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10/21/2011

Transcribing The Revolution — Let’s never 4get Dorothy Day. Never 4get Abbie Hoffman

“People galore” are starting to quote Abbie Hoffman about Occupy Wall Street and its possible relationship alongside the “Arab Spring.” Of course the irony from when Yipsters dropped 50 hundred dollar bills on the stock exchange floor starting a riot, was not lost on many of us right? There’s even a youtube of an old Abbie speech being used as a retort to a “999” republican presidential nomination hopeful.

http://www.youtube.com/watch?v=axpA12hbmao

I went back and looked over the transcript floating around the internet from Abbie’s Rutgers ’88 speech and noticed there were some important things missing despite what a great “rush transcript” it turned out to be, so here’s a first draft toward an exact relic of what Abbie said out loud on that great powerful, sublime, moment. I was there, I recorded it with a microcassette tape, I was blown away, and many things in my life including my guitar career, volunteerism, organizing, social networking, etc., are all pretty much thanks to Abbie Hoffman. So here you go. Enjoy. I’ll end this with links to the mp3, and other related things such as this commemoration I noticed today:

http://www.onthisdeity.com/12th-april-1989-%E2%80%93-the-revolutionary-suicide-of-abbie-hoffman/

I guess you can’t see my button. It says, “I fought tuition.” It’s a two- button set, actually. The second button says, “And tuition won.”

You should know that more than 650 students have registered as delegates here, representing over 130 different schools. You have come despite freezing weather and hard economic times to do something that I’m not sure anyone here is ready yet to comprehend. I am absolutely convinced that you are making history just by being here. You are proving that the image of the American college student as a career-interested, marriage- interested, self-centered yuppie is absolutely outdated, that a new age is on the rise, a new college student.

There’s been a lot of talk about comparing today to what went on in the sixties. I would remind you that in 1960, when we started the Student Nonviolent Coordinating Committee of which I was a member, which went on to fight in the South in the civil rights movement, there were  less than 30 people came together to begin it. The famous Students for a Democratic Society, that you’re all reading about, was formed in 1962 with exactly 59 people representing. No one before has done anything this bold, imaginative, creative, and daring to bring together this many different strains of people together, who all believe in radical change in our society. It’s just an amazing feat. And I wish you the best of luck today, and especially tomorrow, when you have to make a decision of whether you go forward or backward.

I’d also like to take this moment to salute our glorious actor-in-chief: Happy Birthday Ronald Reagan! I hope he and Nancy are eating shitcakes tonite. I call all his speeches the “state of the onion address.” Is that bullcrap or what, like seven years bad luck all his speeches. I call them “Good Morning America” speeches. I don’t believe anyone in here believes it’s “Good morning in America” tonight.

I have a lot of speeches in my head: I give a speech on the CIA, urine testing, nuclear power, saving water: that’s my local battle, just down river from here We’re fighting the Philadelphia Electric Company’s attempt to steal the waters of the Delaware River for yet another nuclear plant. A local battle? I don’t know. One out of ten Americans drink from that river. I also speak on the modern history of student protest and on Central America, where I’ve been five times. Every time I get before a microphone I’m extremely nervous that chromosome damage and Alzheimer’s will take their toll and  I’ll come out foaming at the mouth, accusing the CIA of pissing in the nuclear plants, to poison the water, to burn out the minds of youth, so they’ll be easy cannon fodder for the Pentagon’s war in Central America. Actually, that’s probably not a bad speech.

On Tuesday I had to give a speech at the local grammar school to nine-year-olds. I said, “Go ahead, pick any subject you want.” They wanted to hear about hippies. My 16-year-old kid, America, heard me give this speech about how you can’t have political and social change without cultural change as well, they have to go hand in hand; and he said, “Daddy, you’re not gonna bring back the hippies, are you? The hippies go to Van Halen concerts, get drunk, throw up on their sweatshirts and beat up all the punks in town.” I said, “Okay, no hippies.” That was last year, this year he’s changed his mind. It’s amazing; his mother and I were activists in the sixties, and he heard all the anti-war stories over and over again, never believed any of it. Then one night last spring he saw the documentary “Twenty Years Ago Today” about the effect of the Beatles’ Sergeant Peppers Lonely Hearts Club Band on us all. It’s about the only thing I’m ever going to recommend to anybody about the sixties actually, a simply brilliant documentary. He sat there watching cops fight with young people in the streets, people putting flowers at the Pentagon in the soldiers’ bayonets, and he watched the Pentagon rise in the air, he saw it move just like we said it did.

Tears came streaming out of his eyes, and he called up and said, “Daddy, why was I born now? I should have been a hippie.” Now he goes to Grateful Dead concerts, and he’s very anti-structure. He wants a car and I said he should have a drivers license first and he said too much structure.

When I went to college long ago there was a ritual that we all had to go through at freshman induction. We were herded into a big room like this; and the dean of admissions came and gave us the famous speech, “Look to your right, look to your left, one of you three won’t be here in four years when it comes time to graduate.” I’m going to say to you, “Look to your right, look to your left, two of you three aren’t going to be here in four years when it comes time to graduate.” And I’m going to say to you, look to the right and left. Two of the three of you aren’t going to be here in four years; that’s about the attrition rate of the Left. I’m sure that many of the people who want to organize interplanetary space connections have got everything worked out with Shirley MacLaine, and it’s okay with me that they become moonies and yuppies and then born-again Mormons. They’re not the ones that keep me up at night. But I worry about the good organizers, the successful organizers. You’re the ones who know that you can actually get better at this, that you can get good at it. That being on the side of the angels, being right, isn’t enough. To succeed you also have to work very hard with lots of cooperation from those around you. You have to have your wits about you continuously, show up on time, and follow through. All those things that made that video successful; all the things making Peacenet possible, that Mark didn’t speak about earlier. The things that take place behind the scenes that keep you aimed at a goal, at victory, at success. And I worry because somehow on the Left, all too often, it’s like three people in a phone booth trying to get out. Two are really trying to kick the third one out, and that’s how they spend all their time. The third one’s always called some dirty name that ends in an “ist.” It’s been a movement that devours its own. I look out at you and I think of my comrades, not the people you saw in The Big Chill, but people that were great movement organizers. You know some of their names and many others you don’t know. They risked not just their careers, marriage plans and ostracism from their family, but their lives. They faced mobs; thousands of people with chains and brass knuckles, the clubs of the police, the dirty tricks and infiltrations of the FBI, the CIA, Army intelligence, Navy intelligence, and local red squads all around the country. They had pressure put on their families; and they were prepared for all of this when they decided to go against the grain and take on the powers that be. But what they were not prepared for the infighting. They were not prepared for a movement that devours itself. That has got to cease. I remember a very free and open democratic meeting in a room in New York City in 1971. All the various strains were there. There was one group that disagreed with the decision- making structure that had been set up. They wanted to settle their differences with the majority so they came armed with baseball bats. I can’t remember the group’s name – it was The National Labor Committee or Caucus – but I do remember the name of its leader, Lynn Marcus, better known today as Lyndon LaRouche. That’s right. Lots of problems that we have are in that we are too issue-oriented and not practical enough. We debate issues endlessly, deciding whose issue is more important than whose other issue, and so letting the moment of opportunity in history pass. By that time there’s another issue there that’s outstripped the other two. Or we debate which “ism” is more important than which other “ism,” and I tend to agree with Little Steven that all the isms lead to schisms lead to wasms. We need a new language as we enter the next century.

