Muffin Bottoms [not] Just another WordPress weblog

10/18/2009

Hey Classical Guitarist. Backpain? Get One Of These!

Filed under: Music and Stuff,Tech — admin @ 5:37 am

If you get backpain from using a footstool sometime after 2-3 hours of practicing each day, you know you would do the 4-5 hours a day it takes to be on top of your game if you could, right? Didn’t you used to do that much each day? I did, until backpain came my way.

This past year and a half I was at a plateau where I wasn’t growing anymore because I was skipping all the things I knew I needed to do just so I can go right into playing complete songs before the pain sets in.

Well last week I got one of these in the mail and I cannot stress enough how much it works and how much of a godsend it is. Get one, you’ll see what I mean right away!

http://www.luthiermusic.com/product_info.php?products_id=11104

Get it now. Take my word for it!

You’ll thank me for this!

10/07/2009

Two High Points From My Time At The NAMMYS This Year.

Filed under: Humor,Music and Stuff — admin @ 1:15 pm

There were many high points at this year’s Nammys.  (11th annual, at Seneca Niagara casino)

Here go just two. And both take place in the elevators, believe it or not. First was riding the elevator with the late Ritchie Valens’ brother Mario and his sister Irma, and two little girls who didn’t know any of us. Mario and Irma got off a few floors earlier than I did and I asked the two little girls if they knew who they were. They didn’t. So I told them, and they had this look like they had no idea what I was talking about.

“Have you heard the song LaBamba?” I asked. One said yes, and the other said no. Keep in mind now, these girls are about 11. The song hit the top40 51 years ago. Anyhew, it was neat being able to tell them something new about some old music they’d never heard much about.

Second profound thing was trading earrings. The elevator was crammed full this time. Some guy I’d never met before points to one of my earrings and asks me if I know who made it. There are some earrings I’ve simply bought and had no idea who made them, but this was one of the many ones that come with a story. “Tall Dog Monroe,” I tell him, “out at Narragansett not that far from Pawtucket where my dad grew up.”

“Wanna trade?” he jokes, showing his earring which was similar in size. Turquoise in a silver setting. Mine was wampum with some very clear whites and purples set in silver. Hmm, I think to myself. I’m not getting the better deal, but the experience might make the trade worthwhile, eh?

So right in front of about 15 people I shock him by ending the shared laughter with, “yeah, sure.” He asks if I’m serious and I take mine out and hand it to him. He takes out his and makes the trade. We each go our separate ways having traded something at the 11th annual NAMMYS.

Pictured are Yaqui classical guitarist Gabriel Ayala and Flamenco dancer Rose Fernandez.

See this video short (and others) from this year’s NAMMYS at http://www.makingyoutubes.com

09/30/2009

Nammys11; Wow! Who’da Thunk It?

Filed under: Mundane Or Sublime,Music and Stuff — admin @ 5:55 am

Reflecting On 11+ Years Of NAMMY Ceremonies Devoted To NDN Music!

By Marco Frucht

Rewritten by hand from NYTimes & Long Island Voice articles originally crafted by Robbie Woliver. [*]

The NAMMYS, Ellen Bello’s friends and relatives, and even Ellen herself make up just part (an active part!) of some very profound prophesies.

Recently, Bello chucked her successful PR company, In-Press Communications, and big-name clients (Nirvana, The Buzzcocks, Mary Chapin Carpenter, Sub Pop Records, the Chieftains, Sisters of Mercy, the Chieftains) in exchange for a life devoted to bringing indigenous music to the world’s consciousness.

She founded the Native American Music Awards, or Nammys, the Native American Music Association, or NAMA, a nonprofit organization attempting to preserve and promote American Indian music traditions. She also began lobbying the National Academy of Recording Arts and Sciences to create a Native American music category for their Grammy awards.

“Jazz is generally called America’s first music,” Bello says, “well that’s wrong. Native music was around before any other type of music, even classical.” Bello says it is owed respect.

Ms. Bello’s involvement began in 1991, when she met Lakota rock group 7th Generation at a Native American music festival in NYC. She stayed in touch with them for a long time and provided professional support pro bono. When the band members invited her to visit them on their reservation in South Dakota she jumped at the chance.

