Muffin Bottoms [not] Just another WordPress weblog

12/20/2011

Try this great recipe for Marco’s Sweet Tanka Chili

Filed under: Academic,Food,Mundane Or Sublime,Music and Stuff — admin @ 7:07 pm

Marco Frucht of Connecticut is a poet, songwriter, folksinger and classical guitarist who is a big fan of Tanka Bar. He participated in early test marketing for our products. You can hear his music on his Reverbnation page.

Marco has concocted a chili recipe of his own design which we have dubbed “Marco’s Sweet Tanka Chili.” Sounds perfect for a cold, winter night.

4 T. olive oil *
1 white onion, finely chopped
1 T. paprika
2 large red peppers
1 bell pepper
4 garlic cloves, chop finely
1 bag Tanka Bites, cutting some of them just a little tinier than they
already are.

Saute these first ingredients (in order of appearance) in a frying pan.

IN A LARGE CROCK POT OR SLOW COOKER

4 more T. of olive oil
1 can tomato paste
2 cups water
2 small slices of fresh ginger, chop fine
2 t. ground cumin
1 t. cayenne *
1 jalapeno *
1/2 sweet potato chopped fine *
1/2 sweet potato solid (for cutting down on saltiness)
2 cans organic black beans *
1 bay leaf

Bring water to a rolling boil, add tomato paste, change heat to medium, add
all the sauteed ingredients, then add everything else. change heat to
simmer.

*Extra virgin cold press oil if possible. If you’re cooking for children go easier on the hot stuff. I’ve soaked and boiled dry beans but it doesn’t add a huge flavor or texture difference for this recipe.

  • Cut the sweet potato in half and dice up the other half to add in to pot.

  • Simmer the solid half in the pot the whole time; remove it along with the bay leaf about 10 minutes before serving. This takes away the saltiness from the tomato paste can and the dried cranberries that are already part of the Tanka Bites.

  • If you like it much thicker you can use one more bag of Tanka Bites or you could keep mixing in some commercial chili powder each time you stir until you’re happy with the texture.

  • If you like things extra sweet, you could add 2 small blocks of dark chocolate, 1 cinnamon stick or a teaspoon of local honey.
  • [ref]=[ http://goo.gl/bUzvV ]
  • 12/04/2011

    An artist speaks no matter how shaky his or her voice gets.

    Lives in the Balance (Literally)

    Please do not pay anyone besides Jackson Browne, Richie Havens or me for your ability to get this song.

    http://abmp3.com/download/6337274-mp3.html

    This is the only place left I’ve found that it’s still free of charge from me.

    The internet is beginning to frustrate me. The only two songs I’m selling ANYWHERE currently are my “Chiapaneca” and my “Frybread” as a CD single for 5bucks or less. I’ve seen it for sale for 9 dollars, and I’ve stumbled upon the single downloads for as high as 2 dollars.

    I get 64 cents from iTunes and amazon, 70 from CDBaby, 99cents at Digstation.com, a whopping three cents from rhapsody and only a penny from napster. Spotify, who I had so many hopes and aspirations for gives me absolutely nothing two fiscal quarters in row which angers  me greatly.

    Also something you should know. Apple WAS giving me 70cents per download until Amazon came in at 64 cents as a win-win for EVERYONE BUT the artist. Why? Because Apple responded by going from 70 down to 64. (I would love to start a class law suit for half the difference at 3 cents and nail the both of them some day, but that’s for another discussion ok?)

    Listen, I’m not going to make any real money as an award winning independent songwriter and producer, but I’ll be damned if I’m going to let someone else make real money off of your ability to get free music from me.

    Thank you, and have a nice day.

    Marco Capelli Frucht

    http://www.frucht.org

    http://www.oilpanalley.com

    http://www.tinyurl.com/reverbmarco

    10/21/2011

    Transcribing The Revolution — Let’s never 4get Dorothy Day. Never 4get Abbie Hoffman

    “People galore” are starting to quote Abbie Hoffman about Occupy Wall Street and its possible relationship alongside the “Arab Spring.” Of course the irony from when Yipsters dropped 50 hundred dollar bills on the stock exchange floor starting a riot, was not lost on many of us right? There’s even a youtube of an old Abbie speech being used as a retort to a “999” republican presidential nomination hopeful.

    http://www.youtube.com/watch?v=axpA12hbmao

    I went back and looked over the transcript floating around the internet from Abbie’s Rutgers ’88 speech and noticed there were some important things missing despite what a great “rush transcript” it turned out to be, so here’s a first draft toward an exact relic of what Abbie said out loud on that great powerful, sublime, moment. I was there, I recorded it with a microcassette tape, I was blown away, and many things in my life including my guitar career, volunteerism, organizing, social networking, etc., are all pretty much thanks to Abbie Hoffman. So here you go. Enjoy. I’ll end this with links to the mp3, and other related things such as this commemoration I noticed today:

    http://www.onthisdeity.com/12th-april-1989-%E2%80%93-the-revolutionary-suicide-of-abbie-hoffman/

    I guess you can’t see my button. It says, “I fought tuition.” It’s a two- button set, actually. The second button says, “And tuition won.”

    You should know that more than 650 students have registered as delegates here, representing over 130 different schools. You have come despite freezing weather and hard economic times to do something that I’m not sure anyone here is ready yet to comprehend. I am absolutely convinced that you are making history just by being here. You are proving that the image of the American college student as a career-interested, marriage- interested, self-centered yuppie is absolutely outdated, that a new age is on the rise, a new college student.

    There’s been a lot of talk about comparing today to what went on in the sixties. I would remind you that in 1960, when we started the Student Nonviolent Coordinating Committee of which I was a member, which went on to fight in the South in the civil rights movement, there were  less than 30 people came together to begin it. The famous Students for a Democratic Society, that you’re all reading about, was formed in 1962 with exactly 59 people representing. No one before has done anything this bold, imaginative, creative, and daring to bring together this many different strains of people together, who all believe in radical change in our society. It’s just an amazing feat. And I wish you the best of luck today, and especially tomorrow, when you have to make a decision of whether you go forward or backward.

    I’d also like to take this moment to salute our glorious actor-in-chief: Happy Birthday Ronald Reagan! I hope he and Nancy are eating shitcakes tonite. I call all his speeches the “state of the onion address.” Is that bullcrap or what, like seven years bad luck all his speeches. I call them “Good Morning America” speeches. I don’t believe anyone in here believes it’s “Good morning in America” tonight.

