., on the same day there was nonviolent direct action planned at the Pentagon.

The unique aspect of this project was that the Southern walk was integrated and came during a period when violence against civil rights activists was commonplace throughout the South. The Nashville walk for peace signified to the public what had been true all along: that the nonviolent civil rights movement and the radical peace movement were two aspects of the same struggle. (Cooney,148)

Reverand James Lawson spoke the afternoon at the sendoff for the Nashville to Washington walk where he and Metz Rollins had been invited by SNCC (the Student Nonviolent Coordinating Committee.)

In the course of his talk, he remarked, “There is a clear-cut relation between the peace walk and what some of us are seeking to do in the emerging nonviolent movement in the South. Some people have tried to classify our effort here as one that is of and for and by the Negro. They have tried to define the struggle for integration as a struggle to gain the Negro more power. I maintain that it is not the case.” (Deming,104)

Nonviolence and music carry on year after year helping maintain memory within the various different aspects of the peace movement. Take a quick look what CNVA was up to in the late 1970s as well.

The call went out on February 16, 1977. Charlie King, Joanne McGloin, Joanne Sheehan, and Rick Gaumer, at the Community for Non-Violence in Voluntown, CT had evidence, from participating in the Continental Walk for Disarmament and Social Justice that others were also singing and collecting songs that gave voice to people’s struggles. The group wanted to do what came naturally — bring these folks out of the woodwork and see what happened. (Newberg)

Odetta should be mentioned as well. She may not have ever been to Connecticut or Tennessee but her songs sure have. She almost lived long enough to sing for Obama’s inauguration this year; but she died just last December not too long after saying how proud she was “that we now have a black man as president of the United States.”

Giving voice to people’s struggles is what so many people around the United States hope the current President will do for them, but people like Odetta, Seeger, Baez and Carawan have always known it’s something we will always have to do for ourselves and for each other.

Odetta shared a stage in Washington DC back in 1998 with Seeger, Bruce Cockburn and the Indigo Girls to raise funds for both School Of Americas Watch and the Nevada Desert Experience, which brings nonviolent direct action full circle from the very first days of CNVA at the Nevada Test Site right on through the Polaris protests and on to the present with people all over the American peace movement protesting war, nuclear weapons, extraordinary rendition and the training of torture.

Pete Seeger’s 90th birthday party managed to sell out Madison Square Garden this year on Sunday May 3, 2009. Earlier in the year, Seeger also had joined his grandson Tao Rodriguez Seeger and Bruce Springsteen singing “This Land Is Your Land” at Obama’s inauguration, and he also made time to sing at Highlander Center for their 75th anniversary Sept 1, 2007. New England CNVA’s 50th anniversary is coming up next year.

Perhaps Seeger and his grandson Tao could get Cockburn, the Indigo Girls, Bruce Springsteen and so many other people to join them in singing “We Shall Overcome” at the VPT’s birthday party next year too.

Works Cited:

Adams, Frank. Unearthing Seeds of Fire: The Idea of Highlander. John F. Blair Publisher, 1975.

Brick, Howard. Age of Contradiction: American Thought and Culture in the 1960s. Ithaca: Cornell University Press, 2001.

Cooney, Robert. The Power of the People: Active Nonviolence in the United States. New Society Pub, 1987.

Deming, Barbara. Revolution & Equilibrium. Grossman, New York, 1971.

Gunter, Jack . “Photograph of mass meeting, Fisk University.” digital.library.nashville. 4 May. 2009. <http://digital.library.nashville.org/item/?CISOPTR=558&CISOROOT=%2Fnr>.

“Guy Carawan Biography.” Civil Rights Digital Library. 5 May. 2009. <http://crdl.usg.edu/voci/go/crdl/people/viewP/7005/Guy/Carawan%3Bjsessionid=F07DC50BD55A40BFD0DF13C30C6E92D2>.

Horton, Myles, and Judith Kohl, and Herbert Kohl. The Long Haul: An Autobiography. New York: Teachers College Press, 1997.