“I was overwhelmed with mixed feelings,” Ms. Bello said. “I was saddened and troubled by their living conditions and quality of life. It’s almost a third-world country. But on the other hand, I was ecstatic and inspired, because as poor as they were, they were so rich in spirit and culture.”

“What was so exhilarating was that when I encountered these people, I saw that my values were aligned with theirs,” Ms. Bello said. “There was a kinship. There was a part of me that I was discovering in South Dakota that couldn’t exist in me in New York.”

Immersing herself in other cultures, she quickly realized there was a severe lack of opportunity for musicians like 7th Generation. She gave up her glitzy show-business world and began concentrating on the earthier needs of Indian musicians.

“It was an interesting dichotomy I was discovering,” she said. “Living with these people and comparing it to the people I knew in New York, I wondered, ‘Do you have to sacrifice money to find wealth and spirituality?'”

With the goal of educating while entertaining the public, it took Ms. Bello two years to develop the music awards concept. The first awards ceremony was held in 1998, at the Foxwoods Resort Casino, run by the Mashantucket Pequot nation, in Connecticut. With Wayne Newton as host, it featured a range of other Indian artists from Robbie Robertson (of the Band) to Chief Jim Billie (chief of Florida’s Seminole tribe), to the Red Bull Drum Group of Canada. More than 100 tribal nations were represented.

Robertson said: “To me, this is a sign of the times. A sign of the acceptance of native music out in the world like never before. And this is just the beginning.”

Joanne Shenandoah, a leading Native American musical artist and two-time recipient of NAMA’s Female Vocalist of the Year Award, said, “The work Ellen started is giving native musicians long overdue exposure and respect.”

Despite all the hard work year round, of running the awards, forming the foundation, running a Web site and lobbying the Grammys organization, Ms. Bello’s life has become simpler, more earthbound.

NAMA has several missions: serving as a clearinghouse and archive for America’s indigenous music, operating as a youth training and artist placement service, providing scholarships and sponsoring seminars and workshops. The organization’s 3,500-hour archive is the largest collection of Native American music, surpassing the Library of Congress’s approximate 2,500 hours, Ms. Bello said. (The Library of Congress includes more historical music.)

One activity Ms. Bello hopes to formulate soon are folk-styled seminars by tribal elders. “It would be a live music library with the elders passing on the musical traditions to the youth,” she said.

Another mission of the association is to provide scholarships; four have already been presented. One recipient, Mary YoungBear, a 40-year-old mother of four and grandmother of three from the Tama Meswaki Indian Settlement in Iowa, moved to New Mexico to attend the Institute for American Indian Arts.

“Because I am not eligible for most financial aid,” said Ms. YoungBear, “the scholarship I received went a long way toward financing my tuition. Also, the whole experience of the Native American Music Awards is something I will carry with me as long as I am alive.”

“There’s a great humbleness and spirituality in our music,” said Ms. Shenandoah, who performs around the world, and recently sang at the White House, “and Ellen shares our Indian heart.

“The prophecy is coming to be now, and Ellen and her great work are certainly helping that along.”

[*]The liberties that the NYTimes editors took with Ellen Bello’s quotes enraged me, frankly. It’s likely I’ve misquoted her in here as well, because I did not interview her and I am not directly in touch with Robbie Woliver. But I compared both articles, weighing heavier on the Voice side just because it’s where the story started from. I believe with all my heart that I got closer to representing this story through these quotes than my former employer did. Yes, I’m saying the NYTimes (who snootily believe they are THE letter of record) just plain suck. Call me bold, call me crazy, but don’t call me. Having been on both sides of the interview structure at both the NYTimes and Washington Post, not to mention other smaller dailies and weeklies all over the world, I will say this clearly and unequivocally: Quotes are sacred. Struggle toward accuracy there, or get out of the way for us younger journalists to pave the way.