    I have a lot of speeches in my head: I give a speech on the CIA, urine testing, nuclear power, saving water: that’s my local battle, just down river from here We’re fighting the Philadelphia Electric Company’s attempt to steal the waters of the Delaware River for yet another nuclear plant. A local battle? I don’t know. One out of ten Americans drink from that river. I also speak on the modern history of student protest and on Central America, where I’ve been five times. Every time I get before a microphone I’m extremely nervous that chromosome damage and Alzheimer’s will take their toll and  I’ll come out foaming at the mouth, accusing the CIA of pissing in the nuclear plants, to poison the water, to burn out the minds of youth, so they’ll be easy cannon fodder for the Pentagon’s war in Central America. Actually, that’s probably not a bad speech.

    On Tuesday I had to give a speech at the local grammar school to nine-year-olds. I said, “Go ahead, pick any subject you want.” They wanted to hear about hippies. My 16-year-old kid, America, heard me give this speech about how you can’t have political and social change without cultural change as well, they have to go hand in hand; and he said, “Daddy, you’re not gonna bring back the hippies, are you? The hippies go to Van Halen concerts, get drunk, throw up on their sweatshirts and beat up all the punks in town.” I said, “Okay, no hippies.” That was last year, this year he’s changed his mind. It’s amazing; his mother and I were activists in the sixties, and he heard all the anti-war stories over and over again, never believed any of it. Then one night last spring he saw the documentary “Twenty Years Ago Today” about the effect of the Beatles’ Sergeant Peppers Lonely Hearts Club Band on us all. It’s about the only thing I’m ever going to recommend to anybody about the sixties actually, a simply brilliant documentary. He sat there watching cops fight with young people in the streets, people putting flowers at the Pentagon in the soldiers’ bayonets, and he watched the Pentagon rise in the air, he saw it move just like we said it did.

    Tears came streaming out of his eyes, and he called up and said, “Daddy, why was I born now? I should have been a hippie.” Now he goes to Grateful Dead concerts, and he’s very anti-structure. He wants a car and I said he should have a drivers license first and he said too much structure.

    When I went to college long ago there was a ritual that we all had to go through at freshman induction. We were herded into a big room like this; and the dean of admissions came and gave us the famous speech, “Look to your right, look to your left, one of you three won’t be here in four years when it comes time to graduate.” I’m going to say to you, “Look to your right, look to your left, two of you three aren’t going to be here in four years when it comes time to graduate.” And I’m going to say to you, look to the right and left. Two of the three of you aren’t going to be here in four years; that’s about the attrition rate of the Left. I’m sure that many of the people who want to organize interplanetary space connections have got everything worked out with Shirley MacLaine, and it’s okay with me that they become moonies and yuppies and then born-again Mormons. They’re not the ones that keep me up at night. But I worry about the good organizers, the successful organizers. You’re the ones who know that you can actually get better at this, that you can get good at it. That being on the side of the angels, being right, isn’t enough. To succeed you also have to work very hard with lots of cooperation from those around you. You have to have your wits about you continuously, show up on time, and follow through. All those things that made that video successful; all the things making Peacenet possible, that Mark didn’t speak about earlier. The things that take place behind the scenes that keep you aimed at a goal, at victory, at success. And I worry because somehow on the Left, all too often, it’s like three people in a phone booth trying to get out. Two are really trying to kick the third one out, and that’s how they spend all their time. The third one’s always called some dirty name that ends in an “ist.” It’s been a movement that devours its own. I look out at you and I think of my comrades, not the people you saw in The Big Chill, but people that were great movement organizers. You know some of their names and many others you don’t know. They risked not just their careers, marriage plans and ostracism from their family, but their lives. They faced mobs; thousands of people with chains and brass knuckles, the clubs of the police, the dirty tricks and infiltrations of the FBI, the CIA, Army intelligence, Navy intelligence, and local red squads all around the country. They had pressure put on their families; and they were prepared for all of this when they decided to go against the grain and take on the powers that be. But what they were not prepared for the infighting. They were not prepared for a movement that devours itself. That has got to cease. I remember a very free and open democratic meeting in a room in New York City in 1971. All the various strains were there. There was one group that disagreed with the decision- making structure that had been set up. They wanted to settle their differences with the majority so they came armed with baseball bats. I can’t remember the group’s name – it was The National Labor Committee or Caucus – but I do remember the name of its leader, Lynn Marcus, better known today as Lyndon LaRouche. That’s right. Lots of problems that we have are in that we are too issue-oriented and not practical enough. We debate issues endlessly, deciding whose issue is more important than whose other issue, and so letting the moment of opportunity in history pass. By that time there’s another issue there that’s outstripped the other two. Or we debate which “ism” is more important than which other “ism,” and I tend to agree with Little Steven that all the isms lead to schisms lead to wasms. We need a new language as we enter the next century.

    We need to be rid of false dichotomies. For example there’s been a big discussion going on for the last couple of days here about whether the organizing focus should be local, regional, national or interplanetary. I have never seen a national issue won that wasn’t based on grassroots organizing and support. On the other hand, I have never ever seen a local issue won that didn’t rely on outside support and outside agitators. These are false dichotomies. the second false dichotomy is one that I call “In the System/out of the System.” The line between inside the system and outside it is a semipermeable membrane. And either-or is only a metaphysical question, not a practical one. The correct stance, especially now in these times, is one foot in the street – the foot of courage, that gets off the curbstone of indifference – and one foot in the system – the intelligent foot, the one that learns how to develop strategies, to build coalitions, to negotiate differences, to raise money, to do mailing lists, to make use of the electronic media. You need that foot, too. The brave foot goes out into the street to strike out against the enculturation process that says: “Stay indoors,” “Don’t go out in the street,” “There’s crime in the street,” “It’s bad in the street,” “You lose your job in the street,” “You’ll be homeless,” “It’s terrible,” ‘.’Yecch.” Civil disobedience – blocking trucks, digging up the soil, occupying buildings, chaining yourself to fences (I spent my summer vacation with Amy Carter chained to a fence) – can be a necessary act of courage, but it doesn’t take a hell of a lot of brains.

    Another speech I didn’t bring today for the sake of time I called “The Curse of Consensus Decision Making,” because consensus decision making is rule of the minority: and I’ll tell you I’ve seen every single game played against consensus right up to reformers, venture capitalists right on down to New Agers. The easiest form to manipulate, the easiest way to block any real decision making. Trying to get everyone to agree takes forever. Usually the people are broke, without alternatives, with no new language, just competing to see who can burn the shit out of the other the most. Most decisions are consensus but you have to develop a format whereby you can express your differences. There must be a spirit of agreement and in this way most decisions are made by consensus, but there must also be a format whereby you can express your differences. The democratic parliamentary procedure – majority rule – is the toughest to stack, because in order to really get your point across you’ve got to get more people in cooperation, and to go out and get more people to come in so you have those votes the next time around. Now we always used consensus in the 60s. By 1970 it was getting to be a problem when you had 15 people show up and three were FBI agents and six were schizophrenics.