We need to be rid of false dichotomies. For example there’s been a big discussion going on for the last couple of days here about whether the organizing focus should be local, regional, national or interplanetary. I have never seen a national issue won that wasn’t based on grassroots organizing and support. On the other hand, I have never ever seen a local issue won that didn’t rely on outside support and outside agitators. These are false dichotomies. the second false dichotomy is one that I call “In the System/out of the System.” The line between inside the system and outside it is a semipermeable membrane. And either-or is only a metaphysical question, not a practical one. The correct stance, especially now in these times, is one foot in the street – the foot of courage, that gets off the curbstone of indifference – and one foot in the system – the intelligent foot, the one that learns how to develop strategies, to build coalitions, to negotiate differences, to raise money, to do mailing lists, to make use of the electronic media. You need that foot, too. The brave foot goes out into the street to strike out against the enculturation process that says: “Stay indoors,” “Don’t go out in the street,” “There’s crime in the street,” “It’s bad in the street,” “You lose your job in the street,” “You’ll be homeless,” “It’s terrible,” ‘.’Yecch.” Civil disobedience – blocking trucks, digging up the soil, occupying buildings, chaining yourself to fences (I spent my summer vacation with Amy Carter chained to a fence) – can be a necessary act of courage, but it doesn’t take a hell of a lot of brains.

Another speech I didn’t bring today for the sake of time I called “The Curse of Consensus Decision Making,” because consensus decision making is rule of the minority: and I’ll tell you I’ve seen every single game played against consensus right up to reformers, venture capitalists right on down to New Agers. The easiest form to manipulate, the easiest way to block any real decision making. Trying to get everyone to agree takes forever. Usually the people are broke, without alternatives, with no new language, just competing to see who can burn the shit out of the other the most. Most decisions are consensus but you have to develop a format whereby you can express your differences. There must be a spirit of agreement and in this way most decisions are made by consensus, but there must also be a format whereby you can express your differences. The democratic parliamentary procedure – majority rule – is the toughest to stack, because in order to really get your point across you’ve got to get more people in cooperation, and to go out and get more people to come in so you have those votes the next time around. Now we always used consensus in the 60s. By 1970 it was getting to be a problem when you had 15 people show up and three were FBI agents and six were schizophrenics.

The second thing to tell you is not needed. I don’t blame you for being a little, oh, actually my vision of America is not as cheery and optimistic as Steven’s. I agree with Charles Dickens, “These are the worst of times, these are the worst of times.” If you look at the institutions around us. Financial institutions, bankrupt; religious institutions, immoral; communications institutions don’t communicate; educational institutions don’t educate. A poll yesterday showed that 48% of Americans want someone else to run than the current candidates. And it’s what, six dwarfs and two cretins? I don’t know, there seems to be a slim field out there. The last election in 1987 had the lowest turnout since 1942. There are people that say to a gathering such as this – for students to take their proper role in the front lines of social change in America, fighting for peace and justice – that this is not the time. This is not the time??  You could never have had a better time in history than right now.

Well, I have my fingers crossed because I hope that you won’t let the internal differences divide you. I hope that you’ll be able to focus on the enemies out there; really out there! In the late sixties we were so fed up we wanted to destroy it all. That’s when we changed the name of America and stuck in the “k.” The mood today is different, and the language that will respond to today’s mood will be different. Things are so deteriorated in this society, that it’s not up to you to destroy America, it’s up to you to go out and save America. The same impulse that helped us fight our way out of one empire 200 years ago must help us get free of the Holy Financial Empire today. I’m talking about the same transnationals that Mark was talking about – with their money in Switzerland, headquarters in Luxembourg, ships in tax-free Panama, natural resources all over the emerging world, and their sleepy consumers in the United States – do not have the interest of the United States at heart. Ronald Reagan and the CIA are traitors to America, they have sold it to the Holy Financial Empire. The enemy is out there, he’s not in this room. People are allowed to have different visions and different views, but you have to have unity.

You also have to communicate a message and to do that you need a medium. We know television as the boob tube. We know educational television is an oxymoronic  contradiction in terms. We know it from reading fake intellectuals like Alan Bloom and his Closing of the American Mind, or from reading good ones like Neil Postman, whose Amusing Ourselves to Death: Public Discourse in the A8e of Showbiz is a wonderful book. Bloom wants us to shut off the t.v. and start reading the Bible, and Postman just wants us to shut off the t.v. They are critics of t.v., but they are not organizers. A lot of people say, Abbie, you just perform for the media, that’s all you do, you manipulate, a lot of things like that. This is a misconception. I have never in my life done anything for the media. I’m speaking to you through a microphone because my voice is soft, and I couldn’t reach all of you unless I used it. That’s why I use the microphone. But my talk is not for this goddamn microphone. If you want to reach hundreds of thousands or millions of people, you have to use the media and television. Television has an immense impact on our lives. It’s why we don’t read, we just look at things. We don t gather information in an intellectual way, we just want to keep in touch.

You know reactionaries watch Wheel of Fortune, and liberals watch Jeapordy. You always get an answer before you get a question. woo hoo…

One hundred and thirty schools represented here today out of 5,000 colleges and universities in America reminds us that going against the grain at the University of South Dakota or Louisiana State is a very tough, lonely job. You have to feel that you’re a part of something bigger. You want to know that there’s a movement out there. That’s where the role of a national student organization comes in. It is so important, giving hope and comfort to people that are out there trying to make change at a grassroots level.

Television, as bad as it is, has the ability to penetrate our fantasy world. That’s why the images are quick action-packed, very short, very limited and at the same time, very specific, and tends to get vague, blurry, and distorted. How can these images not be very important? They determine our view of the world. We in New England would not have known there was a civil rights movement in the South. We would not have known racism existed, that blacks were getting lynched, that blacks were not getting service at a Woolworth counter, if it hadn t been for television. We weren’t taught it in our schools or churches. We had to see it and feel it with our eyes. You have to use that medium to get across the image that students have changed. You have to show it to them. Let the world watch, just like we watched students in the Gaza strip fight for their freedom and justice, students in Johannesburg, in E1 Salvador, in Central America, in the Philipines fight for their freedom.

The student movement is a global movement. It is always the young that make the change. You don’t get these ideas when you’re middle-aged. Young people have daring, creativity, imagination and personal computers. Above all, what you have as young people that’s vitally needed to make social change, is impatience. You want it to happen now. There have to be enough people that say, “We want it now, in our lifetime. ” We want to see apartheid in South Africa come down right now. We want to see the war in Central America stop right now. We want the CIA off our campus right now. We want an end to sexual harassment in our communities right now. This is your moment. This is your opportunity.

Be adventurists in the sense of being bold and daring. Be opportunists and seize this opportunity, this moment in history, to go out and save our country. It’s your turn now. Thank you.

http://milwaukee.indymedia.org/en/2004/02/200366.shtml

http://radio.indymedia.org/de/node/1429

09/17/2011

Becoming a 2011 NAMA Nominee for my song “Frybread;” wow!