[**] NAMMYS will have their 11th annual Ceremony this Saturday night at 8pm. Watch it live on a videobroadcast at: http://www.nammys.org

http://www.nytimes.com/2000/04/30/nyregion/italian-irish-force-for-american-indian-music.html?pagewanted=all

http://www.nativeamericanmusicawards.com/files/nammys-in-the-grammies.pdf

http://www.jkp.com/catalogue/author/1895

http://fasters.tripod.com/ati128.html

http://www.nammys.org

07/14/2009

Donating TAB of John Mayer’s Presentation During Michael Jackson’s Funeral

Filed under: Music and Stuff,Sports — admin @ 8:28 am

Here’s TAB of John Mayer’s version to Human Nature which he played
at Michael Jackson’s funeral. I began from GypsyFire’s work on his
intro and then added some of the soloing that Mayer does throughout.
(http://www.twitter.com/johncmayer) He repeats many licks for emphasis,
which I don’t notate each time. I mostly put each new phrase “in order
of appearance.”
If you can open two windows on a large enough computer monitor
(or maybe print the TAB out the old fashioned way and set it in front
of you) I recommend playing the video and watching both the video and
the TAB. If a lick is stumping you, go back a line or two and play a
bunch of phrases in a row and I bet you’ll find it again quickly.

———————————————————————5———-
—3——————————————–3——-5———-5————
-/4—6—-2h4–2—————————-4——-6——-7——-7–6–4b5r4
———————–/4–2—————————————————-
——————————–5—–2p0—————————————
——————————————3———–5————————-

——————————————————————————–
—–3—–5———————————–3——-5————————
—–4—–6—–/4–2————————4——-6——–4—-6\4p2—4–2
————————–4—2————————————————-
————————————2——————————————-
-3———5————————-0—3————5————————-

—————5———————————————–5—————-
—–3—-5—5h7–5——————-3—–5—–5h7—7p5–5—————–
—–4—-6————7–6–4b5r4—-4—–6———————-7—6–7p6—
—————————————————————————–(7)
——————————————————————————–
-3——-5————————–3———5———————————

“this is the beginning of mayers version today. its not exact i took some of his
stuff and added some of my own. use your thumb on the low E string i find it the
easiest to get those low notes and keep the chord. you can play along to this tab
on my profile i uploaded the mp3 so you can practice…the rhythm is pretty free”

— GypsyFire  http://www.ultimate-guitar.com/forum/showthread.php?t=1158334

Bluff Point Today

Bluff Point Today

:52 secs or so
(where orchestra 1st comes in full)
1:18
——10—-10—————————————————————–
——————————————–3-5br3h5p3————————-
—————–4/7\5—-2h4-2———-2h4———————————–
——————————-/4\2——————————————–
——————————————————————————-
——————————————————————————-

1:42                            Does He Do                   Does He Do
——————————————————————————-
-3-5———————————————-12-14b-r—–15-15-15-17-15–
-4-6–11-9———————7–7–7h9-7—————-14—————–16
———-12-11-12-11-9-7——————-9———————————-
——————————————————————————-
——————————————————————————-
Me That Way                     Me That Way

2:48
——————————————————————–10\–10\-
—15-14———————————-15-17br15—–12h14brbr————
-16—–14–16-14———–4br2h4—14h16———————-14———–
—————-16–14——————————————————-
—————————————————————————–
—————————————————————————–

(*from a fullstep bend)
[Gets a pick]3:06
———————–15br12-15b—-10-10h12p10—12br10-12\———12b10-
b11r-9–9————————————12—————————–
——10—————————————————-21br19-21——-
—————————————————————————-
—————————————————————————-
—————————————————————————-

(*The release FROM a bend is trademark Mayer and he’ll use something similar
at the ending to get what I call that teardrop tone.)

By the way, that’s a good observation GypsyFire makes about the thumb on the
low E. Mayer pretty much holds to traditional classical guitar style in finger
picking, where you use your thumb (P, from PIMA) for the bottom three strings.
And then your index, middle and ring fingers get one string each. But don’t
try to fixate on that part too much. Play whatever comes natural and there’s
a very good chance you’ll fall into something very close to what he’s already
doing.

http://www.angelfire.com/wi/kokopeli/johnmayeratmichaelsfuneralTAB.html
http://www.tinyurl.com/johnmayerTAB

06/22/2009

Rush Transcript. New Folksong. ‘Neda.’

Filed under: Mundane Or Sublime,Music and Stuff,Tech — admin @ 1:10 am

This song is just called Neda!