    The second thing to tell you is not needed. I don’t blame you for being a little, oh, actually my vision of America is not as cheery and optimistic as Steven’s. I agree with Charles Dickens, “These are the worst of times, these are the worst of times.” If you look at the institutions around us. Financial institutions, bankrupt; religious institutions, immoral; communications institutions don’t communicate; educational institutions don’t educate. A poll yesterday showed that 48% of Americans want someone else to run than the current candidates. And it’s what, six dwarfs and two cretins? I don’t know, there seems to be a slim field out there. The last election in 1987 had the lowest turnout since 1942. There are people that say to a gathering such as this – for students to take their proper role in the front lines of social change in America, fighting for peace and justice – that this is not the time. This is not the time??  You could never have had a better time in history than right now.

    Well, I have my fingers crossed because I hope that you won’t let the internal differences divide you. I hope that you’ll be able to focus on the enemies out there; really out there! In the late sixties we were so fed up we wanted to destroy it all. That’s when we changed the name of America and stuck in the “k.” The mood today is different, and the language that will respond to today’s mood will be different. Things are so deteriorated in this society, that it’s not up to you to destroy America, it’s up to you to go out and save America. The same impulse that helped us fight our way out of one empire 200 years ago must help us get free of the Holy Financial Empire today. I’m talking about the same transnationals that Mark was talking about – with their money in Switzerland, headquarters in Luxembourg, ships in tax-free Panama, natural resources all over the emerging world, and their sleepy consumers in the United States – do not have the interest of the United States at heart. Ronald Reagan and the CIA are traitors to America, they have sold it to the Holy Financial Empire. The enemy is out there, he’s not in this room. People are allowed to have different visions and different views, but you have to have unity.

    You also have to communicate a message and to do that you need a medium. We know television as the boob tube. We know educational television is an oxymoronic  contradiction in terms. We know it from reading fake intellectuals like Alan Bloom and his Closing of the American Mind, or from reading good ones like Neil Postman, whose Amusing Ourselves to Death: Public Discourse in the A8e of Showbiz is a wonderful book. Bloom wants us to shut off the t.v. and start reading the Bible, and Postman just wants us to shut off the t.v. They are critics of t.v., but they are not organizers. A lot of people say, Abbie, you just perform for the media, that’s all you do, you manipulate, a lot of things like that. This is a misconception. I have never in my life done anything for the media. I’m speaking to you through a microphone because my voice is soft, and I couldn’t reach all of you unless I used it. That’s why I use the microphone. But my talk is not for this goddamn microphone. If you want to reach hundreds of thousands or millions of people, you have to use the media and television. Television has an immense impact on our lives. It’s why we don’t read, we just look at things. We don t gather information in an intellectual way, we just want to keep in touch.

    You know reactionaries watch Wheel of Fortune, and liberals watch Jeapordy. You always get an answer before you get a question. woo hoo…

    One hundred and thirty schools represented here today out of 5,000 colleges and universities in America reminds us that going against the grain at the University of South Dakota or Louisiana State is a very tough, lonely job. You have to feel that you’re a part of something bigger. You want to know that there’s a movement out there. That’s where the role of a national student organization comes in. It is so important, giving hope and comfort to people that are out there trying to make change at a grassroots level.

    Television, as bad as it is, has the ability to penetrate our fantasy world. That’s why the images are quick action-packed, very short, very limited and at the same time, very specific, and tends to get vague, blurry, and distorted. How can these images not be very important? They determine our view of the world. We in New England would not have known there was a civil rights movement in the South. We would not have known racism existed, that blacks were getting lynched, that blacks were not getting service at a Woolworth counter, if it hadn t been for television. We weren’t taught it in our schools or churches. We had to see it and feel it with our eyes. You have to use that medium to get across the image that students have changed. You have to show it to them. Let the world watch, just like we watched students in the Gaza strip fight for their freedom and justice, students in Johannesburg, in E1 Salvador, in Central America, in the Philipines fight for their freedom.

    The student movement is a global movement. It is always the young that make the change. You don’t get these ideas when you’re middle-aged. Young people have daring, creativity, imagination and personal computers. Above all, what you have as young people that’s vitally needed to make social change, is impatience. You want it to happen now. There have to be enough people that say, “We want it now, in our lifetime. ” We want to see apartheid in South Africa come down right now. We want to see the war in Central America stop right now. We want the CIA off our campus right now. We want an end to sexual harassment in our communities right now. This is your moment. This is your opportunity.

    Be adventurists in the sense of being bold and daring. Be opportunists and seize this opportunity, this moment in history, to go out and save our country. It’s your turn now. Thank you.

    http://milwaukee.indymedia.org/en/2004/02/200366.shtml

    http://radio.indymedia.org/de/node/1429

    09/17/2011

    Becoming a 2011 NAMA Nominee for my song “Frybread;” wow!

    Filed under: Mundane Or Sublime,Music and Stuff,News,Pop Culture — admin @ 5:05 am

    Woah, now I can now call myself a Nammy nominated songwriter and record producer.

    My mind is blown.

    I’m so excited about this, but I’m happiest about the fact that this might get even more people singing this song. Yay!

    And most excited that even more and more people get to hear the storyline behind the lyrics to this song. Yay! Exponentially more people can share this song now than I could ever have pulled off on my own with normal distribution channels such as labels and advertising firms. Yippie!

    When I first heard I got the nomination I ran around my yard screaming, I’m not going to lie. A little bit awkward because it was about 1am on a weeknight. Then I couldn’t sleep which is not a good thing for me right now because I teach 7th graders. You definitely need all the energy 7-8 hours can bring you if you’re going to keep your wits about you with middle schoolers.

    So here’s the press release the NAMMYS are sending around and instructions for online peoples’ choice voting and stuff.

    Thank you everyone who helped further the non-traditional production and distribution of this song. I’m grateful, humbled and inspired. Winning would of course be extra cool, I’ll know if it does that on 7oct up near Niagara Falls! But I have to tell you, getting this nomination truly is the best thing that has ever happened to me in my life since the day I was adopted!

    Peace and love,

    marco frucht

    _______________________________________

    “This year’s nominated recordings span from historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence. Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.