Filed under: Mundane Or Sublime,Music and Stuff,News,Pop Culture — admin @ 5:05 am

Woah, now I can now call myself a Nammy nominated songwriter and record producer.

My mind is blown.

I’m so excited about this, but I’m happiest about the fact that this might get even more people singing this song. Yay!

And most excited that even more and more people get to hear the storyline behind the lyrics to this song. Yay! Exponentially more people can share this song now than I could ever have pulled off on my own with normal distribution channels such as labels and advertising firms. Yippie!

When I first heard I got the nomination I ran around my yard screaming, I’m not going to lie. A little bit awkward because it was about 1am on a weeknight. Then I couldn’t sleep which is not a good thing for me right now because I teach 7th graders. You definitely need all the energy 7-8 hours can bring you if you’re going to keep your wits about you with middle schoolers.

So here’s the press release the NAMMYS are sending around and instructions for online peoples’ choice voting and stuff.

Thank you everyone who helped further the non-traditional production and distribution of this song. I’m grateful, humbled and inspired. Winning would of course be extra cool, I’ll know if it does that on 7oct up near Niagara Falls! But I have to tell you, getting this nomination truly is the best thing that has ever happened to me in my life since the day I was adopted!

Peace and love,

marco frucht

_______________________________________

“This year’s nominated recordings span from historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence. Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.

These are the many voices of the original roots music of the Americas and they arrive at their strongest and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear. ”

—  Ellen Bello

Founder/President

Native American Music Awards

FOR IMMEDIATE RELEASE

Nominees Announced for the

Thirteenth Annual

Native American Music Awards

To Be Held On Friday, October 7, 2011

At The Seneca Niagara Hotel & Casino In Niagara Falls

Featuring Performances By Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old Dylan Jennett.

Plus Keith Secola and Nokie Edwards Hall of Fame Inductions

And Jim Thorpe Award Presentation to Ted Nolan

Tickets On-Sale Now At All Ticketmaster Outlets & At The Seneca Casino Box Office

September 16, 2011 – New York, NY.  Nominations for the 13th Annual Native American Music Awards (NAMA) were announced today by The Native American Music Association  reflecting the combined votes of the NAMA Advisory Board Membership Nominating Committee and general public membership.

General Public voting is now open  on the Awards website or by clicking the followiing link: 

https://www.surveymonkey.com/s/NAMA2011W

Winners will be announced at the 13th Annual Native American Music Awards which will be held on Friday, October 7, 2011 at the Seneca Entertainment Center in the Seneca Casino & Hotel in Niagara Falls, New York.

Tickets are on-sale now through www.Ticketmaster.com, all ticketmaster outlets, and at the Seneca box office (716) 501 2444.  Tickets are $25.00 and up.  Special discounted hotel rates are available for NAMA attendees at $189.00 plus tax and fees per night on a first come first serve basis and by calling 716-299-1100 or 1-877-8SENECA (73-6322) and using the code name; NAMMYS. NAMA Advisory members and nominated artists who are attending, should contact the Awards office before purchasing tickets.

Both new and established artists share the list of nominations throughout a diverse array of 35 music categories spanning all genres. A new category was launched this year for Best Latin American Indigenous Recording. This is the second consecutive year that N.A.M.A. has added a new Awards category. Last year’s Awards program introduced a new music category for Best Waila Recording.

This year’s top nominees all with three nods each are; Shelley Morningsong’s Full Circle, Pipestone’s As The Rez Turns, Jack Gladstone’s Native Anthropology Challenge, Choice and Promise in the 21st Century, Jan Michael Looking Wolf’sLive As One, Aaron White and Anthony Wakeman’s Handprints of Our People, Derek Miller’s Stoned For Days, and newcomers’, Josh Halverson’s These Timesand October Soul’s Don’t Turn Back.

Tied with two nominations each are recording artists: Aura Surey (Cherokee),  Becky Thomas (Cherokee) , Bobby Bullet (Lac Du Flambeau), Brad Clonch (Choctaw), Desiree Dorion (Cree), Doc featuring Spencer Battiest (Seminole), Don Amero (Metis), Dylan Jenet Collins (Montaukett) , Evan Lee Cummins (Crow), Gabriel Ayala (Yaqui), Gary Small & The Coyote Brothers (Northern Cheyenne), Gilbert Tyner (Comanche), Golana (Cherokee), Jimmy Lee Young (Mayan), JJ Kent (Oglala Sioux), Jonathan C. Ward (Lumbee), Joy Harjo (Muskoke), Lady Xplicit (Navajo), Leanne Goose & Snow Blind (Inuit & Dene), Louis Capchez (Quechua Inka), Marc Brown & The Blues Crew (Huslia), Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee), Mike Gouchie (Lheidli T’enneh), Mike Hammar and The Nails (Muscogee Creek),  Northern Cree (Cree), Northern Cree Fiddle (Cree), Plenty Wolf Singers (Oglala Lakota), Randy Granger (Cholton/ Mayan),  Rushingwind & Mucklow (Cahuilla), Shane Yellowbird (Cree), Southern Scratch (Tohono O’odham), Talibah Begay (Navajo Dine), Tonemah (Kiowa/Comanche/Tuscarora), Uno (Cherokee), Vince Fontaine (Ojibway), Vince Redhouse (Navajo)and Yvonne St. Germaine (Cree)

“This year’s nominated recordings span from; historical recordings featuring the prison writings of Leonard Peltier, present day questions for the great Ogalala leader, Crazy Horse, to Native youth speaking louder than ever with their powerful raps about their poignant plights armed with a spirit of undaunted perserverence,” states Awards President, Ellen Bello.  “Music productions throughout our 35 categories reflect an impressive and diverse array of talent and soundscapes from all ages and tribal nations throughout the Americas and Europe as well.”

These are the many voices of the original roots music of the Americas and this year, they arrive at their strongest, and in record-breaking numbers, with over 200 CD and DVD recordings submitted this year for all to hear.  The upcoming Awards celebration promises to be unlike any before.

Scheduled to perform at the 13th Annual Native American Music Awards show will be; Derek Miller, Gabriel Ayala, Pipestone, Yarina, Janice Marie Johnson, and a national debut by 13 year old female vocalist, Dylan Jennett. Plus Keith Secola and Nokie Edwards of The Ventures (Wipe Out, Hawaii Five-O) who won Best Instrumental Recording at last year’s Awards show for his solo instrumental effort, “Hitchin’ A Ride,” will be honored with Hall of Fame Inductions.  A Jim Thorpe Sports Award Presentation will be made to former Head Coach of the Buffalo Sabres and New York Islanders, Ted Nolan. Other special guests include Winona LaDuke and Buddy Big Mountain with more to be announced.

Public voting to determine the winner of each category is open to the general public. Music tracks from all nominees are featured on the Awards’ website.

The Native American Music Awards & Association is the world’s largest professional membership-based organization committed to honoring  contemporary and traditional Native American music initiatives.

See below for a complete list of official nominees for the 13th Annual Native American Awards. The Native American Music Awards & Association extends its sincerest congratulations to all the 2011 NAMA Nominees.