Neda (x7)

A so called leader will say

Neda’s death was all her fault

Was Carlo Giuliani’s death his own fault?

Was Victor Jara’s death his own fault??

Brad Will cannot be blamed just for outing

the paramilitary deathsquads with his camera!

بسیجی Basiji

Mexican version of Basiji

Amerikan version of Basiji!

I cannot blame Neda and I will not blame God

but lift up the pope to judgement

I will lift up the false ayatollah

the full of shit pope

the plastic ayatollah

The ayatollah who made a peoples’ rebellion

into a civil war and revolution overnight

in one single hate speech.

We see through your false pronouncements.

And we twitter the world that you suck.

(x2)

You are no leader, you are a hater like

the Go To Hell Dictator!

God be praised,

Dictators be damned.

(x2)

All of them.

Neda (x7)

May someone who is bilingual please translate this into better Farsi than I can ever do please?

06/10/2009

How To Set a Ringtone from any MP3 on Your HTC Fuze

Filed under: Academic,Music and Stuff,Tech — admin @ 6:37 am

There are at least three known ways to make any .MP3 into a ringtone for your HTC Fuze (should work for the Touchpro, etc., as well)

Here is my favorite way:

Go to Start>Programs>Tools>File Explorer on the Fuze.
Locate the MP3 you want.
Highlight the file and tap Menu>Edit>Copy.
Use File Explorer again navigating to open the “Application Data” Folder.
Open the “Sounds” folder.
Tap Menu>Edit>Paste.
To set the file as your tone, go to Start>Settings>Sounds & Notifications>Notifications Tab>Select file from drop down.

And there you have it.

Enjoy.

05/19/2009

Fox pilot entitled ‘Glee’ a smash hit in realtime!!!

Filed under: Food,Humor,Music and Stuff — admin @ 7:59 pm

· Yay, I found one (count ’em 1) person who hated #glee : @miffthefox18 minutes ago from web

· @ncmacasl sounds like fox is going to replay it a bunch of times all summer so I think you’re in luck. 🙂20 minutes ago from web in reply to ncmacasl

· @DCDiva28 Oh yeah, terry gross. fresh air. that’s right… http://bit.ly/Spx5S enjoy! #glee30 minutes ago from web in reply to DCDiva28

· @DCDiva28 NPR yesterday. Lemme see if I can find transcripts and archives. You’re going to “heart” that interview, I think…32 minutes ago from web in reply to DCDiva28

@RachelQuart #glee needs to quit with the Journey though, & I’d like less AutoTune (TM) but other than that I thought it was grrreat!35 minutes ago from web in reply to RachelQuart

Did anyone out there actually dislike #glee ? I soooo wanted to, but was pleasantly surprised.38 minutes ago from web

· #glee Don’t think I’ve ever seen a twittersearch topic blow up this much. Brace URself http://www.twittering.org peeps — enough bandwidth?about 1 hour ago from web

· The #glee twitter search is blowing up. 590 new entries in the time it takes to write and hit /update/ … oops 61, 188 more results…about 1 hour ago from web

· OK I love #glee and I hate #glee I’d say that’s another indication of a critical success, eh?about 1 hour ago from web

· “you’re a 9, you need a 10.” Who’s thinking Bend It Like Beckham right about now? funk soul brother… #gleeabout 1 hour ago from web

· #glee I don’t know about anyone else but I flinch every time I hear autotune (TM) ok? please make a note of it…about 1 hour ago from web

· #glee I coulda done without the prot00lz autotune overproduction ok?about 1 hour ago from web

· Ok, this ending to #glee feels like an episode of HBOTime’s Weeds.about 1 hour ago from web

· OK, #glee ; underdog, punching sides of beef, climbing ziggurats like Rocky Balboa roaring crescendo, come on… give it to us. 😉about 1 hour ago from web

· #glee Watching teens & preteens singing about how they refuse to go to rehab is just surreal, but from the guy who brought us Nip/Tuck.. okabout 1 hour ago from web

· @trixieleesam thnxabout 1 hour ago from web in reply to trixieleesam

· @DCDiva28 cool. I think it’s a sure thing. Was listening to a 1hr interview with the screenwriter on NPR ystrday. Sounded compelling. #gleeabout 1 hour ago from web in reply to DCDiva28