    These are the many voices of the original roots music of the Americas and they arrive at their strongest and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear. ”

    —  Ellen Bello

    Founder/President

    Native American Music Awards

    FOR IMMEDIATE RELEASE

    Nominees Announced for the

    Thirteenth Annual

    Native American Music Awards

    To Be Held On Friday, October 7, 2011

    At The Seneca Niagara Hotel & Casino In Niagara Falls

    Featuring Performances By Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old Dylan Jennett.

    Plus Keith Secola and Nokie Edwards Hall of Fame Inductions

    And Jim Thorpe Award Presentation to Ted Nolan

    Tickets On-Sale Now At All Ticketmaster Outlets & At The Seneca Casino Box Office

    September 16, 2011 – New York, NY.  Nominations for the 13th Annual Native American Music Awards (NAMA) were announced today by The Native American Music Association  reflecting the combined votes of the NAMA Advisory Board Membership Nominating Committee and general public membership.

    General Public voting is now open  on the Awards website or by clicking the followiing link: 

    https://www.surveymonkey.com/s/NAMA2011W

    Winners will be announced at the 13th Annual Native American Music Awards which will be held on Friday, October 7, 2011 at the Seneca Entertainment Center in the Seneca Casino & Hotel in Niagara Falls, New York.

    Tickets are on-sale now through www.Ticketmaster.com, all ticketmaster outlets, and at the Seneca box office (716) 501 2444.  Tickets are $25.00 and up.  Special discounted hotel rates are available for NAMA attendees at $189.00 plus tax and fees per night on a first come first serve basis and by calling 716-299-1100 or 1-877-8SENECA (73-6322) and using the code name; NAMMYS. NAMA Advisory members and nominated artists who are attending, should contact the Awards office before purchasing tickets.

    Both new and established artists share the list of nominations throughout a diverse array of 35 music categories spanning all genres. A new category was launched this year for Best Latin American Indigenous Recording. This is the second consecutive year that N.A.M.A. has added a new Awards category. Last year’s Awards program introduced a new music category for Best Waila Recording.

    This year’s top nominees all with three nods each are; Shelley Morningsong’s Full Circle, Pipestone’s As The Rez Turns, Jack Gladstone’s Native Anthropology Challenge, Choice and Promise in the 21st Century, Jan Michael Looking Wolf’sLive As One, Aaron White and Anthony Wakeman’s Handprints of Our People, Derek Miller’s Stoned For Days, and newcomers’, Josh Halverson’s These Timesand October Soul’s Don’t Turn Back.

    Tied with two nominations each are recording artists: Aura Surey (Cherokee),  Becky Thomas (Cherokee) , Bobby Bullet (Lac Du Flambeau), Brad Clonch (Choctaw), Desiree Dorion (Cree), Doc featuring Spencer Battiest (Seminole), Don Amero (Metis), Dylan Jenet Collins (Montaukett) , Evan Lee Cummins (Crow), Gabriel Ayala (Yaqui), Gary Small & The Coyote Brothers (Northern Cheyenne), Gilbert Tyner (Comanche), Golana (Cherokee), Jimmy Lee Young (Mayan), JJ Kent (Oglala Sioux), Jonathan C. Ward (Lumbee), Joy Harjo (Muskoke), Lady Xplicit (Navajo), Leanne Goose & Snow Blind (Inuit & Dene), Louis Capchez (Quechua Inka), Marc Brown & The Blues Crew (Huslia), Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee), Mike Gouchie (Lheidli T’enneh), Mike Hammar and The Nails (Muscogee Creek),  Northern Cree (Cree), Northern Cree Fiddle (Cree), Plenty Wolf Singers (Oglala Lakota), Randy Granger (Cholton/ Mayan),  Rushingwind & Mucklow (Cahuilla), Shane Yellowbird (Cree), Southern Scratch (Tohono O’odham), Talibah Begay (Navajo Dine), Tonemah (Kiowa/Comanche/Tuscarora), Uno (Cherokee), Vince Fontaine (Ojibway), Vince Redhouse (Navajo)and Yvonne St. Germaine (Cree)

    “This year’s nominated recordings span from; historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence,” states Awards President, Ellen Bello.  “Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.”

    These are the many voices of the original roots music of the Americas and this year, they arrive at their strongest, and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear.  The upcoming Awards celebration promises to be unlike any before.

    Scheduled to perform at the 13th Annual Native American Music Awards show will be; Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old female vocalist, Dylan Jennett. Plus Keith Secola and Nokie Edwards of The Ventures (Wipe Out, Hawaii Five-O) who won Best Instrumental Recording at last year’s Awards show for his solo instrumental effort, “Hitchin’ A Ride,” will be honored with Hall of Fame Inductions.  A Jim Thorpe Sports Award Presentation will be made to former Head Coach of the Buffalo Sabres and New York Islanders, Ted Nolan. Other special guests include Winona LaDuke and Buddy Big Mountain with more to be announced.

    Public voting to determine the winner of each category is open to the general public. Music tracks from all nominees are featured on the Awards’ website.

    The Native American Music Awards & Association is the world’s largest professional membership-based organization committed to honoring  contemporary and traditional Native American music initiatives.

    See below for a complete list of official nominees for the 13th Annual Native American Awards. The Native American Music Awards & Association extends its sincerest congratulations to all the 2011 NAMA Nominees.

    ARTIST OF THE YEAR

    Bobby Bullet (Lac Du Flambeau) – Bigfoot

    Gabriel Ayala (Yaqui)– Passion Fire & Grace

    JJ Kent (Oglala Sioux) – Prairie Meditation

    Joy Harjo (Muskoke) – Red Dreams, A Trail Beyond Tears

    Vince Redhouse (Navajo)– Hozhooji’ – The Beauty and Blessing Within Us (Navajo)

    Yvonne St. Germaine (Cree) – My Jesus I Love Thee

    BEST BLUES RECORDING

    Blues Joose Vol1 – Joel Johnson (Tuscarora)

    Indian Rock ‘n Roll – Marc Brown & The Blues Crew (Huslia) STOPPED

    Recipe for the Blues – Mike Hammar and The Nails (Muscogee Creek)

    Rez-Bomb – Cornbred (Onondaga)

    Table Top Three – Table Top Three (Onondaga)

    Thin Line – Graywolf Blues Band (Yaqui, Seminole, Choctaw, Cherokee, Muskogee)

    BEST COMPILATION RECORDING

    All My Best – Gilbert Tyner (Comanche)

    Honoring Traditions Pow Wow (Intertribal) –Various Artists

    Live As One – Jan Michael Looking Wolf (Kalupuya)

    The Color of Hope – Various Artists

    The Red Road: Peyote Way – Various (Intertribal)