ARTIST OF THE YEAR

Bobby Bullet (Lac Du Flambeau) – Bigfoot

Gabriel Ayala (Yaqui)– Passion Fire & Grace

JJ Kent (Oglala Sioux) – Prairie Meditation

Joy Harjo (Muskoke) – Red Dreams, A Trail Beyond Tears

Vince Redhouse (Navajo)– Hozhooji’ – The Beauty and Blessing Within Us (Navajo)

Yvonne St. Germaine (Cree) – My Jesus I Love Thee

BEST BLUES RECORDING

Blues Joose Vol1 – Joel Johnson (Tuscarora)

Indian Rock ‘n Roll – Marc Brown & The Blues Crew (Huslia) STOPPED

Recipe for the Blues – Mike Hammar and The Nails (Muscogee Creek)

Rez-Bomb – Cornbred (Onondaga)

Table Top Three – Table Top Three (Onondaga)

Thin Line – Graywolf Blues Band (Yaqui, Seminole, Choctaw, Cherokee, Muskogee)

BEST COMPILATION RECORDING

All My Best – Gilbert Tyner (Comanche)

Honoring Traditions Pow Wow (Intertribal) –Various Artists

Live As One – Jan Michael Looking Wolf (Kalupuya)

The Color of Hope – Various Artists

The Red Road: Peyote Way – Various (Intertribal)

Volume 2 – Two Rivers (Tohono O’odham)

BEST COUNTRY RECORDING

Got You Covered – Leanne Goose & SnowBlind (Inuit & Dene)

Native Heart – C.C. Murdock (Shoshone/Piaute)

Sexy Mama – Rodeo Highway (Navajo)

Shattered Glass – Mike Gouchie (Lheidli T’enneh)

Soul Back Jack – Desiree Dorion (Cree)

The Old Road – Hudson Dean (Grand Ronde)

DEBUT ARTIST OF THE YEAR –

Bear Fox (Mohawk) – Rich Girl

Doc featuring Spencer Battiest (Seminole) – The Storm

Don Amero (Metis) – The Long Way Home

Dylan Jenet Collins (Montaukett) – Hear Our Prayer

Josh Halverson (Mdewakanton Sioux) – These Times

Uno (Cherokee) – A Strange Revolt

DEBUT DUO OR GROUP OF THE YEAR

Aura Surey (Cherokee) – Many Roads Home

Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee) – Pum Vculvke Vrrakuecetv

Mike Hammar and The Nails (Muscogee Creek) – Recipe for the Blues

October Soul (Lac Courte Oreilles) – Don’t Turn Back

Plenty Wolf Singers (Oglala Lakota) – Plenty Wolf SIngers

Wendy Jo Bradshaw & Rose Yazzi Thomas (Nez Perce/Navajo) – A Great Gift

BEST FEMALE ARTIST

Becky Thomas (Cherokee) – Sacred Ground

Desiree Dorion (Cree) – Soul Back Jack

Lady Xplicit (Navajo) – Cali Girl

Leanne Goose & SnowBlind (Inuit & Dene) – Got You Covered

Shelley Morningsong (Northern Cheyenne) – Full Circle

Talibah Begay (Navajo Dine) – Navajo Songs for Children

BEST FOLK RECORDING

Ayosgi (Soldier) – Clear Water Drum (Cherokee/Yaqui/Metis)

Native Anthropology, Challenge, Choice and Promise in the 21st Century – Jack Gladstone (Blackfeet)

Reservation Reflections – Frank “Anakwad” Montano (Ojibwe)

The Long Way Home – Don Amero (Metis)

Under A Different Day – Peter Sackaney (Cree)

You (Understood) – Samantha Crain (Choctaw)

FLUTIST OF THE YEAR –

Anthony Wakeman (Pottowatomi/Oglala Lakota) – Handprints of Our People

Cody Blackbird (Cherokee) – The Journey

Brad Clonch (Choctaw) – Live At The McSwain Theatre

Jason Chamakese (Cree) – Native American Flute Songs Volume 2

Jonathan C. Ward (Lumbee) – An Epic Ride

Vince Redhouse (Navajo) – Hozhooji’ – The Beauty and Blessing Within Us

BEST GOSPEL INSPIRATIONAL RECORDING

God is With You – Echoes of Faith (Lumbee)

Hymns – Golana (Cherokee)

Likanii Tse Bii Holo – Larry Kaibetoney ( Navajo)

My Jesus I Love Thee – Yvonne St. Germaine (Metis)

Passionate Love – Evan Lee Cummins

Sacred Ground – Becky Thomas (Cherokee)

GROUP OF THE YEAR

Marc Brown & The Blues Crew (Huslia) – Indian Rock ‘n Roll

Nake Nula Waun (Rosebud Sioux) – Scars and Bars

Northern Cree (Cree) – Temptations

Pipestone (Ojibwe) – As The Rez Turns

Sayani (Cherokee) – Breakaway

Wind Spirit Drum (Lenape, Mic Mac, Cherokee) – Ancient Winds

BEST HISTORICAL LINGUISTIC RECORDING

Alowanpi: Songs of Honoring, Lakota Classicss Past & Present – Porcupine Singers (Lakota)

My Life Is My Sun Dance: Prison Writings of Leonard Peltier – Harvey Arden w/Rev Goat Carson & New Orleans Light

Native Anthropology, Challenge, Choice and Promise in the 21st Century -Jack Gladstone (Blackfeet)

Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man – Lakota)

Pum Vculvke Vrrakuecetv – Marcus Briggs-Cloud & Anna Rangel-Clough (Muscogee)

What Would Crazy Horse Say? – Shadowyze (Muskogee Creek)

BEST INSTRUMENTAL RECORDING

Corn & Boots – Northern Cree Fiddle (Cree)

Where the Sun Rises-Estun-Bah (Apache)

How Sweet The Sound – Southern Scratch (Tohono O’odham)

Passion Fire & Grace – Gabriel Ayala (Yaqui) & Will Clipman

Songs For Turtle Island – Vince Fontaine (Ojibway)

Spider Brings Fire – Nashville String Machine (Chickasaw)

BEST LATIN AMERICAN RECORDING

Great Spirit – Jimmy Lee Young (Mayan)

Indians Colour – Luis Capcha Vilchez (Quechua Inka/Peru)

Pura Vida: This is Pure Life – Randy Granger (Choltan/Mayan)

Sanchito – .Luis Capcha & Naomi Torres (Peruvian Indigenius Quechua Inka)

Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

Taino Prayer Song – Aura Surey (Echota Cherokee, Taino)

BEST MALE ARTIST

Aaron White (Dine) – Handprints of Our People

Derek Miller (Mohawk/Ojibway) – Stoned For Days

Gary Small (Northern Cheyenne) – Wyoming (For Dummies)

Jan Michael Looking Wolf (Kalupuya) – Live As One

Opie Day Bedeau (Chippewa) – One Love Round Dance Songs

Shane Yellowbird (Cree) – It’s About Time

BEST NATIVE AMERICAN CHURCH RECORDING

All My Best – Gilbert Tyner (Comanche)

Greatest Hits – Meewasin Oma (Cree)

Love Songs of the Native American Church – Kevin Yazzie (Navajo)

Old Style Native American Peyote Songs – Antonio Woody (Navajo Dine)

Renewed Spirit: Harmonized Church Hymns of the Kiowa – Cheevers Toppah (Kiowa)