· #glee : / D A Bm G / D A F#m G / — Dont stop ghostwritin’ / Hold on to the rights, yeah / Backdoor peopleabout 1 hour ago from web

· Dont stop ghostwritin’ / Hold on to the rights, yeah / Backdoor people / D A Bm G / D A F#m G /about 1 hour ago from web

· jezuz, #glee is this entire series going to be so that Journey can re-license each and every tired old worn out ghostwritten crap-t00n???about 1 hour ago from web

· @DCDiva28 very. I’d watch this weekly I think. #gleeabout 2 hours ago from web in reply to DCDiva28

· @DCDiva28 What sux0rs about #glee is if this pilot succeeds, we’re not seeing it again til september! Strange marketing! @Rora_ @allie_88about 2 hours ago from web

· @DCDiva28 wait’ll you hear Rehab!about 2 hours ago from web in reply to DCDiva28

· @DCDiva28 Aglee. Er Uh, Er, I mean Agree. 😛about 2 hours ago from web in reply to DCDiva28

· Glee is the name of the show following Amerikan Idle 2nite. It’s a pilot. In case NE1 was wondering…about 2 hours ago from web

05/13/2009

Pete Seeger A Big Link Between Highlander and CNVA

Filed under: Academic,Mundane Or Sublime,Music and Stuff — admin @ 8:27 am

1960: Attempting a Snapshot of Peace Moments in Connecticut and Tennessee.

By Marc Frucht

University Of Connecticut 4may09

Companion Video.

Committee for Nonviolent Action and the Highlander Center share so much in common throughout their distinct experiences in Connecticut and Tennessee respectively, that this essay will only attempt to survey the ideas and events around one important year in their common history; 1960.

CNVA was founded nationally in 1957 by A.J. Muste, a veteran labor agitator and Christian pacifist and David Dellinger who had been a conscientious objector since at least as early as World War II. (Brick,149) Many chapters were started around the country in the next few years, including the New England CNVA which began in 1960. Today, the New England CNVA is known as the Voluntown Peace Trust.

Highlander Folk School was established in the 1930s by Myles Horton to train labor and Civil Rights activists. Nonviolence and music were always common themes there but didn’t come into primary focus until the late 50s and early 60s. Some of this was at the inspiration of Mohandas Gandhi because he had taught non-violent direct action as a tool the people in India could use in their struggle against British rule.

Horton says the following about music in the movement:

Song, music and food are integral parts of education at Highlander. Music is one way for people to express their traditions, longings and determination. Many people have made significant contributions to music at Highlander. In the early days, Woody Guthrie and Pete Seeger came to visit. Later on, Frank Hamilton and Jack Elliott spent time with us. More recently, the Freedom Singers, Bernice Reagon and Sweet Honey in the Rock, as well as Highlander’s former codirector, Jane Sapp, have been regular contributors. There were also those who stayed at Highlander for longer periods, such as Lee Hays, one of the original Almanac Singers, and Waldemar Hille. (Horton,158)

One of the times Martin Luther King, Jr., was at Highlander, he was a keynote speaker at their seventh annual College Workshop, April 15, 1960. In this speech he called for a nationwide campaign of selective buying and said he wished for people to hold their money from places all over the south that were violent and racist.

“There is another element that must be present in our struggle that then makes our resistance and nonviolence truly meaningful. That element is reconciliation. Our ultimate end must be the creation of the beloved community.” (Adams, 154)

1960 was a very busy year for Folksinger Pete Seeger too, singing everywhere from the Nevada Test Site to protests of the Polaris submarine launchings in Groton, CT., not to mention making all the time necessary to coproduce television pilots with his wife Toshi that eventually became the weekly show Rainbow Quest on WNJU-TV in New York and New Jersey.