    Volume 2 – Two Rivers (Tohono O’odham)

    BEST COUNTRY RECORDING

    Got You Covered – Leanne Goose & SnowBlind (Inuit & Dene)

    Native Heart – C.C. Murdock (Shoshone/Piaute)

    Sexy Mama – Rodeo Highway (Navajo)

    Shattered Glass – Mike Gouchie (Lheidli T’enneh)

    Soul Back Jack – Desiree Dorion (Cree)

    The Old Road – Hudson Dean (Grand Ronde)

    DEBUT ARTIST OF THE YEAR –

    Bear Fox (Mohawk) – Rich Girl

    Doc featuring Spencer Battiest (Seminole) – The Storm

    Don Amero (Metis) – The Long Way Home

    Dylan Jenet Collins (Montaukett) – Hear Our Prayer

    Josh Halverson (Mdewakanton Sioux) – These Times

    Uno (Cherokee) – A Strange Revolt

    DEBUT DUO OR GROUP OF THE YEAR

    Aura Surey (Cherokee) – Many Roads Home

    Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee) – Pum Vculvke Vrrakuecetv

    Mike Hammar and The Nails (Muscogee Creek) – Recipe for the Blues

    October Soul (Lac Courte Oreilles) – Don’t Turn Back

    Plenty Wolf Singers (Oglala Lakota) – Plenty Wolf SIngers

    Wendy Jo Bradshaw & Rose Yazzi Thomas (Nez Perce/Navajo) – A Great Gift

    BEST FEMALE ARTIST

    Becky Thomas (Cherokee) – Sacred Ground

    Desiree Dorion (Cree) – Soul Back Jack

    Lady Xplicit (Navajo) – Cali Girl

    Leanne Goose & SnowBlind (Inuit & Dene) – Got You Covered

    Shelley Morningsong (Northern Cheyenne) – Full Circle

    Talibah Begay (Navajo Dine) – Navajo Songs for Children

    BEST FOLK RECORDING

    Ayosgi (Soldier) – Clear Water Drum (Cherokee/Yaqui/Metis)

    Native Anthropology, Challenge, Choice and Promise in the 21st Century – Jack Gladstone (Blackfeet)

    Reservation Reflections – Frank “Anakwad” Montano (Ojibwe)

    The Long Way Home – Don Amero (Metis)

    Under A Different Day – Peter Sackaney (Cree)

    You (Understood) – Samantha Crain (Choctaw)

    FLUTIST OF THE YEAR –

    Anthony Wakeman (Pottowatomi/Oglala Lakota) – Handprints of Our People

    Cody Blackbird (Cherokee) – The Journey

    Brad Clonch (Choctaw) – Live At The McSwain Theatre

    Jason Chamakese (Cree) – Native American Flute Songs Volume 2

    Jonathan C. Ward (Lumbee) – An Epic Ride

    Vince Redhouse (Navajo) – Hozhooji’ – The Beauty and Blessing Within Us

    BEST GOSPEL INSPIRATIONAL RECORDING

    God is With You – Echoes of Faith (Lumbee)

    Hymns – Golana (Cherokee)

    Likanii Tse Bii Holo – Larry Kaibetoney ( Navajo)

    My Jesus I Love Thee – Yvonne St. Germaine (Metis)

    Passionate Love – Evan Lee Cummins

    Sacred Ground – Becky Thomas (Cherokee)

    GROUP OF THE YEAR

    Marc Brown & The Blues Crew (Huslia) – Indian Rock ‘n Roll

    Nake Nula Waun (Rosebud Sioux) – Scars and Bars

    Northern Cree (Cree) – Temptations

    Pipestone (Ojibwe) – As The Rez Turns

    Sayani (Cherokee) – Breakaway

    Wind Spirit Drum (Lenape, Mic Mac, Cherokee) – Ancient Winds

    BEST HISTORICAL LINGUISTIC RECORDING

    Alowanpi: Songs of Honoring, Lakota Classicss Past & Present – Porcupine Singers (Lakota)

    My Life Is My Sun Dance: Prison Writings of Leonard Peltier – Harvey Arden w/Rev Goat Carson & New Orleans Light

    Native Anthropology, Challenge, Choice and Promise in the 21st Century -Jack Gladstone (Blackfeet)

    Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man – Lakota)

    Pum Vculvke Vrrakuecetv – Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee)

    What Would Crazy Horse Say? – Shadowyze (Muskogee Creek)

    BEST INSTRUMENTAL RECORDING

    Corn & Boots – Northern Cree Fiddle (Cree)

    Where the Sun Rises-Estun-Bah (Apache)

    How Sweet The Sound – Southern Scratch (Tohono O’odham)

    Passion Fire & Grace – Gabriel Ayala (Yaqui) & Will Clipman

    Songs For Turtle Island – Vince Fontaine (Ojibway)

    Spider Brings Fire – Nashville String Machine (Chickasaw)

    BEST LATIN AMERICAN RECORDING

    Great Spirit – Jimmy Lee Young (Mayan)

    Indians Colour – Luis Capcha Vilchez (Quechua Inka/Peru)

    Pura Vida: This is Pure Life – Randy Granger (Choltan/Mayan)

    Sanchito – .Luis Capcha & Naomi Torres (Peruvian Indigenius Quechua Inka)

    Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

    Taino Prayer Song – Aura Surey (Echota Cherokee, Taino)

    BEST MALE ARTIST

    Aaron White (Dine) – Handprints of Our People

    Derek Miller (Mohawk/Ojibway) – Stoned For Days

    Gary Small (Northern Cheyenne) – Wyoming (For Dummies)

    Jan Michael Looking Wolf (Kalupuya) – Live As One

    Opie Day Bedeau (Chippewa) – One Love Round Dance Songs

    Shane Yellowbird (Cree) – It’s About Time

    BEST NATIVE AMERICAN CHURCH RECORDING

    All My Best – Gilbert Tyner (Comanche)

    Greatest Hits – Meewasin Oma (Cree)

    Love Songs of the Native American Church – Kevin Yazzie (Navajo)

    Old Style Native American Peyote Songs – Antonio Woody (Navajo Dine)

    Renewed Spirit: Harmonized Church Hymns of the Kiowa – Cheevers Toppah (Kiowa)

    The Red Road: Peyote Way – Various

    BEST NEW AGE RECORDING

    Ancient Elements – Rushingwind & Mucklow (Cahuilla)

    Flute Meditations – David Searching Owl (Abnaki)

    Hymns – Golana (Cherokee)

    It’s About Time – Herman Edward (Okanagan/Similkameen)

    Prairie Meditation – JJ Kent (Oglala Sioux)