Newberg, Helene . “Homemade jam: a potpourri of regional folk activities in North America & abroad.” Sing Out Magazine. 1 Jan. 2002. 2 May. 2009. <http://www.encyclopedia.com/doc/1G1-82012502.html>.

“Papers of the New England Committee for Nonviolent Action.” Swarthmore College Peace Collection. 24 Sep. 2007. 16 May. 2009. <http://swarthmore.edu/Library/peace/DG001-025/dg017/dg017cnvane.htm>.

Swann, Marj. (Unpublished). Prospectus For a History of New England CNVA. pp. 124-143 Voluntown, CT:

Important websites:

http://www.voluntownpeacetrust.org

http://www.highlandercenter.org

This document is open source and copyleft.

It is companion to a video at:

http://www.youtube.com/watch?v=SetFVbLCPkQ&feature=channel_page

05/05/2009

Happy 5th of Mayo!

Filed under: Food,Humor,Music and Stuff — admin @ 2:54 pm

Happy 5th of mayo, everyone…

http://www.folkalley.com/music/peteseeger

http://www.democracynow.org/2006/9/4/we_shall_overcome_an_hour_with Pete Seeger!

http://narcosphere.narconews.com/thefield/seeger-concert-new-york-shall-rise-again

03/16/2009

RELEASED: Issue 532 of Zine. (No Embargo)

Filed under: Academic,Humor,Music and Stuff,News,OpEd,Pop Culture,Tech — admin @ 3:55 am

atizine

RELEASED: Issue 532 of Zine. (No Embargo)

http://www.infomaniack.org/…

03/15/2009

Kristin Hersh Middle East Boston March 2009

Filed under: Music and Stuff — admin @ 8:17 am

“dinner at the Middle East with my sister tanya and my neices, whom i haven’t seen in over a year…they’re different people now…aaack”

02/09/2009

What you need to know about the Grammys 51

Filed under: Food,Humor,Music and Stuff,News,Tech,Uncategorized — admin @ 6:15 am

Here we give you some play by play and chatter during
the Grammys’ 51st ceremony.

Before we get to what they broadcast last nite, I’ll
mention that Leo Fender’ wife accepted his Technical
Award for designing guitars & amps.

And my friend Martha’s Saxophonist, Randy Brecker won
the grammy for best contemporary jazz rekkid.

Daft Punk is a noshow at the Grammys? Dork.

Suddenly NARAS is putting all their extra energy into the non-profit world just as the economy tanks?  — Predictable.

The Grammy backing band is earning their salary today – lots of no-shows

Did I just see Winona Ryder dancing in the front row to Heavy D? Bach had 20 children… something about pulling out all the organ stops? No offense dude, but really dumb frickin’ joke.

Bela Fleck & The Flecktones win for Best Pop Instrumental for their Christmas CD – Victor Wooten accepts in a pirate costume

Pete Seeger wins for best traditional folk – $5 if you know
who accepted for him – [ hahaha. was eating. Bruce Stringbean? ]

Watching Coldplay’s CBS interview footage in a plane I
couldn’t help but think about Josie and the Pussycats
with the planecrash intro.

Is Bono making fun of teleprompters and lip syncers??

Al Green is rockin’ it; and jeez, Justin Timberlake is
NOT sucking tonite.

I saw Kid Rock at Harley’s 100th anniversary. He’s very
untalented. Just sayin.

John Corbett’s still doing Applebee’s ads I see. That seems
like quite a gig for him.

Coldplay seem to have nothing to say. Just sayin – maybe
they should’ve said the reason they didn’t steal those beats
was they’d never lift such a horrible sound. Oops.

KidRock, less heroin, ok? Sorry Kid, you’re no Ricky Medlocke.
To his credit, I have to say he’s not sucking like he did at
Harley100 but I do wish he’d amp less. What the HECK was the
clap-4-the-wolfman stuff he put in there with his backing
tracks???