Marj Swann printed the following in Polaris Action Bulletin #4. 13jun60:

Four Canadian young people asked why Americans are so afraid to speak out against Government policies or to be different. At the festival, Pete Seeger, who had visited the New London office earlier, dedicated “The Hammer Song” to the Satyagraha, a sloop named after some of Gandhi’s famous nonviolent direct actions. (Swann,132)

She also credited Seeger working alongside so many other people elsewhere in the same document:

Since June 18, New London Polaris action participants have included David and Gretchen Cryer, Steve Dillingham, Erica Enzer, Charles Gardner, Art Harvey, Julius, Karl and Mimi Jacobs, Peter Kiger, Jim and Sue Lieberman, Adam Lohaus, Ken Meister, Dr., William Moser, Dr. and Mrs. Phillips Moulton and their two children, A.J. Muste, Gladney Oakley, Pete Seeger, Erica Sachs. (Swann,133)

When Seeger wasn’t singing in Connecticut, home in Upstate New York on the Hudson river, or playing a gig somewhere else in the world he was at the Highlander Folk School. (Over the years, Highlander came to be called the Highlander Research and Education Center.

Highlander was where Guy Carawan spent years teaching countless people to sing many songs, but notably “We Shall Overcome.” Nashville Public Library has a Photograph of a meeting at Fisk University, where Guy Carawan leads song on his guitar, April 21, 1960. (Gunter,1) That song was fast becoming a staple for folksingers all over America. It’s still very popular today.

So who taught Carawan to play that song? Pete Seeger of course; but who taught it to Pete? Zilphia Horton showed him the tune as her all-time favorite song when she was Highlander’s music director. Where the song originally came from and how it changed over time would easily be a good topic for anyone’s PHD thesis, because it changed so much over the decades like a well worn shoe; but Pete Seeger is credited with changing “I” to “We” and helping spread the song all over the deep south. Many consider that song to be the earliest primary link between the following movements, Abolition, Labor, Civil Rights, Peace, No-Nukes, Anti-Globalization and all points in between. Some could even argue Pete Seeger himself was that link.

Nevertheless, that song was being taught at CNVA, Highlander, and anywhere else people were discussing American social justice in 1960.

A summary of Swarthmore’s archive of College Peace papers says that

CNVA was one of the first American peace groups to “focus on nonviolent direct action including civil disobedience.” Its purpose of organizing “imaginative and dramatic protest demonstrations on both land and sea attracted radical pacifists and called the attention of the American public to the atrocities of nuclear warfare.” (Papers)

What was happening in New London County, that would call for songs, and people like Carawan, Seeger and Joan Baez to drop in often?

Polaris.

The Committee for Nonviolent Action has been concentrating its activities, since June, in New London, Connecticut — home of the Polaris submarine. The Peacemakers, late in August, chose the same town in which to hold a sixteen-day training program in nonviolent methods. I attended all sixteen days of the program. When I first learned of about it through chance, I decided to attend for perhaps a day. I had been reading Gandhi eagerly for the past year. But I expected to be unimpressed by the people I would find in New London. I assumed blandly that if they were, in fact, impressive, I should somehow have heard about them before this. (Deming, 24)

New London County is very close to New York and Boston but it’s also just a short drive from Newport. Of course that means the annual Jazz fests and Folk fests can be an easy visit for someone with a local gig; but oftentimes they would stay there at CNVA instead of booking a hotel room. And of course that made them an excellent guest teacher for a day or three.

While the members of Polaris Action were at the Newport Folk festival, they and Pete Seeger brought the project to the attention of Joan Baez, whom they had heard was a pacifist. That was the first time that Joan sang at the festival, and her extraordinarily clear, wide-ranged, powerful and moving soprano voice propelled her into the stature of perhaps the country’s premiere folk singer. (Swann,135)

Highlander was under attack by paramilitary repression as well as governmental harassment; and 1960 was not unlike many other years in Highlander’s history.

Then they arrested Guy Carawan and two other men. The charges were that Highlander was selling beer without a license and running interracial classes. (Septima [Clark] was serving Kool-Aid to high school-aged black kids from a Montgomery church group that was meeting at Highlander.) That’s the night the verse “We are not afraid” was added to “We Shall Overcome,” and it was not only the beginning of that verse, but it started the trial that resulted in the state’s confiscating Highlander’s property. (Horton,110)

CNVA was attacked in similar fashion just 8 years later while the Vietnam war was being escalated but that’s best served as topic for another discussion. Guy and his wife Candie Carawan are best known for documenting civil rights music on LP (who remembers the record album?) Many commercially released recordings and printed music anthologies have their name in production. Alas, they’d met in 1960 at Highlander! (Guy)

Not only was the song “We Shall Overcome” starting to travel all over the world, but so were many age-old concepts around Civil Rights; and perhaps some new ones.