The Red Road: Peyote Way – Various

BEST NEW AGE RECORDING

Ancient Elements – Rushingwind & Mucklow (Cahuilla)

Flute Meditations – David Searching Owl (Abnaki)

Hymns – Golana (Cherokee)

It’s About Time – Herman Edward (Okanagan/Similkameen)

Prairie Meditation – JJ Kent (Oglala Sioux)

White Cloud Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

with Randy Armstrong and Volker Nahrmann

BEST POP RECORDING

Bigfoot – Bobby Bullet (Lac Du Flambeau)

Full Circle – Shelley Morningsong (Northern Cheyenne)

Great Spirit – Jimmy Lee Young (Mayan)

Hear Our Prayer – Dylan Jenet Collins (Montaukett)

Scars and Bars – Nake Nula Waun (Rosebud Sioux)

These Times – Josh Halverson (Mdewakanton Sioux)

BEST POW WOW RECORDING

As The Rez Turns – Pipestone (Ojibwe)

Black Thunder – Black Thunder Singers (Oglala Lakota/Inupiaq/Micmac)

Chasing The Sun – Midnite Express (Sioux, Ojibwe, Menominee)

Plenty Wolf SIngers – Plenty Wolf Singers (Oglala Lakota)

Temptations – Northern Cree (Cree)

XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

BEST PRODUCER

Brad Clonch (Choctaw) – Chickasha Alhiha’

George Morgan – The Water Place

Kevin Charbo & Bob Frank – Shattered Glass

Michael Mucklow– Ancient Elements

Stephen Butler – Handprints of Our People

Vince Fontaine – Songs For Turtle Island

BEST RAP/HIP HOP RECORDING * Three way tie for last nominee slot

A Strange Revolt – Uno (Cherokee)

Cali Girl- Lady Xplicit (Navajo)

Lowlife – Rezhogs (Yakama)

Passionate Love – Evan Lee Cummins (Crow)

Scars and Bars – Nake Nula Waun (Rosebud Sioux)

The Rapture – Buggin Malone (Oneida)

The Storm – Doc featuring Spencer Battiest (Seminole)

RECORD OF THE YEAR

As The Rez Turns – Pipestone (Ojibwe)

An Epic Ride – Jonathan C. Ward (Lumbee)

Full Circle – Shelley Morningsong (Northern Cheyenne)

It’s About Time – Shane Yellowbird (Cree) (US Release)

Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

Stoned For Days- Derek Miller (Mohawk/Ojibway)

BEST ROCK RECORDING

Alaska Jazz – Archie Cavanaugh (Tlingit)

Don’t Turn Back – October Soul (Lac Courte Oreilles)

Mulligan – Tonemah (Kiowa/Comanche/Tuscarora)

The Red Album – Original Xit aka Ox Boyz (Taos, Santa Domingo, Laguna Pueblo)

Tribal Thunder – The Blessed Blend (Taino, Creek, Cherokee)

Wyoming (For Dummies) – Gary Small & The Coyote Brothers (Northern Cheyenne)

SONG SINGLE OF THE YEAR –

“All My Relations” – Duane Deemer Wind Horse (Choctaw/Cherokee)

“Cybergirl” – Raphael Deas (Apache)

“Heavy” – Nake Nula Waun (Rosebud Sioux)

“Hometown Hero” – Dark Water Rising (Lumbie/Cohorie)

“I Can Help You With That” – Shane Yellowbird (Cree)

“Out of Many We Are One” – Joseph FireCrow, Thomasina Levy & Others (Northern Cheyenne)

“The Storm” – Doc featuring Spencer Battiest (Seminole)

SONGWRITER OF THE YEAR

Dawn Avery & Janet Rogers (Mohawk) – Our Fire

Jack Gladstone – Native Anthropology Challenge, Choice and Promise in the 21st Century

Kyra Climbingbear (Eastern Cherokee) – Kyra Climbingbear

Rona Yellow Robe & Bruce Witham Robe (Chippewa Cree) – Voice of the Trees

Jamie Brace (Lac Courte Oreilles) – Don’t Turn Back

Josh Halverson (Mdewakanton Sioux) – These Times

BEST SPOKEN WORD RECORDING

Just For Kids – Deborah New Moon Rising (Abenaki)

Moccasins and Microphones: Modern Native Storytelling through Performance Poetry – Santa Fe Indian School Spoken Word Team (Intertribal)

My Life Is My Sun Dance, by Harvey Arden and Leonard Peltier with arrangements by Rev. Goat Carson and the New Orleans Light

Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man)

Red Grass – Terry Lee Whetstone (Cherokee)

BEST TRADITONAL RECORDING

Faith, Hope, Charity, Compassion – Nantaanii Nez Yeis The Eteittys (Navajo)

It’s A New Day For Love – Oshkii Giizhik Singers (Anishnaabe)

Keshjee, Navajo Shoegame Songs – Porcupine Singers (Navajo)

Navajo Songs for Children – Talibah Begay (Navajo Dine)

The Gift of Love – Randy Wood (Cree)

Wiohinhanble The Dream (Rosebud Sioux) – Kashnapi The Mystic Elk Dreamer (Rosebud Sioux)

BEST SHORT FORM MUSIC VIDEO –

Can’t Change The World – Shy-Anne Hovorka (Metis)

Grandfather – Wind Spirit Drum, Karla La Rive, Chris Crosby

Live As One – Jan Michael Looking Wolf & Various Artists

Pick Up Truck – Shane Yellowbird (Cree)

Stoned For Days – Derek Miller (Mohawk/Ojibway)

XI Pow Wow Songs Recorded Live @ San Manuel – Bear Creek (Ojibwe)

BEST LONG FORM MUSIC VIDEO

Blake & Tracy Nelson and The Native Blues Band & Guests (Viejas Band of Kumeyaay Indians)

Injunuity (Chickasaw/Choctaw) – Live At The McSwain Theatre

Journey To Soul Blessings – Tony Redhouse (Navajo)

Live At The Winsted Green – Joseph FireCrow (Northern Cheyenne)

Questions For Crazy Horse – Oliver Tuthill

Pow Wow Music -Cree Confederation

BEST WAILA RECORDING

A Little Beat of Something For Everyone – Native Pride (Tohono O’odham)

Corn & Boots – Northern Cree Fiddle (Cree)

How Sweet The Sound – Southern Scratch (Tohono O’odham)

PD – Live – Papago Warrior (Tohono O’odham)

Pure Nativez – Pure Nativez (Tohono O’odham)

Timeless – Native Thunder (Tohono O’odham)

BEST WORLD MUSIC RECORDING

Indians Colour – Luis Capcha Vilchez (Quechua/Peru)

Kayas – Rhonda Head (Cree)

Many Roads Home – Aura Surey (Cherokee)

Pura Vida – This is Pure Life – Randy Granger (Choltan/Mayan)

Red Dreams, A Trail Beyond Tears – Joy Harjo (Muskoke)

Valley of Thunder – Gvwi (Cherokee)

NATIVE HEART

Bernhard Wolfsheart Weilguni – Call of the Canyons

Harvey Arden – Noble Red Man: Lakota Wisdomkeeper, by Harvey Arden & Mathew King (Noble Red Man): Lakota Wisdom Keepers

Jonny Lipford – Breeze @ 72 Degrees

Marco Capelli Frucht – Frybread

Peter Phippen – Summerland

Terry Frazier – My Spirit Voice

09/06/2011

Humbled by my friend Aaron and so many others!