    White Cloud Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

    with Randy Armstrong and Volker Nahrmann

    BEST POP RECORDING

    Bigfoot – Bobby Bullet (Lac Du Flambeau)

    Full Circle – Shelley Morningsong (Northern Cheyenne)

    Great Spirit – Jimmy Lee Young (Mayan)

    Hear Our Prayer – Dylan Jenet Collins (Montaukett)

    Scars and Bars – Nake Nula Waun (Rosebud Sioux)

    These Times – Josh Halverson (Mdewakanton Sioux)

    BEST POW WOW RECORDING

    As The Rez Turns – Pipestone (Ojibwe)

    Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

    Chasing The Sun – Midnite Express (Sioux, Ojibwe, Menominee)

    Plenty Wolf SIngers – Plenty Wolf Singers (Oglala Lakota)

    Temptations – Northern Cree (Cree)

    XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

    BEST PRODUCER

    Brad Clonch (Choctaw) – Chickasha Alhiha’

    George Morgan – The Water Place

    Kevin Charbo & Bob Frank – Shattered Glass

    Michael Mucklow– Ancient Elements

    Stephen Butler – Handprints of Our People

    Vince Fontaine – Songs For Turtle Island

    BEST RAP/HIP HOP RECORDING * Three way tie for last nominee slot

    A Strange Revolt – Uno (Cherokee)

    Cali Girl- Lady Xplicit (Navajo)

    Lowlife – Rezhogs (Yakama)

    Passionate Love – Evan Lee Cummins (Crow)

    Scars and Bars – Nake Nula Waun (Rosebud Sioux)

    The Rapture – Buggin Malone (Oneida)

    The Storm – Doc featuring Spencer Battiest (Seminole)

    RECORD OF THE YEAR

    As The Rez Turns – Pipestone (Ojibwe)

    An Epic Ride – Jonathan C. Ward (Lumbee)

    Full Circle – Shelley Morningsong (Northern Cheyenne)

    It’s About Time – Shane Yellowbird (Cree) (US Release)

    Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

    Stoned For Days- Derek Miller (Mohawk/Ojibway)

    BEST ROCK RECORDING

    Alaska Jazz – Archie Cavanaugh (Tlingit)

    Don’t Turn Back – October Soul (Lac Courte Oreilles)

    Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

    The Red Album – Original Xit aka Ox Boyz (Taos, Santa Domingo, Laguna Pueblo)

    Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

    Wyoming (For Dummies) – Gary Small & The Coyote Brothers (Northern Cheyenne)

    SONG SINGLE OF THE YEAR –

    “All My Relations” – Duane Deemer Wind Horse (Choctaw/Cherokee)

    “Cybergirl” – Raphael Deas (Apache)

    “Heavy” – Nake Nula Waun (Rosebud Sioux)

    “Hometown Hero” – Dark Water Rising (Lumbie/Cohorie)

    “I Can Help You With That” – Shane Yellowbird (Cree)

    “Out of Many We Are One” – Joseph FireCrow, Thomasina Levy & Others (Northern Cheyenne)

    “The Storm” – Doc featuring Spencer Battiest (Seminole)

    SONGWRITER OF THE YEAR

    Dawn Avery & Janet Rogers (Mohawk) – Our Fire

    Jack Gladstone – Native Anthropology Challenge, Choice and Promise in the 21st Century

    Kyra Climbingbear (Eastern Cherokee) – Kyra Climbingbear

    Rona Yellow Robe & Bruce Witham Robe (Chippewa Cree) – Voice of the Trees

    Jamie Brace (Lac Courte Oreilles) – Don’t Turn Back

    Josh Halverson (Mdewakanton Sioux) – These Times

    BEST SPOKEN WORD RECORDING

    Just For Kids – Deborah New Moon Rising (Abenaki)

    Moccasins and Microphones: Modern Native Storytelling through Performance Poetry – Santa Fe Indian School Spoken Word Team (Intertribal)

    My Life Is My Sun Dance, by Harvey Arden and Leonard Peltier with arrangements by Rev. Goat Carson and the New Orleans Light

    Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man)

    Red Grass – Terry Lee Whetstone (Cherokee)

    BEST TRADITONAL RECORDING

    Faith, Hope, Charity, Compassion – Nantaanii Nez Yeis The Eteittys (Navajo)

    It’s A New Day For Love – Oshkii Giizhik Singers (Anishnaabe)

    Keshjee, Navajo Shoegame Songs – Porcupine Singers (Navajo)

    Navajo Songs for Children – Talibah Begay (Navajo Dine)

    The Gift of Love – Randy Wood (Cree)

    Wiohinhanble The Dream (Rosebud Sioux) – Kashnapi The Mystic Elk Dreamer (Rosebud Sioux)

    BEST SHORT FORM MUSIC VIDEO –

    Can’t Change The World – Shy-Anne Hovorka (Metis)

    Grandfather – Wind Spirit Drum, Karla La Rive, Chris Crosby

    Live As One – Jan Michael Looking Wolf & Various Artists

    Pick Up Truck – Shane Yellowbird (Cree)

    Stoned For Days – Derek Miller (Mohawk/Ojibway)

    XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

    BEST LONG FORM MUSIC VIDEO

    Blake & Tracy Nelson and The Native Blues Band & Guests (Viejas Band of Kumeyaay Indians)

    Injunuity (Chickasaw/Choctaw) – Live At The McSwain Theatre

    Journey To Soul Blessings – Tony Redhouse (Navajo)

    Live At The Winsted Green – Joseph FireCrow (Northern Cheyenne)

    Questions For Crazy Horse – Oliver Tuthill

    Pow Wow Music -Cree Confederation

    BEST WAILA RECORDING

    A Little Beat of Something For Everyone – Native Pride (Tohono O’odham)

    Corn & Boots – Northern Cree Fiddle (Cree)

    How Sweet The Sound – Southern Scratch (Tohono O’odham)

    PD – Live – Papago Warrior (Tohono O’odham)

    Pure Nativez – Pure Nativez (Tohono O’odham)

    Timeless – Native Thunder (Tohono O’odham)

    BEST WORLD MUSIC RECORDING

    Indians Colour – Luis Capcha Vilchez (Quechua/Peru)

    Kayas – Rhonda Head (Cree)

    Many Roads Home – Aura Surey (Cherokee)

    Pura Vida – This is Pure Life – Randy Granger (Choltan/Mayan)

    Red Dreams, A Trail Beyond Tears – Joy Harjo (Muskoke)

    Valley of Thunder – Gvwi (Cherokee)

    NATIVE HEART

    Bernhard Wolfsheart Weilguni – Call of the Canyons

    Harvey Arden – Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man): Lakota Wisdom Keepers

    Jonny Lipford – Breeze @ 72 Degrees

    Marco Capelli Frucht – Frybread

    Peter Phippen – Summerland

    Terry Frazier – My Spirit Voice

    09/06/2011

    Humbled by my friend Aaron and so many others!