I wonder if the #grammys official AA dry peoples’ room is full
this year?

Is that Billy Ray rockin’ the mullet directly behind Miley there
stage right? I never liked Taylor Swift until New Years, she
impressed me greatly then. She’s helping Miley not suck too.
Miley’s major talent since she was 5 has been reading cue cards
very conversationally as if she’s improvising each every phrase.
Whoever taught her RW&A should B proud

Guitar Hero ad. Well produced. Too affected. Good try though.

Oh no the Jonus Brothers…Mute quickly!
Jonas Bros and Stevie this is like when Clive or someone made
John Denver team up with Pavarotti.or Domingo or someone on a
whole album. Stevie Wonder playing with the Jonas Bros. My mind
cannot fully process the essential wrongness of this.

Blink 182. What’s my talent again?

I’m sure the Obama girls are watching the Jonas Brothers now singing
with Stevie Wonder and I bet they’re tring to find some diplomatic
way to go, “WTF?”

I will never get these minutes of my life back. Damn you Jonas Bros.

RT: @PnutButter downturn really hit me 2day when I saw a lady w/ sign
in front of Wholefoods: “Will work 4 organic arugula & pinot grigio.”

Katy Perry kinda doesn’t sing good.

OMG. Just gave kudos 2 a talented chubby person! [Adele] I think
Mario Lanza was the last time NARAS allowed something like that!

Todd Rundgren for Carnival Cruise Lines. Surreal. I think I’ll
take drugs now.

Tribute to Bo Diddly – Couldn’t you have done that when he was
still alive and everyone was stealin his beats???

Paul, promise me you won’t sing that “Freedom” song you hacked
to pieces? I hid for 5 days. Wow, he’s still got that high G
falsetto thing going on. It’s like watching Beatlemania with
25% of the real deal.

Christian Bale rant was possibly staged. Says Hollywood catching
on 2 how 2 use social media: http://tinyurl.com/csgle9

Oops, more Silverlight rebuffering\sync problems again. I thought
Microsoft worked that out a couple major events ago! Wow, someone
simply playing a guitar really well, and someone singing really
well. Is it that hard for everyone else???

OMG I’m gonna buy a Sugarland rekkid just ’cause of this. Don’t
think I’ve done that since I was like 10 & Roger Miller swept
or something

I bought the Radiohead album when it was free. That felt safe
and warm.

Well we found something new that Silverlight doesn’t handle
well. Bleeping. >:| !

PARAPHRASING THE PREZ “In times like these people turn to us
for hiding their gross income on a tax dodge,” No one’s demanded
more cowbell yet. Alright. Lemme be the first. Just sayin.
Oh no he didn’t. did NARAS president say “yes we can” to suing
the pants off preteens who Napster??? Neil Portnow is so last
Millenium. Woah, so is Neil Diamond. Where’s screech when you
need him? http://tinyurl.com/c5ro3d

And who remembers when C. Michael Greene abruptly resigned
in the wake of sexual harassment allegations? Oops.

And the Grammy for most murder charge acquittals goes to
Phil Spector

Seeing 5 seconds of Odetta made me sooo happy. Imagine if
the Grammys gave her a minute or 2; especially seing as
how she died last month before her #inaug09 gig. I can’t
help but think about how much Odetta wanted to sing at Obama’s
inauguration – and she almost made it

News Reports coming in that Chris Brown did in fact beat up
Rihanna.

Is lil wayne wearin’ uggs? OK, they’re BKs or something.
I thought they uggs! Hahaha

Great. CBS is recycling this embarrassing forever young
pepsi jingle. wil i am and bob dylan are prolly squirming
with heavy groans like me! Should I be happy that Dylan
is still relevant enough to headline a Pepsi ad, or sad
that vintage Dylan is in a Pepsi ad? I’m feeling both.
(happy/sad about the Dylan renaissance…)

So Chris Brown beat Rihanna nearly to death. Who does he
think he is JAMES Brown??? Small-brained coward

Page and Plant wrote this? It sounds like they stole it
from Roy Orbison!