Filed under: Food,Music and Stuff,News,Pop Culture — admin @ 10:00 am

My friend Aaron saw me in a Starbucks the other day and said “I really love your ‘Frybread’ song.” I blushed and said thanks. “No, you don’t know. I mean I really really love it. My girlfriend loves it, the kids love it, we play it in the car constantly.” I’m so grateful he loves it, and I’m also quite happy that these lyrics are being sung along to. That means the world to me.

Congrats on your submission this year! Good music!

— Jan Michael Reibach

This song brings me back to my grandmothers cooking..YUMMY. Thanks Marco and God bless.

— Silver Starr Sargent

I’ll always remember frybread.. (and the versions of Sean singing it while we were married omg) lol and the kids LOVE the song I hope it gets you that nammy… you really deserve it!!

— Charlene Mills

This post is essentially an extention of the earlier one down there:    http://muffinbottoms.org/?p=872

So much is happening so swiftly in my life, I need to figure out on the fly how to combine these two into one post. 😉

08/06/2011

What people have been saying about my song “Frybread.”

I just want some frybread now!!! Congrats and awesome!!!!

— Kim Bruso

how can you be my nanna, if you won’t make me frybread?!

— Joanne Stamp Packer

Here’s what some are saying about my folksong named “FryBread.”

Way to go Marco!!!

— Charly Lowry

We loved hearing it live last night Marco, good luck!

— Frank Nerkowski

HOORAY!

— Carolyn Hester

“Fried bread Fried bread make me some Fried Bread. Good enough for us Yakama NDN’s to listen to.”

— Roy Dick

OMG. Frybread!!!! The song is quite endearing, Marco! I just did a search for the song on youtube and watched the video. Now I’m hungry!

— Maria Madole Bareiss

Hey, hey, Marco! I am very happy for you. Thanks for keeping the faith in fighting for justice.

— Paul Wozniak

“I gotta admit, all the while I was doing yardwork over the weekend, I found myself singing the chorus to frybread. In fact, it was weighing on my mind so much, that once I finished, I immediately went inside and taught it to myself on the piano”

— John Carta

killer, marco. this is great news.

— Chris Castle

Yeah, baby!!! I love to see my friends– esp. former students– achieve success. In part, that is a measure of satisfaction for me. In fact, I shall take full credit for your nomination… j.k.

— Denise Sweet

Right On Marco!!

— Ed Stasium

You’re 100% bad ass!!! Congrats, man.

— Ben Parent

Congrats!

— Juliette Tworsey

i love frybread!!!!!!!!!!!!!!!!!!!!!! lol

— Supertorch9

Very COOL! Congrats!!!

— Rick Rumpel

sweet brother! good luck to ya!

— Daniel Rodriguez

Congratulations Marco! 🙂 thats awesome!

— Michael Kickingbear Johnson

Congratulations!

— Dennis Kinsey

Good for you Marco! You deserve to win! I’m voting for you.

—  Michael Bucher

Congratulations Nyro and Marco!

— Takako Yoshioka

Totally awesome. I am a Southern California Native myself. I wish you the best with the Nammy’s. Each and every year there is wonderful artists there.

— Ashton Haze

“I’d recommend you point your web browser at the following address: http://www.frucht.org/roberta.html (check out the Fry Bread song) But then, what the hell do I know,…….. I’m just a sheepherder.”

— Bo Peep

Listen to this song here:

https://www.reverbnation.com/marcofrucht/song/8025975-frybread-chorus

or search for it in your Spotify or iTunes account.

Also, I would just love it if you would consider going to the http://www.nammys.org site soon and vote for this song and so many other positive and uplifting tunes. 😉

🙂

05/21/2011

Tweets from the edge on Judgement Day.

Filed under: Humor,Mundane Or Sublime,Pop Culture — admin @ 9:19 am

A Hunter S. Thompsonian look at the newest end times.

“It just hasn’t gotten weird enough for me.”

1. Hold still, I see you have a little bit of Rapture on your chin, I’ll get that…

2. Any good Judgement Day requires a good soundtrack. Might I suggesthttp://www.reverbnation.com/marcofrucht

3. I wonder if maybe the rapture already happened and none of us know it.about 3 hours ago via web

o Delete

4. @MKEIMC FLASH – The world ended 4 hours ago in Nairobi. Please make a note of it.http://tinyurl.com/TheTheTheThatsAllFolks RTabout 15 hours ago via web in reply to MKEIMC

o

5. @DanteRoss After the Rapture I’ll put on my best Donald Trump face, father a love-child or two like Ahnold, and then say, “Winning!9:21 AM May 20th via web in reply to DanteRoss

o

6. @MarcFrucht Uh oh, Christian Heavy Metal Band Stryper hasn’t listed any tour dates for the rest of May…8:45 AM May 20th via web in reply to MarcFrucht

o

7. Some Hopi Elders say there’s little worry if you’ve been “good,” it’s more like Spring coming! http://www.tinyurl.com/springtocome8:14 PM May 19th via web

OK, Aukland, Sydney, Melbourne and the Chathams Islands are all reporting that it’s tomorrow and everything is just fine. But it’s still 5pm in Minsk and Istanbul so keep an eye out.

Wait, what if the Zombie Apocalypse happens at the same exact time as the Rapture? I’ll be so confused.

Calgon stock is way up because of their slogan “Take Me Away!”

It’s 530pm in Tehran, we’ll know something soon.

So kids all over the country are refusing to clean their rooms now, because “rapture so who cares?”

FLASH – The world has been ending in Prague now for three hours. Please make a note of it.

FLASH – The world ended 4 hours ago in Nairobi. Please make a note of it.

Oh no. Watch this. Now I’m worried.

http://www.youtube.com/watch?v=_penLnDqIlE&feature=related

You mean we all get judged tomorrow? I sure hope Simon Phillip Cowell’s not going to be there; that old-washed-up-never-has-been.

/Lenny Bruce is not afraid…/

Who wants to go shopping? I hear there’s going to be really good sales after the rapture. And wait, isn’t it already Saturday in Japan for the past couple hours? Hmm…

Lord, please assure me we’re not all going to go like in a Rebecca Black song! http://www.youtube.com/watch?v=CD2LRROpph0

Wait, I have a question is the Rapture going to be like New Years Rockin’ Eve where it happens first in Japan and then works its way to New Years Rockin’ Rapture, and then a few hours later hits Hollywood? That’s it, I’m heading to Hawaii…

Uh oh, Christian Heavy Metal Band Stryper doesn’t list any tour dates for the rest of May!

http://www.stryper.com/

Some Hopi Elders say there’s less to worry about than you think, you know. It’s not your nightmare version of “end of the world,” at all. If you’ve been “good,” it’s more like Spring coming!

http://www.youtube.com/watch?v=mBPghmuV8SY

Oh man, wouldn’t that be funny if it was a typo and some stupid “expert” went and told everyone there’s going to be a rapture when really it was only going to be a big ol’ California Condor or something? LOL

https://www.facebook.com/photo.php?fbid=10150195372931697&set=a.17303071696.8622.505636696&type=1&theater

04/10/2011

Liner Notes and Back Cover of Chiapaneca Rekkid. Enjoy!