    Filed under: Food,Music and Stuff,News,Pop Culture — admin @ 10:00 am

    My friend Aaron saw me in a Starbucks the other day and said “I really love your ‘Frybread’ song.” I blushed and said thanks. “No, you don’t know. I mean I really really love it. My girlfriend loves it, the kids love it, we play it in the car constantly.” I’m so grateful he loves it, and I’m also quite happy that these lyrics are being sung along to. That means the world to me.

    Congrats on your submission this year! Good music!

    — Jan Michael Reibach

    This song brings me back to my grandmothers cooking..YUMMY. Thanks Marco and God bless.

    — Silver Starr Sargent

    I’ll always remember frybread.. (and the versions of Sean singing it while we were married omg) lol and the kids LOVE the song I hope it gets you that nammy… you really deserve it!!

    — Charlene Mills

    This post is essentially an extention of the earlier one down there:    http://muffinbottoms.org/?p=872

    So much is happening so swiftly in my life, I need to figure out on the fly how to combine these two into one post. 😉

    08/06/2011

    What people have been saying about my song “Frybread.”

    I just want some frybread now!!! Congrats and awesome!!!!

    — Kim Bruso

    how can you be my nanna, if you won’t make me frybread?!

    — Joanne Stamp Packer

    Here’s what some are saying about my folksong named “FryBread.”

    Way to go Marco!!!

    — Charly Lowry

    We loved hearing it live last night Marco, good luck!

    — Frank Nerkowski

    HOORAY!

    — Carolyn Hester

    “Fried bread Fried bread make me some Fried Bread. Good enough for us Yakama NDN’s to listen to.”

    — Roy Dick

    OMG. Frybread!!!! The song is quite endearing, Marco! I just did a search for the song on youtube and watched the video. Now I’m hungry!

    — Maria Madole Bareiss

    Hey, hey, Marco! I am very happy for you. Thanks for keeping the faith in fighting for justice.

    — Paul Wozniak

    “I gotta admit, all the while I was doing yardwork over the weekend, I found myself singing the chorus to frybread. In fact, it was weighing on my mind so much, that once I finished, I immediately went inside and taught it to myself on the piano”

    — John Carta

    killer, marco. this is great news.

    — Chris Castle

    Yeah, baby!!! I love to see my friends– esp. former students– achieve success. In part, that is a measure of satisfaction for me. In fact, I shall take full credit for your nomination… j.k.

    — Denise Sweet

    Right On Marco!!

    — Ed Stasium

    You’re 100% bad ass!!! Congrats, man.

    — Ben Parent

    Congrats!

    — Juliette Tworsey

    i love frybread!!!!!!!!!!!!!!!!!!!!!! lol

    — Supertorch9

    Very COOL! Congrats!!!

    — Rick Rumpel

    sweet brother! good luck to ya!

    — Daniel Rodriguez

    Congratulations Marco! 🙂 thats awesome!

    — Michael Kickingbear Johnson

    Congratulations!

    — Dennis Kinsey

    Good for you Marco! You deserve to win! I’m voting for you.

    —  Michael Bucher

    Congratulations Nyro and Marco!

    — Takako Yoshioka

    Totally awesome. I am a Southern California Native myself. I wish you the best with the Nammy’s. Each and every year there is wonderful artists there.

    — Ashton Haze

    “I’d recommend you point your web browser at the following address: http://www.frucht.org/roberta.html (check out the Fry Bread song) But then, what the hell do I know,…….. I’m just a sheepherder.”

    — Bo Peep

    Listen to this song here:

    https://www.reverbnation.com/marcofrucht/song/8025975-frybread-chorus

    or search for it in your Spotify or iTunes account.

    Also, I would just love it if you would consider going to the http://www.nammys.org site soon and vote for this song and so many other positive and uplifting tunes. 😉

    🙂

    07/18/2011

    TALKING GUITAR METHOD:

    Filed under: Academic,Mundane Or Sublime,Music and Stuff,Tech — admin @ 12:18 pm

    I was telling a friend a trick for mastering parts that seem counterintuitive and at about the same time I notice another friend says the following:

    “testing out the speed trainer in guitar pro for the next gary moore lick.”

    I just know when I find myself mixing up [2] and [3] finger with each other a lot that’s my signal the piece might’ve been written on piano or violin first, or that it might’ve been 5 or 7 positions higher or lower before performing it.

    One great trick is to find a couple other positions to start the same exact passage; maybe 5 or 7 positions higher or lower.

    Here’s the best trick I can ever give away:

    Pick half a dozen notes that include something you’re finding difficult to memorize and find those same notes all they way down on the open position. 0,1,2,3,4ish frets. Play the thing over and over there for a few minutes and then go back to where it’s performed, it might suddenly come easy as if you unlocked something magically.

    Believe it or not I learned that from a Fernando Carulli book written in the late 1700s.Ooh, PS:

    There’s a reprint of the same book at:

    http://notenversand.eu/komponist/carulli_fernando/carulli-gitarre-schule-ue276.htm?pg=1

    Nice!

    07/14/2011

    Reflections about Rob Grill from the Grassroots dying.

    Filed under: Mundane Or Sublime,Music and Stuff — admin @ 7:21 am

    When a musician dies, a whole library burns up.”

    – Brad Oldenburg

    I didn’t know Rob Grill personally, but I grew up loving his music. And when one of his friends told me he passed away the other day I was just floored. A loss is a loss and there’s really no right way to articulate how you “feel” or “think” about the whole thing, when you still wrestle with those feelings in realtime, but here is me trying my hardest to articulate just exactly how I feel about all that.

    because of the nature of our generation,” a friend blogged, “the losses seem to be more devastating and personal because of the musical, artistic and creative, etc., endeavors, accomplishments, even failures of these people and our connection to them and their work.”

    I responded to her with the following:

    I was surprised last night by a guy I hadn’t seen in two years or more. He’d seen my notice about an informal gig and drove 40 some odd miles to come out of his own personal exile to ask if he could share a stage with me.