RT @postrock Oh no, the Dylan/will.i.am. commercial that
makes me reach for the Grey Goose. And it’s EMPTY!!!!

T-Bone Burnette is the GE Smith of the Grammys tonite.
Plant and Krauss deserve this one just for putting up
with his hairdo.

“…and Rounder Records who are working against all kinds
of stuff that is terrible.” Understatement of the Millenium.
Thanks Mr. Plant!

You’re running perfectly on time and still feel the need
to put music over Robert Plant and T-Bone Burnett? C’mon,
producers.

The following twitterers contributed to this report:

@ShannonRenee
@FolkAlley
@andylevy
@PnutButter
@crinkle_LC

12/21/2008

Bragging Rights

Half.com 100%
Twitter 96.1
Linked In 90%
UConn 3.751
UWGB 3.667

12/16/2008

GUITARBIZON: Be A Rockstar Or At Least Look Like One.

Filed under: Music and Stuff — admin @ 8:43 am

I was doing a round of “Bad Memory Lane” with a friend of mine and decided to blog some of it, here:

I’ll never forget when my band Majestic was one of the 10+ warmup bands for REO speedwagon at navy relief carnival one year. I think I was 17 or 18. You know, summertime, flatbed truck for a stage, huge sound system, huge crowd…

We ran out of songs and both crowd and stage manager seemed to want more. So Aerosmith’s Dream On was one we’d never done as a band but each of us had done it in other bands before.

We went for it, completely unrehearsed.

I went all the way up the neck on the intro’s lead guitar solo that I had memorized note for note.

Then on my way down I spaced completely out and got totally lost. Now what. I just kind of floundered around each and every note that exists in overly emoted triplets working my way down toward the lowest position where I knew I could just fake it in the right key from there. But I still couldn’t find my way down for the longest time. I’m sure it was a minute or less but felt like hours.

It was embarrassingly horrible. I’ve never been that far off on anything before or since I think. Then I just picked up the low stuff at the end without even trying to make it look or sound like I meant it.

We finished the rest of the song almost flawlessly, and that was that.

I hurried my ass off to get my Lab Series amp and Fender Strat into my car where I was going to just go home and hide without even saying goodbye to anyone.

But I couldn’t get out of there! Everyone I knew came up to me telling me how great and inspired my solo was in “that Aerosmith song…” etc.

What???

I just humbly thanked everyone and kept how I felt about it all to myself for years.

I think it was a guitar lesson a week or two later where I learned that if you master the first few notes and the last ones and maybe a middle lick or two you can do whatever the hell you want otherwise as long as you’re in the right key and no one, not even other guitarists will think anything besides that you wailed, because that’s as much as anyone’s brain can keep track of anyhow.

hahahahahaha

10/18/2008

DREAM: I Found An Original D+ Distortion Box, Cheap!

Filed under: Music and Stuff — admin @ 3:50 am

I dreamed I found an original orange D+ distortion pedal
for just 39.99

This was one of those “happiest minute of my life” moments
let me tell you. In real life, I’ve been looking for one
for more than 10 years.

No, I have a “new” used one that I bought a couple years
ago sight unseen, because the seller was claiming it was
the original. I guess “buyer beware” but I felt really
ripped off because it had the LED light on it that tells
you the battery’s working. Not only that, but the circuitry
is different. Yes, newer circuitry designed to SOUND LIKE
the original d+ it’s close, but not good enough for me.

I want the original.

I wake up happy but then realizing I still want the original
it was only a dream.

Oh well.

10/09/2008

Blackfire Wins Two Awards At 10th NAMMYS!