Filed under: Academic,Music and Stuff,News,Pop Culture — admin @ 6:45 am

A

Chiapaneca is a tone poem

It is December 22, 1997.

A paramitlitary group called “Paz y Justicia” rapes and murders dozens of women and children

at a prayer meeting in Acteal, Chenalho, Chiapas. One paramilitary chooses to leave. He

picks up a little girl, Marcela saving her from harm. But later he is found out in the act

of helping her escape to the neighboring village and they hang him after much torture.

Aggressively they search for little Marcela but give up after a time.

There are other witnesses they weren’t able to kill.

Undetected, a guitarist sits in the bushes; waiting for them to leave. He remembers

everything he has seen.

Dedications: RIP Matt Chew, __________ [Censored], my Dad, John Ross, The Bees, Alma and you.

i dig local musicians.

UPC: 700261324746

Poet, Producer and Writer Marco Capelli Frucht wishes the four Sledge Grits

girls all the continued success that can possibly come along to match their

amazing skills and talent!!

ShoutOuts: Snark tuners, Page Capos, SIT strings, Zinky amps and the only new

guitar purchases anymore are Navatone and Godin.

Recording Studios acknowledged:

Lite Straw, Pwop, Dirt Floor.

http://www.oilpanalley.com

http://www.frucht.org

Oasis Disc Manufacturing

B

Frybread was written near Black Mesa Arizona

(Ch)Fry bread, frybread, make me some frybread

How can you be my Nana if you won’t make me frybread.

Frybread, frybread, make me some frybread,

How can you be a Nana if you won’t make some frybread.

Make me some frybread, chop up some peppers,

Make up some frybread- add some beans and cheese

How ’bout some frybread ‘n lettuce n’ tomatoes

Make it any kind of bread but make some fry bread please.

(ch)

I’ll herd the sheep for you I’ll chop the wood.

I’ll mud the roof if you’ll only make frybread

I’ll sweep the floor auntie, I promise I’ll be good.

I’ll learn a song for you but please make some fry bread.

(ch)

Wheat flour or white flour

Use any kind of flour

Heck even Jewish rye flour

But make some frybread please.

(chorus, repeat and fade…)

This song dedicated to all of Bob and Bonnie’s children.

Shouts to my Nana, my Bubbe, Ana Egge and Mrs. Laurie, (my 5th grade

English teacher at Groton Heights.)

04/02/2011

“Say what you mean.” — Bar Colby

Filed under: Academic,Pop Culture,Tech — admin @ 6:46 am

Attention well paid experts in your own field: when you say something is “kind of,” “kind of like,” or “like” you’re often carrying absolutely no added meaning — please don’t say it! Or at the very least please refrain from using it three times in the same sentence. It makes you sound very inarticulate or dare I say stupid.

😛

I mean, I was like furious, and you know, I mean I was like looking this over and I was like is he saying anything? He really doesn’t seem to be saying a single thing. Really? Really. Really. I was like, really? Really??

For example the following passage: “You know, it’s like when I saw people using [NOUN] with [NOUN] like with [NOUN,] they would have to write up a lot of like glue code, like a lot of just kind of redundant, the same thing over and over again and I was like, oh, let’s just get rid of that so they can write like I’m really — It’s actually kind of similar in the sense that this lets you maintain your [ADJECTIVE] state, whereas, [NOUN] will reshuffle the UI to match that state. One of the cool things you can do is you can say like just kind of reducing the kind of junk code you have to write that kind of obscures your intent”

can better read as follows:

“I saw people using [NOUN], [NOUN] and [NOUN] all written with glue code, so redundant. I cut all that while still managing to maintain [ADJECTIVE] state. One cool thing you can do is remove any junk code which obscures your intent.”

And yes, I obfuscated the descriptive terms because it really doesn’t matter who keeps doing this, just please cut it out!!

02/08/2011

Not Reviewing David Mamet’s Book ‘Theater’ Just Saying.

Filed under: Academic,Mundane Or Sublime,Pop Culture — admin @ 1:55 pm

0. Storytelling lives on despite our genocide of almost every storyteller before us. Can we survive the next round? Should we?

I appreciate David Mamet’s inquiries in his new book THEATER [978-0-571-25524-5]; but not his awfully snarky tone. Some of what I read in this book is spot on but most isn’t. Here are some raw notes I’ve made as I was reading his arguments. I won’t bother explaining much of each reply’s antecedent. I’m not in any classes this semester and this is NOT an academic paper. Consider it more of a non-traditional and multifaceted response paper. I’ve kept page numbers in case you’d like to thumb through the book yourself and see what specifics might’ve irked me so.

Enjoy.

12. An eagle needs 300 miles. S/he’s survived confinement inside our modern lack of space for hundreds of years now. Notice I said survived and not thrived. This whole chapter [2. Hunter and the Game] tries to say that a play’s entire domain is its audience and that this audience has disappeared. Mamet makes fast work of claiming that the middle class is gone. He must not notice that people at the top of poverty as well as the bottom of wealth constantly insist they are middle class. Well, if enough of them insist it — I hate to break it to you but — it becomes true. So it hasn’t totally disappeared. Shrunk perhaps; or changed drastically leaving so many playwrights behind maybe, but it’s not gone.

42. Winona Ryder, Al Pacino and Eugene O’Neill would NOT agree. See “Hairy Ape” or “Looking For Richard. “ Mamet is claiming that an actor cannot prepare anything for a role. S/he can only read lines how the instructions require. Wow.

57. How do you explain Moliere, then? Hair? Jesus Christ Superstar? Always be political just never let anyone know you HAVE been so. “Should the theater be political,” Mamet asks and tells, “Absolutely not.” Jean-Baptiste Poquelin’s career [this is/was Moliere’s real name] spanned almost as long as Shakespeare’s. That certainly implies he had commercial success with some of his work. I have yet to read something from him that isn’t redressing grievances against Kings or Popes.

72. Mamet contradicts himself often. I won’t pick on specifics. I’ll have to read his other books to see if he’s a real critic or just a complete hater like Christopher Hitchens or P.J. O’Rourke. It’s so easy to write what you hate. Let’s hear what you love. Or has this author removed all of the love from his book like so much negative space?

83. See what I mean about negative space? Author is definitely not an artist. “Most actors pause before each line,” he says and then asks, “Why? Pick up the pace. Nobody pays to see you think.” Sure they do. They don’t like over produced language, but they won’t tolerate undeveloped characters for very long either. Throw me 20 fastballs in a row and I’ll eventually start hitting homeruns and then just quit. An occasional changeup or curveball will keep me in the game.

101. I’ve never before seen someone claim it’s all about money and it’s not about money at the same time. I have now.

106. There is such thing as instant feedback such as rotten fruits and vegetables, boos, moneyback demands and the like. But plays and movies are partly written WITHOUT the audience in mind. Were it not, writers would only produce for a lowest common denominator and therefore lose people like me forever. The current fare would MORE closely resemble the fictitious movie “Ass” inside of the movie “Idiocracy.” What??? You’ve never seen it? Maybe you need to see it, or MAYBE YOU DON’T. http://video.google.com/videoplay?docid=-4491313230254736145# Don’t say I didn’t warn you. It CAN get this terrible, people.