Miles Horton says on his way to South Africa he, “had stopped off in London to visit friends, Judy and Herb Kohl. Herb and I decided to go to Belfast to talk with Tom Lovett and his family, who had previously been to Highlander for two months or so. When Tom left Highlander, he intended to go back and adapt some of the ideas he learned there to the situation in Belfast.” (Horton,221)

Meanwhile back in 1960; let’s look at CNVA some more.

“I was present at a number of these conversations,” says Barbara Deming about nonviolent training sessions in Southeastern Connecticut, “and some of them were startling to me. Many took place at C.N.V.A. headquarters — a tiny office at 13 Bank Street — where townspeople dropped in either to heckle or to ask questions; most of them were at Electric Boat, where larger and larger crowds of workers, as well as passersby, would gather after the acts of trespass. Over the months, more and more townspeople expressed sympathy, and a handful of workers volunteered to quit their jobs if the committee could find them other work.” (Deming, 27)

Deming’s book, Revolution & Equilibrium is chock full of helpful hints for Peacemakers all over the world, not just southern New England. In fact, she begins a chapter titled “The Peacemakers” with this timeless (unfortunately still pertinent!) Albert Camus quote:

A vast conspiracy of silence has spread all about us, a conspiracy accepted by those who are frightened and who rationalize their fears in order to hide them from themselves… And for all who can live only in an atmosphere of human dialogue and sociability, this silence is the end of the world… Among the powerful of today, these are the men without a kingdom… nor will they recover their kingdom until they come to know precisely what they want and proclaim it directly and boldly enough to make their words a stimulus to action. (Deming, 23)

This is a reprint from December 17, 1960’s Nation magazine, and she’s discussing people who focus on Gandhi’s way of doing much of their work behind the scenes as the years continue on along with the issues of the day; and she writes how she feels about the fact that these same people who seldom make headlines are actually doing incredibly profound things. And many of them. Nonviolent resistance, she insists, is a long-term struggle but well worth it. She died in 1984 so didn’t get to see a Barack Obama become President of the United States; or Pete Seeger for that matter, singing the complete Woody Guthrie version of “This Land Is Your Land” at his inauguration, as well as John Lewis, Joseph Lowery and so many other people who’ve remained immersed in struggle since at least as far back as 1960.

In spring, 1962 CNVA organized three simultaneous walks that began in New Hampshire, Chicago and Nashville, Tenn., all with the intention of converging on Washington, DC., on the same day there was nonviolent direct action planned at the Pentagon.

The unique aspect of this project was that the Southern walk was integrated and came during a period when violence against civil rights activists was commonplace throughout the South. The Nashville walk for peace signified to the public what had been true all along: that the nonviolent civil rights movement and the radical peace movement were two aspects of the same struggle. (Cooney,148)

Reverand James Lawson spoke the afternoon at the sendoff for the Nashville to Washington walk where he and Metz Rollins had been invited by SNCC (the Student Nonviolent Coordinating Committee.)

In the course of his talk, he remarked, “There is a clear-cut relation between the peace walk and what some of us are seeking to do in the emerging nonviolent movement in the South. Some people have tried to classify our effort here as one that is of and for and by the Negro. They have tried to define the struggle for integration as a struggle to gain the Negro more power. I maintain that it is not the case.” (Deming,104)

Nonviolence and music carry on year after year helping maintain memory within the various different aspects of the peace movement. Take a quick look what CNVA was up to in the late 1970s as well.

The call went out on February 16, 1977. Charlie King, Joanne McGloin, Joanne Sheehan, and Rick Gaumer, at the Community for Non-Violence in Voluntown, CT had evidence, from participating in the Continental Walk for Disarmament and Social Justice that others were also singing and collecting songs that gave voice to people’s struggles. The group wanted to do what came naturally — bring these folks out of the woodwork and see what happened. (Newberg)

Odetta should be mentioned as well. She may not have ever been to Connecticut or Tennessee but her songs sure have. She almost lived long enough to sing for Obama’s inauguration this year; but she died just last December not too long after saying how proud she was “that we now have a black man as president of the United States.”