Filed under: Music and Stuff,News — admin @ 6:36 am

TENTH ANNUAL WINNERS ANNOUNCED

BLACKFIRE & NATIVE ROOTS TOP THE AWARDS WITH TWO

LYNYRD SKYNYRD’S RICKEY MEDLOCKE, REDBONE

AMONG THOSE HONORED

Niagara Falls, NY – On Saturday October 4, 2008 the Tenth Annual Native American Music Awards (N.A.M.A.) was held at the Seneca Niagara Hotel & Casino in Niagara Falls, New York and awarded over 35 artists in a four hour event with 12 onstage presentations and special Hall of Fame inductions and performances that had the packed crowd dancing on their feet. The growing success of the Awards show is now setting industry standards for professional Native American musicians who want to achieve greater acceptance and exposure from mainstream audiences.

Taking two honors each was; the New Mexico-based Reggae group, Native Roots and the Arizona-based punk rock/Alter Native band, Blackfire. Native Roots’ recording, Celebrate won for Best World Music Recording and earned them Group of the Year. Native Roots gave a high-energy live performance with their messages of pride, unity, and respect among all nations. Blackfire, is comprised of two brothers and a sister with a style that encompasses traditional Native American music with rock that bears socio-political and human rights messages. Blackfire’s (Silence) Is A Weapon won Record of the Year and their producer Ed Stasium (Ramones) took the Native Heart award.

On hand to receive their awards were: Janelle Turtle for Best Native American Church Recording with New Beginning. Janelle is the first female to receive this award, and the great great great granddaughter of Dog Woman who was the first woman to run meetings among the Cheyenne people; Jan Michael Looking Wolf, winner of Flutist of the Year with his recording, Unity, gave one of the most poignant and genuine speeches that embraced his friend JJ Kent and the recent loss of Kent’s wife; the Cherokee National Youth Choir who took Best Gospel Inspirational Recording and performed traditional Cherokee songs in the Cherokee language. The Choir came into existence from the vision of Principal Chief Chad Smith.

Other Award recipients in attendance included; Nicole for Best Female Artist, Edmund Bull for Best Male Artist who also performed an acoustic song from his album, Follow Your Dreams. After facing one of his toughest personal years with the loss of both parents and best friend, Golana received a nod for Best Instrumental Recording for Mirror Lake. Taking Artist of the Year was multiple award-winner Jim Boyd, with Blues to Bluegrass. This was Boyd’s eleventh release which explored many genres – from rock and bluegrass to blues and folk, and was the first recording since the tragic loss of his son, Jim Boyd, Jr.. Carroll Medicine Crow (Best New Age Recording), Jimmy Wolf (Best Blues Recording), Tracy Bone (Best Country Recording), Cheryl Bear (Debut Artist of the Year), Red Hawk (Best Historical Recording) Adrian Brown, Tim Sampson producers for Still No Good, Dago Braves (Rap Hip Hop), NightShield (Song Single of the Year), Ken Quiet Hawk (Spoken Word Recording), and Brule & AIRO (Long Form Video) were also on hand to receive their awards.

Special guests included; Buddy Big Mountain, Lifetime Achievement Recipient Johnny Curtis, the great great grandson of Geronimo, Houston Geronimo and Lance White Magpie, a direct descendant of Crazy Horse.

Capping the evening’s ceremonies was a collaborative performance between Joanne Shenandoah and Corn Bred who performed a unique version of “At Last” with two traditionally dressed dancers dancing a romantic slow dance. Internationally renowned and multi-million record selling band members; Rickey Medlocke of Lynyrd Skynyrd, Janice Marie of Taste of Honey, Pat Vegas of Redone & Felipe Rose of the Village People all gave compelling performances following their inductions into the N.A.M.A. Hall of Fame. Rose performed a medley featuring his award-winning, “We’re Still Here” and “Trail of Tears”. Pat Vegas performed “Come And Get Your Love” and was then joined by Janice-Marie Johnson for “Boogie Oogie Oogie.” Show closer Rickey Medlocke performed a five song medley that included “Gimmie Back My Bullets”, “Train Train” and “Highway Song.” N.A.M.A. proudly honors these legendary performers and songwriters who have been leading forces in mainstream music and in the Native American community.