116. One of the few things I agree fully with Mamet on! Writing cannot be taught. It can be inspired, and honed but not taught. I believe with all my heart that I was a writer before I was born. I noticed this in 5th grade. It came from having a very cool English teacher. She was over a hundred years old I thought, and she had the wisdom of a million ancient ones. What she imparted on me was not how to write. It was how best you can express yourself. She showed me some tools and technique and stayed excited the whole time. I caught that. I did not catch “how to write” from this Mrs. Laurie; but I did watch myself become a writer under her tutelage to be sure.

154 Were it only about time, Samuel Beckett and Norman Lear would never have had any success; Stanislovsky or O’Neill for that matter. Or is Mamet just a name dropper? I’ll read one of his earlier books and try to find out. In fact what is it about “western” civilization and its obsession with time? Is it a fixation or fetish perhaps? Indigenous storytelling all over the world has little or no regard for (or even a focus upon) time. In a Jeff Barnaby or Sherman Alexie film you will drive yourself certifiably insane if you insist on knowing what happened before during or after some other event. Did it happen? It happened. Tell me again about that thing that happened. I don’t really care if it happened before or after you or I were born even.

Speaking of which, when did David Mamet publish this book? 2010, but the paperback hasn’t even hit the EEUU yet. So for all intents and purposes, no-one-who-is-anyone has read it yet.

12/29/2010

Mike Figgis’ Filmmaking Book Was Great! Here go some excerpts…

Filed under: Academic,Mundane Or Sublime,Music and Stuff,Pop Culture,Tech — admin @ 8:30 am

Here are some quotes from the handy book, “Digital Filmmaking by Mike Figgis.

I really found his first person account of the transition from film to digital (Figgis made “Hotel” and “Leaving Las Vegas” and so many other movies that don’t get named as often) to be one of the best descriptions of not just what’s being done in the industry, but what each of us can do right this moment with what most of us already have!

“Mike Figgis is a man who lives and breathes the cinema… While most filmmakers are content to plod their dreary way from one foregone conclusion to another, Figgis is out there on the edge, joyously pulling off cockamamie stunts.” — Roger Ebert.

Ten years ago the professional camera was entirely out of reach to anyone other than millionaires. And now we have these things that are almost disposable.

One of the great film composers, Morricone, formulated a list of advice to filmmakers and composers. He advised that you should not change the key of your piece of music unless you have a real good reason to — because when you change the key, it makes the audience think something else has changed. the function of music is to UNDERSCORE. We use the word ‘score,’ but what we really mean is ‘underscore.’ The score should not lead but support the film, adding tension and emotional subtlety. It is UNDER the film. I have a huge problem with a lot of scores that I hear, which are definitely not under – they are OVER the film.

Opposed to this is making a digital film, where you should sort of infiltrate yourself into a natural environment, and not try to change it. You don’t stop the traffic, you don’t highlight your presence, you don’t put up a big neon sign announcing the film. It’s rather like taking a stills photograph — in a subtle way, after a while people don’t seem to see you anymore because you’re not shouting, ‘We need silence now!’ Or, ‘Stop the traffic!’ and the director’s not screaming, ‘Who let that person through?’ You just observe the environment sufficiently to knkow where to put the camera, and then you let the environment continue. The actors are then reacting to natural phenomena rather than fake phenomena.

I will never see my footage as an object — a can of film, a tape in a case, a reel of sound, a negative of a still image. Those formats are all poised to disappear. This makes me feel insecure, and I have resorted to spending days making back-up copies of all my information. I have had no choice but to become an obsessive filing clerk. I make three copies of everything I generate, and then I deposit each of the three at a different location. Why? Because in my deeply superstitious pagan mind, I have the notion that otherwise it could vanish without a trace.

What happens in America with mainstream films is that they test the film, and if it doesn’t test very well, the first thing that will be blamed will be the music — hence the hysteria of adding louder and louder strings and making a bigger noise. Maybe the answer would be to take the music off altogether and then test the film, and afterwards start gently adding it back in.

It was Sony, the great innovator, who came up with DAT – digital audio tape, a tiny but highly sophisticated tape. The first record-and-playback DAT machines were very well made, very robust, professional machines, not cheap but not fearfully expensive. And almost immediately the industry accepted it: DAT became THE format for mastering sound. Certain engineers whom I talked to at the time were horrified. ‘The quality’s great, but where’s your security? This is a tiny piece of tape in a plastic box…’ — whereas before, you were using really big four-inch-wide master tapes. DAT wasn’t invented as something to take over as the mastering format for recorded sound, but that’s the way innovation works.

…it means you can shoot at very low shutter speed, plus you can change the aperture to make a very high-contrast black and white image. Which means you can virtually shoot in the dark.

[MY THOUGHT: when I read that; Maybe the jump from 8 to super8 was bigger than any other technological advance yet, except maybe DAT]

—————————————————————————

So yes, these quotes are all over the place, they’re just the pieces which struck me the hardest on my first read.

If you want to see most of them in their own context, almost all the pages are up at:

http://books.google.com/books?id=tTG3luLsbrAC&lpg=PP1&ots=SbKt0JfX9M&dq=figgis%20filmmaking&pg=PA56#v=snippet&q=opposed%20to%20this&f=false

and/or you can buy the book at

For so much more info about Mike Figgis:

http://www.red-mullet.com/home.html

http://www.myspace.com/mikefiggis

11/30/2010

Reply as BlogPost

Filed under: Mundane Or Sublime,Music and Stuff,Pop Culture,Tech — admin @ 9:47 am

Sometimes I go long on a reply somewhere and look it over after hitting send and realize it’s its own blog post really.

Here’s another one I believe stands on its own just fine. (I’ll try to bring forward context as well though.)

Our society is so out of control. We’ve completely lost sight of what matters until we see a great moment in a great movie or something and then we shed what, one single tear that feels like “I get it…” and then we go right back to all the unnatural things in life that we’ve been conditioned through a lifetime to think are natural.

Yikes.

I’m immersed in all these same things, but I try to be mindful at all times of concepts such as “I am not my cellphone,” “I am not my car,” “I am not my hair style,” and “I am not my body type!”

Especially while making art because those are the things that are going to continue past my own words spoken and footsteps taken, etc.

RE:

pic and quote on a friend’s post

“The funny thing is that some people reduce freedom to a brand,” Gaga said between tears. “They think that it’s trendy now to be free. They think it’s trendy to be excited about your identity. When in truth, there is nothing trendy about ‘Born This Way.’ ‘Born This Way’ is a spirit, and it is this connection that we all share. It is something so much deeper than a wig or a lipstick or an outfit or a f**kn’ meat dress. ‘Born This Way’ is about us, ‘Born This Way’ is about what keeps us up at night and makes us afraid.” –Lady Gaga, Poland (Nov. 2010)

And there was an

[IMAGE]

with Lady Gaga with a yellow phone over her left eye.

and my buddy wrote:

So so typical of today’s world: cellphone attached to our bodies as computers control, dictate every seconds of our lives…

[RElated]=[ http://sheepdognationrocks.blogspot.com ]

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