    Another day I might have said “no thanks, solo gig, I’ve got this,” or “let’s rehearse some day first…” etc., but I was just plain happy to see him and excited to jam, so he broke out his ’79 strat and a little vox amp and just kind of added whatever he felt like to each of my folk songs, originals and covers for about an hour and a half. I don’t know if it’s because of this newest loss, or just getting older in general or what, but I’m starting to remind myself I don’t want to take a single friend, old or new for granted. I plan to live each day like it might be my last, and treat each sighting of a friend like the first and last moment I have with them or something. Will I do this for a few weeks and then go back to the usual rut until some next old friend or acquaintance dies, or keep this up the rest of my life? Remains to be seen.

    05/17/2011

    My Quahog (Is Hoggin’ The Beach:) Lyrics to a song I should publish soon!

    Filed under: Academic,Food,Humor,Mundane Or Sublime,Music and Stuff — admin @ 8:26 am

    Lyrics to My Quahog (Is Hoggin’ The Beach)

    by marco capelli frucht

    Not copyrighted yet, so please (don’t) steal…

    My quahog is hoggin the beach…

    He’s eaten up every and each

    He eats all the snails and inhales the quails

    And even the sandcastles shovels and pails

    My quahog is hoggin the beach

    My quahog has eaten the trees

    The bushes and all of the bees

    The birds in the air and the crabs in your hair

    And even the dogs are now empty of fleas

    My quahog is hoggin the beach

    My Quahog has eaten the shops

    The ones witgh the moms and the pops

    He didn’t stop there he bought walmart fair share

    Even firmed up the rights to the breathable air

    My quahog is hoggin the beach

    [SPOKEN] This song in case you couldn’t tell is called

    “My quahog is hoggin the beach”

    My quahog has ate up the land

    He never even needed a hand

    All the farms and the shores and the 5 and dime stores

    With quarries and worries and slurries and hurries

    So listen to my story you must understand

    [SHOUTED] BEFORE IT’S TOO LATE AND HE EATS ALL THE SAND!

    My quahog is hoggin the beach

    My quahog is now after you

    He’s willing to start with your shoe

    Next is your ankle and both of your knees

    But after your soul will no longer be free

    I hear he’s got eyes on a child or two

    My quahog is hoggin the beach

    [SPOKEN] I have a question for you: would you rather be chowder or stew

    This is my quarrel with clams

    They multiply faster than yams

    They consume and consume

    Until then they presume

    And take flight for your room

    Eating all your perfume

    [SPOKEN] Like a Quahog will do: You know how they are

    When he chases your shoe and consumes it like stew

    As soon as he reaches the coast with the beaches

    For any and eaches.

    My quahog is hoggin, the…

    beeeeeeeeeeeeach.

    2 good places to hear this song are:

    http://www.reverbnation.com/artist/song_details/8376861

    or:

    http://soundcloud.com/atizine/my-quahog-is-hoggin-the-beach

    And a good place to watch a homemade music video I did of it is:

    http://www.youtube.com/watch?v=Gn8TKn4tv1U

    04/23/2011

    I miss Junji Shimanuki. He was a great guy.

    Filed under: Academic,Mundane Or Sublime,Music and Stuff — admin @ 1:40 pm

    Ordained monk.

    Nipponzan Myohoji order

    colleague of Jun San

    Helped build Grafton Peace Pagoda.


    “Junji’s austere lifestyle, the open simplicity of his spiritual practice have earned him wide respect in Indian Country.”

    stood in strength and peace

    with traditional Navajo and Hopi

    several years.

    Many don’t know this, but he insisted people teach him to build a single man’s Hogan where he lived for many years at Black Mesa.

    ..experience, ..equanimity, ..dignified heart

    Also, I used to love letting him borrow one of my 1960s guitars because his heartfelt versions of Bob Dylan’s “Just Like A Woman” and John Lennon’s “Imagine” in a very thick Japanese accent were so much fun to sing along with and enjoy immensely.

    I miss you even more today than many years ago when you passed away Junji. Rest In Peace.

    http://www.8thfire.net/Day_178.html

    Adding the following for historical purposes:

    Jan 9 1992, 4:47 am

    SPRITUAL WALK: 1992 AND BEYOND

    NA MU MYO HO REN GE KYO

    I  am  Junji  Shimanuki, a Japanese Buddhist  monk  of  Nipponzan

    Myohoji. I come to offer a message to those who would here.

    Our Teachers tell us that a great time of change is upon us,  and

    that  we  must move forward with true compassion  to  meet  these

    challenges.

    It was the Most Venerable Fujii Guruji’s belief that the American

    Indians  who  have  preserved a spiritual  way  of  life  against

    humiliation  and oppression have a mission. He believed that  our

    mission is to liberate humanity from the danger of  annihilation,

    to  correct the wrong doings of the United States, to show a  way

    to  break through its deadlock and to see that the cruel  history

    will never be repeated. Fujii Guruji had high expectations of the

    Bodhisarttya practice of the American Indian people.

    It is in this spirit that I began to organize a ” Spiritual Walk”

    to  begin  in  San  Francisco, Jan 1,  1992,  and  to  arrive  in

    Washington  D.C. on October 12, 1992, the “International  Day  of

    Solidarity with the Indian People of the Western Hemisphere.”

    I  had hoped to organize an Indian walk… like the Longest  Walk

    of 1978. I spoke to many native people and groups. Of course they

    said  it  was  a good idea but many of  these  organizations  are

    currently  focusing on their community. There are so many  things

    to be done and everybody is doing their best.

    We must move forward in this. This “Spiritual Walk” will  include

    all  People  of  the Four Colors. WE WILL  WALK  AS  A  SPIRITUAL

    OFFERING TO CORRECT THE EFFECTS OF COLONIZATION AND GENOCIDE UPON

    AMERICAN INDIAN NATIONS.

    We will do our best to speak out, to educate the American public.

    1992  is a time for All People To Walk On This  Beautiful  Mother

    Earth…   to  correct  the  injustices  done  by  the   American

    Government not only to the Indian Nations but also to the world.

    We  are a small group of people who have committed  ourselves  to

    walk 5400 miles across the United States. We go through 17 Indian

    Nations to gather prayers, spiritual strength and unity.

    We  will  be  passing through California,  Nevada,  Arizona,  New

    Mexico,  Texas, Oklahoma, Kansas, Iowa, South Dakota,  Minnesota,

    Illinois,  Indiana,  Ohio, Pennsylvania, New  York,  New  Jersey,

    Delaware, and Maryland.

    We could use any support along the way including,  accommodations

    and  food, organizing visits to schools, churches  and  community

    groups,  media outreach, organizing gatherings or prayer  vigils,

    or joining us in our walk for what ever time is possible.

    For more information and a detailed itinerary please contact:

    Nipponzan Myohoji, 82 Flora St. S.F. CA 94124 (415) 822-9471

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