Giving voice to people’s struggles is what so many people around the United States hope the current President will do for them, but people like Odetta, Seeger, Baez and Carawan have always known it’s something we will always have to do for ourselves and for each other.

Odetta shared a stage in Washington DC back in 1998 with Seeger, Bruce Cockburn and the Indigo Girls to raise funds for both School Of Americas Watch and the Nevada Desert Experience, which brings nonviolent direct action full circle from the very first days of CNVA at the Nevada Test Site right on through the Polaris protests and on to the present with people all over the American peace movement protesting war, nuclear weapons, extraordinary rendition and the training of torture.

Pete Seeger’s 90th birthday party managed to sell out Madison Square Garden this year on Sunday May 3, 2009. Earlier in the year, Seeger also had joined his grandson Tao Rodriguez Seeger and Bruce Springsteen singing “This Land Is Your Land” at Obama’s inauguration, and he also made time to sing at Highlander Center for their 75th anniversary Sept 1, 2007. New England CNVA’s 50th anniversary is coming up next year.

Perhaps Seeger and his grandson Tao could get Cockburn, the Indigo Girls, Bruce Springsteen and so many other people to join them in singing “We Shall Overcome” at the VPT’s birthday party next year too.

Works Cited:

Adams, Frank. Unearthing Seeds of Fire: The Idea of Highlander. John F. Blair Publisher, 1975.

Brick, Howard. Age of Contradiction: American Thought and Culture in the 1960s. Ithaca: Cornell University Press, 2001.

Cooney, Robert. The Power of the People: Active Nonviolence in the United States. New Society Pub, 1987.

Deming, Barbara. Revolution & Equilibrium. Grossman, New York, 1971.

Gunter, Jack . “Photograph of mass meeting, Fisk University.” digital.library.nashville. 4 May. 2009. <http://digital.library.nashville.org/item/?CISOPTR=558&CISOROOT=%2Fnr>.

“Guy Carawan Biography.” Civil Rights Digital Library. 5 May. 2009. <http://crdl.usg.edu/voci/go/crdl/people/viewP/7005/Guy/Carawan%3Bjsessionid=F07DC50BD55A40BFD0DF13C30C6E92D2>.

Horton, Myles, and Judith Kohl, and Herbert Kohl. The Long Haul: An Autobiography. New York: Teachers College Press, 1997.

Newberg, Helene . “Homemade jam: a potpourri of regional folk activities in North America & abroad.” Sing Out Magazine. 1 Jan. 2002. 2 May. 2009. <http://www.encyclopedia.com/doc/1G1-82012502.html>.

“Papers of the New England Committee for Nonviolent Action.” Swarthmore College Peace Collection. 24 Sep. 2007. 16 May. 2009. <http://swarthmore.edu/Library/peace/DG001-025/dg017/dg017cnvane.htm>.

Swann, Marj. (Unpublished). Prospectus For a History of New England CNVA. pp. 124-143 Voluntown, CT:

Important websites:

http://www.voluntownpeacetrust.org

http://www.highlandercenter.org

This document is open source and copyleft.

It is companion to a video at:

http://www.youtube.com/watch?v=SetFVbLCPkQ&feature=channel_page

05/05/2009

Happy 5th of Mayo!

Filed under: Food,Humor,Music and Stuff — admin @ 2:54 pm

Happy 5th of mayo, everyone…

http://www.folkalley.com/music/peteseeger

http://www.democracynow.org/2006/9/4/we_shall_overcome_an_hour_with Pete Seeger!

http://narcosphere.narconews.com/thefield/seeger-concert-new-york-shall-rise-again

03/16/2009

RELEASED: Issue 532 of Zine. (No Embargo)

Filed under: Academic,Humor,Music and Stuff,News,OpEd,Pop Culture,Tech — admin @ 3:55 am

atizine

RELEASED: Issue 532 of Zine. (No Embargo)

http://www.infomaniack.org/…

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