A post-show VIP party followed the Award ceremonies and featured some impressive and memorable collaborations and jams including; “Rumble” by the late Link Wray’s grandson, Chris Webb, and Jimmy Wolf, as well as a chilling performance of “Proud Mary” by Tracy Bone, Cheryl Bear and Digging Roots’ Shoshana Keech.

N.A.M.A. and its Advisory Board contingency congratulate all the winners and look forward to entering a second decade with them as the country’s leading resource for Native American music initiatives. For the past decade, N.A.M.A. has been nominating and awarding prominent national music figures of Native American heritage at its annual Awards ceremony, and has steadily and repeatedly attempted to prove that the Native American music community is a viable and impressive industry that is owed reverence and respect.

The Native American Music Awards & Association, founded in 1998, is the world’s leading membership-based association consisting of music industry professionals directly involved in the recording and distribution of traditional and contemporary Native American Music initiatives.

See below for a complete list of winners or visit www.nativeamericanmusicawards.com for more information.

511 AVENUE the Americas #371 New York NY 10011 Tel 212.228.8300 Fax 646.688.6883

Email Nammys@aol.com www.nativeamericanmusicawards.com

10th ANNUAL NATIVE AMERICAN MUSIC AWARDS
WINNERS LIST

ARTIST OF THE YEAR

Jim Boyd

Blues To Bluegrass

BEST BLUES RECORDING

Deep Downtown

Jimmy Wolf

BEST COMPILATION RECORDING

Old Style Round Dance Songs

Various

BEST COUNTRY RECORDING

No Lies

Tracy Bone

DEBUT ARTIST OF THE YEAR

Cheryl Bear

The Good Road

DEBUT GROUP OF THE YEAR

Injunuity

Unconquered

BEST FEMALE ARTIST

Nicole

Deep Dreams

BEST FOLK RECORDING

Where The Green Grass Grows

The Crow Girls

FLUTIST OF THE YEAR

Jan Michael Looking Wolf

Unity

BEST GOSPEL/INSPIRATIONAL RECORDING

Precious Memories

Cherokee National Youth Choir

GROUP OF THE YEAR

Native Roots

Celebrate

BEST HISTORICAL RECORDING

Chief Seattle Speaks 1854

Red Hawk

BEST INSTRUMENTAL RECORDING

Mirror Lake

Golana

BEST MALE ARTIST

Edmund Bull

Follow Your Dreams

BEST NATIVE AMERICAN CHURCH RECORDING

New Beginning

Janelle Turtle

BEST NEW AGE RECORDING

Homeland Security

Carroll Medicine Crow

BEST POP RECORDING

Phoenix

Fara Palmer

BEST POW WOW RECORDING

Hear The Beat

Blackfoot Confederacy

BEST PRODUCER

Adrian Brown, Tim Sampson, Jonathon Joss, Charles Button

Still No Good

BEST RAP HIP HOP RECORDING

Native American Hustle

Dago Braves

RECORD OF THE YEAR

(Silence) Is A Weapon

Blackfire

BEST ROCK RECORDING

The Sun & The Earth

Stevie Salas

SONG/SINGLE OF THE YEAR

Broken Dreams

Nightshield

SONGWRITER OF THE YEAR

Star Nayea

Silenced My Tongue

BEST SPOKEN WORD RECORDING

The Story Tellers

Ken Quiet Hawk

BEST TRADITIONAL RECORDING

Traditional Navajo Shoe Songs

Gilbert Begay Sr

BEST SHORT FORM MUSIC VIDEO

The Enlightened Time

Jana

BEST LONG FORM MUSIC VIDEO

Live At Mt Rushmore

Brule’ & AIRO

BEST WORLD MUSIC RECORDING

Celebrate

Native Roots

NATIVE HEART

Ed Stasium

(Silence) Is A Weapon

511 AVENUE the Americas #371 New York NY 10011 Tel 212.228.8300 Fax 646.688.6883

Email Nammys@aol.com www.nativeamericanmusicawards.com

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